A perfect political mystery to kick off a CW tv series, or a Disney movie…
Genre: Y/A, Contemporary, Mystery
No. of pages: 327
The princess is dead. Long live the princess.
Centuries ago, the royal family of Adria was killed…or so everyone thought.
Now Grace Blakely knows the truth: There was one survivor, and that survivor’s blood runs through her veins. This simple fact could cause a revolution—which is why some people will stop at nothing to keep it from coming to light.
There is only one way for Grace to save herself, save her family, and save the boy she loves. She must outmaneuver her foes, cut through the web of lies that has surrounded her for years, and go back to the source of all her troubles, despite the risk.
If she wins, she will inherit a throne.
And if she loses, she will inherit the fate of all the dead princesses who came before her.
A trilogy that culminated in spectacular form! It still reminds me of ‘The Goonies,’ a bunch of teenagers pulling together against all odds, risking peril for their noble quest, ‘Take the Key and Lock Her Up’ captured my youthful excitement with its drama, subterfuge and a European setting.
The narrative dragged a bit for me – continual repetition of clues, rehashing of the past, and Grace’s “episodes’ – all recounted in such efficacy that I ended up putting this book down numerous times because I just wasn’t that into it. But that’s the worst of it.
I really liked Grace’s strength in this final installation of the Embassy Row trilogy. She was bad-ass. Though I found her continually slipping into PTSD mode : her episodes, were becoming tiring. I’d much rather see her come to terms with her demons earlier on in the piece. The whole wounded damsel thing was wearing thin. Especially when she was able to dismiss it and launch into terrifying situations in other moments. A little inconsistent from someone suffering the mental issues Grace was tackling.
The mystery side of things is expert level 10! I loved all of the plot twists, how facts were revealed, it is truly the best part of this series. Carter really knows how to plot and pace a story.
The rest of the Scooby Gang that featured so prominently in the first book, their relevance, and presence has slowly dwindled with each installment. To the point where I wasn’t really believing their friendship by the conclusion of ‘Take the Key and Lock Her Up.’ Grace manages to push people away and get so tied up in her predicament, she comes across as being a friend only when she needs their help for something. And don’t get me started on her brother Jamie – he felt like a prop, rather than a key person to the storyline and her motivation.
The same can be said for the love interest, Alexei, I got so invested in them over the second book (‘See How They Run’) of the trilogy, but didn’t feel the magic here.
I liked the twists and turns, but ‘Take the Key and Lock Her Up’ felt like some of the antagonists were practically cartoonish. The novel, and series, feels more like a Saturday cartoon serial than realistic YA fiction. It lacked a certain maturity in the writing style. I think it could have been streamlined and something extra injected into the narrative to give it some oomph without isolating its demographic.
It was fun, and I enjoyed ‘Take the Key and Lock Her Up,‘ but as you can gather from my review there is a tone of disappointment. It’s like the complexity and character development has been decreasing with each instalment. I really wanted things to go out in a mammoth climax. And while it was spectacular as far as plot goes, I did not connect so much with the characters this time. I didn’t get that buzz when I finished the last page like I normally do.
I won’t say it was predictable – because what I assumed was going to happen, totally didn’t. I really think if I had been able to get emotionally invested in the cast more, I would have given this a full five stars/kisses because the writing is marvelous, the story outstanding… it was just slightly juvenile… (which *cough* is totally is marketed demographic, so maybe I should just leave the room)
Definitely recommend this for younger YA audiences who love a mystery, lost princesses, action, and a bit of political intrigue.
Overall feeling: Bring me more popcorn!
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