This series gets better and better – talk about apocalyptic endings!
Genre: Paranormal, Urban Fantasy
No. of pages: 225
Life is tough at the top when work is a matter of life or death.
It’s one thing to run Mortmax International as head of a team, but it’s quite another to rule alone. Staff fatalities have left Steven by himself on the Throne of Death, and there’s no time to get comfortable. The Stirrer god’s arrival is imminent, threatening life as we know it. Plus Steven has managed to mortally offend the only ally strong enough to help out.
And how can he ask someone to marry him when the End of Days seems inevitable? As if they’re going to think he’s committed. The portents don’t look good as a comet burns vast and looming in the sky and Steven can almost hear a dark clock ticking. He will have to play nice if he wants his ally back, and must address the madness of the Hungry Death within himself if he even has a chance at defeating the Stirrer god.
If he fails, Hell and Earth are doomed and wedding bells will be quite out of the question.
This was the cinematic ending (sort-of) I had been anticipating. I say sort-of because, though touted as a trilogy, there is a forth novella in this series, which supposedly re-boots the Mortmax universe. Leaving the series open for more possible sequels, or just concluding with a more open-ended and hopeful tone. The ending of ‘The Business of Death’ concluded with a PERIODT. It’s very final. Very satisfying in a romantic sort of way if you follow the tone set throughout the series, it makes sense. But I can see some readers not getting the sayonara they wanted.
In this instalment, Steven de Selby has gotten another promotion to Orcus as the managing directors of the worlds regional chapters of Pomps (grims) committed suicide, and transferring their collective power to Steven so he would stand a chance in fighting off a war of the coming Stirrer god. A god. One who rules over the dead, who is forcing an apocalypse and plans to decimate and take over the Earth.
There is all the sarcastic wit I’ve come to love from this series. I liken it to the Buffy franchise with the dark comedic tone. There were a few elements that held me back from truly getting sucked into the narrative this time around however: the first half of the novel is clunky. It didn’t have that flow, which made it feel like the plot was floundering even though it wasn’t. Because of this the pacing was patchy and I put the book down a lot. When things start to get really interesting in the second half the plot is magnificent, though I was pulled from the narrative again with really short and consecutive chapters. It was almost like Trent Jamieson really struggled in writing this conclusion. But that is the worst of it – some pacing and formatting issues. Jamieson’s writing is a pleasure to read, he can weave a great plot, surprise you, make you holler and laugh, and craft appealing and flawed characters, all wrapped up in Australiana – set in and around Brisbane (where I currently reside.) So the story strongly resonated with me, and I was so proud to have this calibre of writing come from my home town.
I was surprised to see even more character development from Steven as a main character, drying out from his alcohol addiction, facing death at least four times with consternation. He wasn’t this confident hero, blustering with bravado, Steven is a normal man, out of his depth, floundering for a victory with nothing but his determination. I really loved this trait and had me rooting for the underdog all the way through this series. I feel like we have an undervalued writer and under-hyped series on our hands. I’d really like to see this collection get more exposure internationally. A strong recommendation from me.
Overall feeling: Seriously cinematic!
© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.
Casey Carlisle 