Book Review – ‘You’re Never Weird on the Internet (Almost)’ by Felicia Day

Deconstructing feminity in a male-driven industry… plus gaming and D&D and stuff.

Genre: Non-Fiction, Memoir

No. of pages: 272

From online entertainment mogul, actress, and “queen of the geeks” Felicia Day, a funny, quirky, and inspiring memoir about her unusual upbringing, her rise to Internet-stardom, and embracing her individuality to find success in Hollywood.

The Internet isn’t all cat videos. There’s also Felicia Day—violinist, filmmaker, Internet entrepreneur, compulsive gamer, hoagie specialist, and former lonely homeschooled girl who overcame her isolated childhood to become the ruler of a new world… or at least semi-influential in the world of Internet Geeks and Goodreads book clubs.

After growing up in the south where she was “home-schooled for hippie reasons”, Felicia moved to Hollywood to pursue her dream of becoming an actress and was immediately typecast as a crazy cat-lady secretary. But Felicia’s misadventures in Hollywood led her to produce her own web series, own her own production company, and become an Internet star.

Felicia’s short-ish life and her rags-to-riches rise to Internet fame launched her career as one of the most influential creators in new media. Now, Felicia’s strange world is filled with thoughts on creativity, video games, and a dash of mild feminist activism—just like her memoir.

I have to admit I was a massive fan of Felicia Day, mainly for her acting chops in shows like ‘Buffy the Vampire Slayer,’ ‘Eureka,’ ‘The Librarians,’ ‘The Magicians,’ ‘Supernatural,’ and ‘Dollhouse’ and the film ‘Red: Werewolf Hunter.’ I loved the fact there was another red headed actress out there making strides. I also knew she was kind of a geek, but that was the extent of what I knew of her. Delving into this memoir I became infinitely impressed with her drive and determination despite crippling anxiety and depression. She has two degrees, and effectively launched her own television production company (through web content.) Wowzer! What a chick.

I particularly loved how she approached each roadblock in her unique way. There was no ball-busting bitch. Day is a self-confessed delicate flower, yet she found ways to stand up against the Hollywood meat grinder, internet trolls, and financial struggles. It was such a delight to read about the antithesis of the cold, stone-faced, barren, corporate spinster women thought they needed to be to achieve success in a male dominated society.

She is pretty witty too. I laughed a few times, and enjoyed the memes she included in the books format to accompany the narrative. It wasn’t a laugh-riot, but has an upbeat quirky tone that I haven’t experienced in another memoir to date.

There is a lot of content about ‘The Guild’ and ‘Geek and Sundry’ – which is a major life achievement for her, but I was unfamiliar with a lot of that stuff, and not really into gaming, so my interest waned on the material… which is like, one third of the book. But underlying all of that content are gems and life lessons you learn as you navigate your way through self-discovery, and building a business.

I was particularly confronted towards the end around the internet hate, trolling, and doxing. Such an extreme form or bullying and so obviously done by white men throwing their opinions around and trying to tear down anyone who does not fit into the image they want them to. Felicia Day never comes out and says it directly – probably for legal reasons – but there is some plain-as-day misogynists out there in places of power, and hiding behind the anonymity of the internet that need to be checked, or simply removed from their thrones. Period. My heart bleeds for Day that she had to live through that experience.

This was a lovely read, and some of the content I could not relate to directly, but the core messages, and Felicia’s personality shine through. I’d definitely recommend this to anyone interested in acting, YouTube, gaming, or struggling with online hate. She has since published another book ‘Embrace Your Weird: Face Your Fears and Unleash Creativity’ which I am particularly interested in, as it sounds to be more focused on life-lessons and strategies for a creative driven business. Right up my alley.

Overall feeling: Brilliant insight.

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Obsession’ (#1 Arum) by Jennifer L. Armentrout

A more grown-up take of JLA’s famous franchise that didn’t quite do it justice.

Genre: Y/A, Science Fiction, Romance

No. of pages: 384

Hunter is a ruthless killer. And the Department of Defense has him firmly in their grasp, which usually doesn’t chafe too badly because he gets to kill bad guys. Most of the time he enjoys his job. That is, until he’s saddled with something he’s never had to do before: protect a human from his mortal enemy.

Serena Cross didn’t believe her best friend when she claimed to have seen the son of a powerful senator turn into something… unnatural. Who would? But then she witnesses her friend’s murder at the hands of what can only be an alien, thrusting her into a world that will kill to protect their secret.

Hunter stirs Serena’s temper and her lust despite their differences. Soon he’s doing the unthinkable—breaking the rules he’s lived by, going against the government to keep Serena safe. But are the aliens and the government the biggest threats to Serena’s life… or is it Hunter?

He’s arrogant, domineering, and… To. Die. For.

This book just wasn’t for me. I usually get a modicum of enjoyment from JLA titles, but the tone of ‘Obsession’ felt possessive bordering on abusive, and smutty (but not in a good way.) I missed the witty banter, the angst and slow burn romance. This was thinly disguised hate-banging. The whole book left me squirming uncomfortably.

Told in two different perspectives – that of Selena, attempting to clear her murdered girlfriends name… where sometime through the narrative it turned into retaliatory justice. And that of Arum Hunter. Hunter is quite frankly, a dick. Sexually aggressive, arrogant, and stays that way throughout the entire story. There is only a hint of a softer side as he develops feelings for Selena, but because of the nature of the tone in this novel, I am not convinced. I feel the heavy hand of the author weaving the threads of their fate. And Selena… you in danger girl. She just keeps overlooking warning signs. She reminds me of one of those supporting characters in a Mob Boss movie. You know, that girl who’s hanging around for sex and clout because she doesn’t feel like she deserves any better. That’s the impression I get of Selena.

There is a lot of death and dismemberment, a lot of swearing, and bumping uglies… and I’m sorry but some of the descriptions of the intimate times had me roaring with laughter than feeling my feels. I just can’t.

The plot is simple. I would’ve thought that bringing the Lux universe into an adult setting we would have gotten a more complex, ‘adult’ multi-thread storyline. This was even more simple that any of its YA counterparts. It felt like an excuse to have some characters in this universe finally get to have some sex scenes in the forefront. Total wish fulfilment. Given that it had such a one-note story, it was also extremely predictable. And I ended up speed-reading the entire novel only to slow down on the occasional good bit. I still like JLA’s writing style, but there was so much not working for me in ‘Obsession,’ that it didn’t really get a chance to shine.

Given this was published 5 years ago and there hasn’t been talk of a sequel as yet, I’m guessing it wasn’t as well received. It has potential, but it’s completely outshined by the rest of the novels set in the Lux universe.

This is a complete miss for me and I don’t recommend this unless you desperately want more of the Lux cannon. You won’t miss anything about the series if you skip this title. Maybe the more recent Origin series set in the same universe will fare better…

Overall feeling: left a bad taste in my mouth…

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

#bookquotes

#BQ Chilling Effect by Casey Carlisle

I am so excited to add this to my ‘to read’ pile. It sounds like a lot of fun… space, alien overlords, sarcastic humor. Right. Up. My. Alley.  Stay tuned for a review coming soon.

Anyone have recommendations for a books similar to ‘Chilling Effect?’

Book Review – ‘Parrotfish’ by Ellen Wittlinger

A cute story of a transgender male finding his place in the world…

Genre: YA, Contemporary, LGBT+

No. of pages: 294

“Last week I cut my hair, bought some boys’ clothes and shoes, wrapped a large ACE bandage around my chest to flatten my fortunately-not-large breasts, and began looking for a new name.”

Angela Katz-McNair has never felt quite right as a girl. Her whole life is leading up to the day she decides to become Grady, a guy. While coming out as transgendered feels right to Grady, he isn’t prepared for the reaction he gets from everyone else. His mother is upset, his younger sister is mortified, and his best friend, Eve, won’t acknowledge him in public. Why can’t people just let Grady be himself?

Grady’s life is miserable until he finds friends in some unexpected places — like the school geek, Sebastian, who explains that there is precedent in the natural world (parrotfish change gender when they need to, and the newly male fish are the alpha males), and Kita, a senior who might just be Grady’s first love.

I feel a little conflicted with ‘Parrotfish.’

This novel is a great tale of learning how to accept change. It tells an experience, but maybe not a well-researched one of a transgendered FtM teen. But I think this represents more about learning to deal with how life evolves. How we grow up. How our needs and wants shift as we progress through like. No-one and nothing stays the same forever. It can be scary. It can be exciting. ‘Parrotfish’ illustrates a small slice of some of those things and how a group of family and friends adapt to the evolving situation.

I also liked how it approached bullying and relationships. It was a little romanticised, but kept the scenes grounded in reality.

The big thing I enjoyed is that ‘Parrotfish’ stayed focused on the human being, and did not try to force identity defined or authenticated through a romantic relationship. Too many times have I read a coming out story of a protagonist affirming their gender identity only to have it given weight, or rewarded with a love interest – when neither need this validation, or are about love. They are about the self, and I think ‘Parrotfish’ bulls-eyed this tone intelligently.

I didn’t get any gut-wrenching feels or angst typical from this genre; and to be honest. I preferred this. Family, friends, and teachers all play and important and active role in Grady’s growth.

Parrotfish’ did feel too short. Like a drive-by toilet paper attack, it was quick, made its point and was gone just as quick. I will say I did not expect to laugh as much. Especially towards the end of the novel. I’m really impressed with Erin Wittlinger’s writing and will look into exploring some of her other titles in the future.

It was a bit hard to predict the path of the story. Obviously there is the theme of self-acceptance, but apart from that, given the more composed tone of Wittlinger’s writing style, I only had notions of what would eventuate, and they changed from chapter to chapter. I was never certain of what was going to happen. ‘Parrotfish’ ends on a positive note and was a sheer delight to read. I’ve read many novels dealing with a protagonist transitioning from female to male, and this one really grabbed my heart. It feels more inclined to the younger end of the YA demographic to help educate and increase awareness of people who struggle fitting in to rigid gender norms. The attitudes of the cast vary in their outlook to gender and sexuality as well in an un-obvious way that I found charming and delightful. I certainly wanted to go to high school with this gang of odd-balls.

I’m actually really proud to add this to my library and can see myself revisiting this story again.

Much of what I mentioned above is a typical straight cis-gendered response to ‘Parrotfish,’ but if you pass a more discerning eye over ‘Parrotfish’ you see elements of bullying and discrimination are greatly watered down. The internal torment and doubt someone like Grady faces is nearly non-existent. So too are the discussions over changing gender identity and sexual orientation… a mish-mash of coming out as a lesbian and then as a transgender male. In fact, I know most transgender men may find this story insulting and diminishing of their experience. Which plays into the need for real voices in this genre. So while ‘Parrotfish’ feels like it is a story given the ‘Disney’ filter from a cis-gendered heterosexual, I think it will add awareness and help start a conversation for those ignorant of the pressures transgender men growing through high school face; but it by no means represents the true experience.

I’m glad for the representation, the cute and funny story, but a little saddened for the misfire in the full picture of life a transgendered teen lives through. But given that ‘Parrotfish’ was published back in 2007, we will find there are more authentic stories out there now, especially coming from own voices authors.

Kita’s portrayal can also be seen as problematic. Yes she is a great ally, but as a love interest she is somewhat fetishized. Also, being set up as a love interest, and then the way the story was resolved adds to judging the worth of a transgender man… it felt icky.

So, if anything, ‘Parrotfish’ has stirred feelings (both good and bad) over transgender representation in literature, authentic or not, and the need for own voices in this genre. Which is a plus in my book – inciting a conversation over a minority that faces a great deal of discrimination. Though ‘Parrotfish’ at is a core is a fluffy, humorous tale and has a great theme that is well worth a read.

Overall feeling: Loved the story if a little conflicted….

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

#bookporn #coverlove

So excited to have the rest of this trilogy in my hot little hands – At this moment in time, you’re looking at my favourite science fiction read for 2020. I wonder if my ranking will change  with a number of sci-fi reads yet to come for the year… What’s your top science fiction for this year? All recommendations received with gratitude!

Book Review – ‘The Boy on the Bridge’ (#2 The Girl With all the Gifts) by M.R. Carey

A great companion piece for fans of ‘The Girl With All The Gifts.’

Genre: Y/A, science Fiction, Dystopian, Horror

No. of pages: 400

Once upon a time, in a land blighted by terror, there was a very clever boy.

The people thought the boy could save them, so they opened their gates and sent him out into the world.

To where the monsters lived.

This was a romantic conclusion to the duology. ‘The Boy on the Bridge’ loosely mirrors the debut in the series. An intelligent teen taken under the wing of a scientist and educated as what is left of this dystopian world eagerly scrambles to find a cure for the Hungry plague.

I feel more accurately ‘The Boy on the Bridge’ is a companion novel rather than a sequel as the timelines overlap. ‘The Boy on the Bridge’ takes place a little before ‘The Girl With All The Gifts’ but also manages to pick up after so that you can conclude characters journeys from both novels. The writing style here is excellent, I really envy M.R. Carey’s wordcraft. However, I did not feel as driven with my reading experience. The narrative jumps perspectives with every chapter and the pacing was slow. We do get plot points in each chapter, but there was an element of intrigue or desperation that was missing for me. It did not get interesting until after the half way point, and even then the pacing was only at a clipped pace. There was no cinematic culmination.

Having said that, though, ‘The Boy on the Bridge’ pays off on fan service. It has all the elements from the first novel. I was hoping for some new insights regarding the Cordyceps fungus infecting the world and zombie-fying all of humanity, but alas, no maas. What we get is another road trip comprising of military and scientific personnel, and a wayward teen who is emotionally stunted. I feel awful saying that because the teen Stephen ‘The Robot’ Greaves is on the autism spectrum and somewhat of a savant. I only say it in that manner to illustrate strong parallels to that of Melanie from ‘The Girl With All The Gifts.’ It stopped me from forging a strong emotional connection to the protagonists – that continual switching of points of view and the emotional unavailability of the main character – it was too distant. So when something shocking did happen, I just rolled with the punches, not even an inkling of a sigh, gasp, or tear.

I really like this duology, its desolate tone, a world evolving and scratching for survival. I appreciated Carey’s writing and look forward to tackling another of his titles.

Overall feeling: Damn girl, that’s pretty good.

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Every Last Word’ by Tamara Ireland Stone

Cute romance, great rep of mental illness…

Genre: Y/A, Contemporary, Romance, Mental Health

No. of pages: 358

If you could read my mind, you wouldn’t be smiling.

Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can’t turn off.

Second-guessing every move, thought, and word makes daily life a struggle, and it doesn’t help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she’d be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam’s weekly visits to her psychiatrist.

Caroline introduces Sam to Poet’s Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more “normal” than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.

I am tossing up whether to award this a higher rating. The way it deals with mental illness, primarily OCD is masterful. The representation is top shelf. I feel accurate representation is paramount, and Tamara Ireland Stone deals with this topic sensitively through the experiences of our protagonist Samantha ‘Sam’ McAllister. But it was the tone of ‘Every Last Word’ that is holding me back. It’s hard to talk about a serious ailment without it feeling heavy or depressing, but I would have liked some more levity to break up the narrative and offer some respite. Maybe pose a great juxtaposition for what Sam has to suffer through?

Additionally this was a triggering story for me personally. I have OCD, and much of the descriptions of Sam’s attacks I’ve had to deal with in the past, so ‘Every Last Word’ may have a stronger negative emotional impact on me than another reader. Plus, some of the attitudes reflected from Sam’s high school friends feels very mean-girl-esque, and I simply have no time, and low tolerance, for this type of behaviour. Though, Stone addresses this in the novel brilliantly.

What we get in ‘Every Last Word’ is a brilliant first person experience of a young girl experiencing OCD, her triggers, her coping mechanisms, and how she grows and adapts throughout high school and friendships. I especially like how she was given new coping mechanisms and confidence as she faced new experiences/ outgrew old ones.

There was a lovely twist that I did not see coming (though a particularly overused trope,) but the main plot is fairly predictable. The language and characters suit a younger demographic for the YA market. But the pacing is spot on, I was able to read this very quickly in two sittings. It pulled out a lot of the feels, and concludes on a hopeful note.

I’d definitely recommend this to lovers of contemporaries, it levels an accurate portrayal of OCD, and has a cute romance to boot. It’s not for everyone, but I am glad I got to experience Tamara Ireland Stone’s writing. I’ve looked at her other titles on Goodreads and it seems like she writes a lot of cute light romance contemporaries, but none that have ignited my interest at this point. Let me know if you’ve read any of her other titles and what you think about them. I’m on the fence with this author.

Overall feeling: *rocks my hand side to side*

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.