It felt like that inappropriate conversation you had at your last dinner party.
Genre: Contemporary, Romance, GLBT
No. of pages: 266
In Paradise, there is no television. No fast food. Just long hours of farm work and prayer on a dusty Wyoming ranch, and nights in a crowded bunkhouse. The boys of the Compound are kept far from the sinners’ world.
But Joshua doesn’t need temptation to sin. His whole life, he’s wanted his best friend, Caleb. By day they work side by side. Only when Josh closes his eyes at night can they be together the way he craves.
It can never be. And his survival depends on keeping his terrible desires secret.
Caleb has always protected Josh against the worst of the bullying at the Compound. But he has secrets of his own, and a plan to get away — until it all backfires.
Josh finds himself homeless in a world that doesn’t want him. Can Caleb find him in time? And will they find a place of safety, where he can admit to Josh how he really feels?
This book was difficult and uncomfortable for me. Which feels hard to say because the narrative style and writing was quite pleasant. My discomfort came from the subject matter – a polygamy cult. Most of the time, anything I’ve read with a strong religious element is written so badly, and the prejudices that go along with their belief systems really gets my shackles up – so much that I usually toss (or throw) the book aside in frustration. But my biggest issue with ‘Goodbye Paradise’ was plausibility.
There were so many issues with poorly researched facts that I was grating my teeth through the entire novel. Men at the age of twenty, with a third grade education, isolated from the outside world would have a vastly different mindset to those of Caleb and Joshua. The lexicon they used was way off base. So too were a lot of their behaviours. The structure of the cult was on point, but the psychological ramifications of growing up in that environment were for the most part, completely ignored. Let alone introducing characters struggling with their sexual identity. In reality they would be seriously messed up.
Caleb and Joshua seemed to have everything so easy given their circumstances. So many missed opportunities to develop the characters and have them connect through these difficulties. I mean, the angst could have been off the charts. Instead, there was some fascination (in secret) followed by full on man-groping sex. The way it was written and presented made me lose all interest in seeing this couple together in an intimate way whatsoever. The language was rough and confronting. No romance. Though there were some occasional cuddly moments afterwards… but all that does not a memorable romance make.
Another pet hate – especially in romance novels with erotic content, is partners calling each other ‘baby.’ It’s just a thing which is a personal trigger of gagging noises… so it was just another thing working against me liking ‘Goodbye Paradise.’
Caleb and Joshua didn’t even have troubles to overcome in the real world all too much. Not over having grown up in a cult, not over having practically no education, and not over their self-tortured homosexuality. Even their attraction with each other was met with little self-flagellation.
I picked this book up after a rave review from a book reviewer I follow, and even after I bought it and read the blurb warning lights went off *trigger warning* this sounds like religious zealots, oppressed homosexuality and explicit sex scenes. This trope has been overdone. A little. But on the faith of a fellow lover of this genre I dived in. It’s a short book anyway, so it wouldn’t take up too much of my time.
The sex scenes did not feel titillating at all. It was all swearing and wham-bam-thank-you-man. Little build up, practically zero foreplay, a brief description of all the important bits, then a short dalliance in the afterglow. For a couple of bible bashed repressed young men, it felt totally out of character. I like my sex scenes to mean something to the plot, and to the characters. I need an emotional connection to find the scene rich and engrossing. Otherwise it comes off as insincere and smutty. ‘Goodbye Paradise’ was just on the wrong side of the line between the two.
So, I couldn’t get past the plausibility of the story to enjoy much else. Salina’s writing is lovely, but am hesitant to try any other one of her titles given the lack of character development, build-up of tension, and the abrupt, couth sex scenes. I don’t think I’d recommend this to anyone – there are so many better written novellas out there. Maybe I’d revisit this author again after she has cut her teeth on many more releases.
I didn’t get the complexity of plot or storyline either that I was hoping for – the blurb of the novel just about summarises the entire book. This was highly predictable with no surprises.
The last 20% of the book was fantastic – the pacing spot on, the plot twist and tension practically created a mini novel within this one. This last section is ‘Goodbye Paradise’s’ saving grace. I’d love to rate it higher, but looking at it as a whole, and what is already on the market, I’m sticking to my guns.
One little factoid – Sarina had previously released this book in 2015 under the pen name Nealy Wagner and it was titled ‘In Front of God and Everyone.’
Overall feeling: I wanted to love this, but I just can’t
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