A zombie apocalypse Aussie style!
Genre: Y/A, Horror, LGBT
No. of pages: 376
Who will you rely on in the zombie apocalypse?
Bodies on the TV, explosions, barriers, and people fleeing. No access to social media. And a dad who’ll suddenly bite your head off – literally. These teens have to learn a new resilience…
Members of a band wield weapons instead of instruments.
A pair of siblings find there’s only so much you can joke about, when the menace is this strong.
And a couple find depth among the chaos.
Highway Bodies is a unique zombie apocalypse story featuring a range of queer and gender non-conforming teens who have lost their families and friends and can only rely upon each other.
Once I got into ‘Highway Bodies’ I could not put this book down – I stayed up until 3am to finish it, and every tap, scratch, and spook noise from outside my widow and I’d freeze like I was living in a zombie apocalypse too. Having lived in Melbourne, Australia for over 7 years, it was great to recognise many of the landmarks referenced in this novel. And it was additionally a breath of fresh air to read a story where cis, straight-gendered people were the minority. ‘Highway Bodies’ has a lot going for it.
Told in three alternating perspectives from differing groups of teenagers as they witness the initiation of a viral outbreak from a meat processing plant, turning the population into flesh eating zombies. One of the narratives in particular is expressed in dialect slang – which is jarring at first – I didn’t like it so much, but then as the novel progresses and you get used to it, it really shines through and separates this perspective or Eve from the other two. Eve is transgender and flees from his home after his father turns and attacks Eve’s mother and brother. There is a lot of gore in ‘Highway Bodies’ think ‘The Walking Dead’ starring a diverse group of teens.
Dee leads the second narrative, a member of a rock band renting a house in the countryside while they practice and write new songs. Dee identifies as bisexual and we see many expression of genders and sexuality in her bandmates and throughout the novel. After the power cuts off and they cannot access the internet or get cell service they venture into town to find bodies everywhere, the whole town slaughtered. It doesn’t take them too long to run into their first zombie.
JoJo is our final non-binary protagonist, one of a pair of fraternal twins from a previously abusive home. Their mother is a nurse and after she returns to work and does not return home, JoJo and sister Rhea sneak to the hospital to investigate. Finding their mother, turned, and amongst a horde of caged zombies from a military presence.
After that things really to go hell in a fight for survival: from the zombies, the elements, and other survivors.
It took me a bit to click to what was going on with the switching of narratives in the beginning, it’s not until 50 pages in that you get a sense of the rhythm of ‘Highway Bodies’ and after that the pace and tension keep increasing right up until the end. I enjoyed Alison Evans writing style much more in this novel than I did in her debut ‘Ida.’ ‘Highway Bodies’ has a gruesome realism befitting the dystopian landscape. I found myself invested and caring about these teens plight. The conclusion is a bit of a one-two punch, but satisfying.
The three things holding me back from awarding a perfect score for this novel were the fact I didn’t know what was going on initially with the switching of perspectives. Maybe some chapter titles to let the reader know whose story we were following would have been helpful. The other was the affirmation of gender pronouns to be used when characters were introducing themselves to each other. I get the practicality of it, but in the setting the dialogue did not feel natural and true to the characters… but it is only my opinion. I would have liked to have seen a more intimate setting, or a correction to make this scene feel more authentic. And finally, though there is romance in ‘Highway Bodies’ it wasn’t given enough time to develop to a point for me to really get into the couplings. They were cute and I was rooting for them, but it missed some angst or something.
I have to applaud the representation in ‘Highway Bodies’ it helps raise awareness and give a voice to minority groups. I’m enjoy experiencing a world through the eyes of someone other than a straight white cis-gendered protagonist.
I liken this to Mindy McGinnis ‘Not a Drop to Drink’ it has the same level of brutality, a survival story – and as such is mostly predictable. You want the protagonists to stay alive and make it to the end of the novel; but the journey there has many unexpected turns. ‘Highway Bodies’ is one of my most favourite zombie apocalypse reads to date. And I can’t recommend this enough.
Just some trigger warnings for younger readers for assault, violence, gore, murder, and you know general zombiness.
Overall feeling: Aussie Awesomeness!
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