Throwback to just over 15 years ago and I had a steady diet of CW television shows like Buffy the Vampire Slayer, Angel, Charmed, and of course Roswell.
I was having a moment (feeling despondent and procrastinating) so I thought I take a trip down memory lane and watch an episode or two – but I ended up binge watching the entire 3 seasons. Oi vey!
What alarmed me was how much more discerning over content I am now that I’ve been professionally writing for over 10 years. While I was filled with nostalgia and angst, quietly slobbering at Jason Behr, and wished Liz (played by Shiri Appleby) was me, the construction of the episodes delivered a sting I was not prepared for.
There were some major issues with plot, continuity and believability. And don’t get me started on complexity.
The construction of each episode was great – they all told an important story, and even the scenes were framed perfectly… but the transition of scene to scene was shaky at times. Rational thought seemed to get tossed out the window. What happened to the path of least resistance and all that? I know it was manufactured the way it was to create drama, but couldn’t we have at least addressed the elephant in the room? I think this aspect was compounded at times by the special effects. Many were executed marvelously, where others resembled cheap, fake looking digital renders. I understand there is a budget for the production of each episode, and I’m subconsciously comparing it to today’s standards, but couldn’t they have filmed it in a different manner to eliminate the nasty look of the spfx? Some episodes were brilliant, where others screamed poor production and plot holes.
I’m still wondering about the whole alien abilities thing – which are supposed to be human abilities – when the human race have evolved to use a higher percentage of their brains. It’s not an unheard of mythology. But their abilities kept getting redefined and the past retconned on a number of occasions. Grrr!
Sometimes the cast were emotional, motivated, and complex; and other times, stereotypes… guest stars and supporting cast were often reduced to a cliché as well. But I think that is more a television thing than a Roswell thing. We are still viewing characters over-stylized into a role for easy identification. That’s the bad guy because he wears black and has a scar… I hate it when things get dumbed down for an audience. Especially in science fiction. You expect it in something like comedy, where you can overact, over-emphasize everything; but in sci-fi, it’s meant to be challenging, though provoking. Even if it is a teen drama. I would have liked to have seen the complexity set up at the beginning and slowly grow as the characters are tested with roadblocks each episode.
Again, the issue of spfx let me down with believability – it’s hard to get sucked into an imaginary world when your spitting out your cup of tea laughing at sub-par digital rendering. So to goes for terrible dialogue and poorly constructed scenes. You want your characters to explore and find themselves in a precarious position, not feel like they were placed there by the author and have their options removed by some unseen hand of God… that’s cheating!
I know this is sounding over-critical and ranty. Roswell will continue to remain one of my favourites (faults and all) but I think it’s a great exercise in constructing a scene, and writing a novel for that matter, to actively and critically watch shows. You start to see what works and what doesn’t. What is relying on the actors’ good looks or interpretation of the character, and what is bad screenwriting. Other times elements of production let down the story – the way it’s edited together, the treatment… there are so many aspects to focus on. So many tools you can use to objectify your own writing and potentially improve it.
I love reading books and casting a critical eye over them; but a television episode is usually a story told in 45 minutes, and to that end, you don’t have to invest so much time to flex your critical eye. It’s fun to mix it up in different mediums: movies, plays, short stories, novels, tv shows… keep it interesting.
Nonetheless Roswell is a guilty pleasure, the tween in me still swoons over the love-stories, and the geek in me salivates with the science fiction elements. There are constant nods to other icons in geekdom that felt like they were a personal call out to me as a viewer. I was distraught when the series was rushed to an end. It had so much potential, but seemed squandered in the wrong hands.
I did read the 10 book series that was commissioned to write by Melinda Metz, of which this television show was based off, (and a lot of fanfic after it was cancelled.) At the time, it enabled me to live in that universe just a moment longer, but none of it did the concept of this show any justice. I just had to kiss it goodbye and find something else to obsess over.
Now, when there is a trend to re-boot, re-make, and bring back television shows and movies, I wonder how this would actually happen for Roswell. The Romeo and Juliet vibe mixed in with stranded alien hybrid teen royalty, trying to find home… There would need to be a lot of tweaking of the original series for it to be re-introduced and engaging for today’s viewers, a darker and more sci-fi edge, but a character driven plot. Personally, I’d love to see it lead off with a group of healed humans coming to terms with their growing powers, trying to track down Max and Liz, and the rest of the gang (who are currently on the run.) Sherriff Valenti (also healed by Max, and now having his own alien abilities) could be running an underground alien alliance, grouping the growing number of new-humans-with-alien-powers spread across the globe back in Roswell to create a safe haven. A ‘hide in the least obvious place’ sort of thing. I’d like to see a re-imagined alien threat and a seemingly sympathetic government body looking to identify and help the human/hybrids, but have their own nefarious agenda… still a great concept! It would leave it open for guest spots or inclusion of the original cast, but primarily reinvigorate the original concept with a modern cast and contemporary edge.
I’m such the Dreamer…
You can support the Roswell Revival that is currently gaining traction through social media here: https://www.facebook.com/roswellmovie/
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9 thoughts on “Revisiting Roswell”
I used to love Roswell, Buffy, Angel and Charmed growing up! I’m a little scared to revisit them because of exactly that reason. I’m a little worried the nostalgia of them would be ruined for me if I compared them to the higher production values for the shows that are currently airing today.
Scary I know – but sometimes I can’t help myself. Don’t get me started on some of the Disney movies I saw as a child, some of them were made in the late `60’s early `70’s and are blatantly sexist and patriarchal. Not to mention how they stereotype people of other cultures… it’s all fun until someone loses an eye :p
I recently rewatched this as well and I feel like I rewatch old shows with a very different view now that I’m older! This was a really great blog and I love your idea for a “reboot”, it sounds like it could be really cool if executed well. 🙂
It was fun to immerse myself into that world again – and if a producer ever hits me up for screenwriting a reboot – I’m in 😉
I would definitely watch it 😉 haha
My plan is binge watch all my fav shows from the ’90s before Netflix pulls them. 😦 Roswell was definitely one. I had a HUGE crush on Behr! *sigh* Anyway, I agree, you definitely see things with a different eye when going back to things from your childhood and young adulthood. However, I do enjoy seeing actors from shows I currently watch but had completely forgotten were in these other ones. It’s a trip and makes me wonder, “Were we really ever that young looking?!” 🤣
I love a good binge session! I did it with ‘Smallville’ last year. It drove my flatmate crazy. Now whenever he heard to theme song he starts to tremble uncontrollably. Maybe it should have come with a trigger warning? :p
I love that song!!!
Ha ha ha