Beautiful Victorian London, steampunk villains and paranormal creatures.
Genre: YA, Historical Fiction, Fantasy
No. of pages: 502
In the magical underworld of Victorian London, Tessa Gray has found safety with the Shadowhunters. But that safety proves fleeting when it becomes clear that the mysterious Magister will stop at nothing to use Tessa’s powers for his own dark ends.
With the help of the handsome, tortured Will and the devoted Jem, Tessa discovers that the Magister’s war on the Shadowhunters is deeply personal and fueled by revenge. To unravel the secrets of the past, the trio journeys from mist-shrouded Yorkshire to a manor house that holds untold horrors. When they encounter a clockwork demon bearing a warning for Will, they realize that the Magister knows their every move—and that one of their own has betrayed them.
Tessa is drawn more and more to Jem, though her longing for Will continues to unsettle her. But something is changing in Will. Could finding the Magister free Will from his secrets and give Tessa answers about who she really is? As their search leads to deadly peril, Tessa learns that secrets and lies can corrupt even the purest heart.
A steampunk Shadowhunter tale with the bad boy, his well-behaved best friend, and a girl who may or may not be a warlock.
While I really enjoyed this story, the pacing suffered at times. There were also many reveals, but none that fully rocked me to the core – so as a consequence, ‘Clockwork Prince’ did not engage and wow me as much as pervious titles in this series. Plus the character trope of male characters being a rude pig for the good of a potential love interest is tiresome and not a trope I particularly enjoy.
Though we see Tessa becoming more ingratiated into her Shadowhunter family, and joining the fray as they police the Downworld and uncover mysteries, there did not feel like her character got much development. Plus all this priority of the 1800’s society and etiquette vs the Shadowhunters culture seem to clash, and the English customs felt to serve only as a plot device to set up a situation between Tessa, Jem, and Will.
As mentioned above, I was beginning to become tired of the bad boy image hiding a genuine gentle soul that Will embodies. I just don’t understand the need to be obnoxious to keep people at an arm’s length. There are other ways to do this without falling into this trope. But I guess it is a favoured character trait in YA. Though where the story ends in ‘Clockwork Prince,’ I am interested to see how Will develops in the final instalment in this trilogy as he has no excuses to be the way he has been anymore.
Jem felt as if he was more in the background and a bit of a plot device for ‘Clockwork Prince.’ Apart from the growing relationship between him and Tessa, there was little else to his story.
This love triangle – and its developing story – felt a little off in this middle novel. It seems like Cassandra Clare quickly moved the chess pieces where she needed them to be for the finale and then treaded water. I think that’s why I felt the pacing suffered in parts. There was no character driving the story forward, it was more about positioning plot points for ‘Clockwork Princess.’
We do get resolution to a major plot point which was very satisfactory, and a few minor ones which all went the way of sensibility and practicality instead of some elaborate backstory.
Overall I really enjoyed ‘Clockwork Prince,’ but it did lack a certain something. But that is the way of many middle books in trilogies… I’m excited for ‘Clockwork Princess’ knowing what is left to be resolved, and how it will ultimately tie back into The Mortal Instruments series; and in true Cassandra Clare style, will no doubt be epic with many twist and turns.
Overall feeling: Pretty great fare!
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