Are Book Blogs Fading Out of Existence?

Has blogging fallen out of favour? Are the successful ones merely slaves to clickbait and sensationalism? Are book blogs becoming a thing of the past?

I’ve been away from the world of blogging since the start of 2020. I fell out of remission and had another battle with cancer. The prognosis was very positive because we caught it early, so there was no looming threat, but I was in for feeling like crap for a while. I wasn’t prepared for the long slog after treatment. In the past I’ve bounced back fairly quickly. This time around it has been a completely different experience. I guess with my age playing a factor, and that I’ve undergone chemo treatment twice before in my lifetime, the body has more of a battle on its hands in order to recover. It has been frustrating, but I’ve attempted to stay in positive spirits. Which is why I’ve disappeared from blogging and social media for over a year. I wanted to remove any stress from my life and concentrate on my health.

I did try to return to blogging briefly in 2020, but did not count on the ‘brain fog’ that chemo gifts you. I was forgetting things, finding it hard to concentrate. Focus would drift away. So I made the quiet decision to put all online activities aside until I was firing on all cylinders again. It seems like 2023 is that year (after a prolonged fight against COVID-19 in Jan-Feb this year.)

In the meantime I was still reading blogs, following blogs, but have noticed a disturbing trend. The blogs I follow for years have either stopped posting altogether, changed their subjects (no longer a book blog, but either a travel, mummy, or lifestyle blog) or post sporadically and sparingly. The majority of authors I follow have lost their enthusiasm for the blog format and either given up or moved on to another medium like book-tok, bookTube, or bookstagram. There are new blogs being created, but I’m not finding the type of content I prefer: discussions and critiques around all things bookish.

I’ve also seen many blog articles complaining or discussing the fall from grace of the book blog. I do think that many are loving the shorter format posts of other media either due to shorter attention spans, or being time poor. We have so much more to pack into a day, and there is a plethora of content out there to consume… All of this is just me making assumptions from observation.

The book blog will live on. I don’t think it will die out. There is still a niche for those how love the blog format, who love the recommendations and discussions – who like to take the time to find out about books, because we invest a lot of time in reading and building our libraries.

I’ve also noticed the push to make money from blogging (not necessarily book blogging) and lean towards sensationalised headlines, clickbaity content. It’s frustrating because most of the time the articles don’t really impart any real information. It’s like I have to vet my feed even after the algorithms have curated my interests. Even many of the news sites fall into this category. I’m really needing to research the stuff I read now. Is it based on real facts or ones made up? Is it an opinion piece or an advertisement? Blogs are getting like this with long rants, exposés, and links to many other social media content- like it’s not really an original content piece, just rehashing what someone else has already posted. Recycling content.

The landscape of blogging has changed so much in the last ten years. An element of commercialisation and financially motivated users have entered the space. Personally, I enjoy reading articles from like-minded people passionate about the subject they are writing about. Well thought-out discussions, well researched articles that present a number of different viewpoints.

Sheesh I sound like an old fuddy-duddy.

I’ve toyed with the idea of entering the realms of video content either on YouTube, reels on Instagram, or on TikTok, but I don’t feel comfortable seeing myself on camera, and the demographics those platforms target aren’t really my audience. It would be possible to create dynamic content (without my face and voice) to tap into those audiences but the idea feels time consuming and more about branding and changing the direction of what I do… and I don’t think I’m ready for that. Plus I set myself a limited amount of time in my day dedicated to blogging and social media so that I have plenty of time left to write and read. Changing my social media content would mean losing my ‘work time’ writing. The whole point I got on social media was to connect with like-minded bookophiles and a writing community; flipping the script to a more marketing-styled presence does not seem to grow either of those goals.

What’s your opinion on the blogosphere? Have you noticed a downward trend? Has your feed changed drastically in the last few years? Are you finding relevant content? Do you have any good blog or reading recommendations?

© Casey Carlisle 2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Publishing : Australia vs Overseas… and the pandemic

Will I be able to afford to buy my favorite new release post-pandemic?

Does the U.S. economy have a monopoly on publishing economy? What do forecasters say for writers in America and Australian the face of the pandemic? Are our futures safe?

With today’s reach via the internet, authors can reach international markets with e-book sales easily; and shipping costs may impact sales for hardback or paperback copies, but that too can be circumvented by stocking large online resellers, or subscribing to print-on-demand services. If you are self-published, you have complete control of these revenue streams, but for traditionally published there is a quagmire of International law around sales and distribution that your publisher handles. Measured with a sharp eye on cost/benefit analysis whether your book will perform well in certain regions. It’s all a very intricate web of research, finance, legal rights, and marketing. So does it make sense for Australian writers to court American publishers for their debut with a traditional publisher considering USA has a double the market share compared to their home country?

It’s an interesting topic that gives me a headache if I think too much about it – because of all the moving parts. I know some published authors here in Australia mention that it’s hard to break into the U.S. market because they’re viewed as sub-par (depending who you talk to) and compared to Australian authors who have signed in the States and performed really well in all markets. Much of the information I’ve garnered is anecdotal, but it is from working writers, published authors, so there has to be a grain of truth to the snub Australian authors face when trying to break into overseas traditionally published markets. Or it may simply be that you are a big fish from a small pond entering the ocean… you are lost in a fierce amount of competition in turbulent currents with little or no experience on how to navigate those riptides. You not only have to have skill in writing, but a great team with connections on your side to catch the tide in your favor.

Okay enough with the sea analogies.

Given that the U.S. market share is the largest in the globe, (followed closely by China) there is potential to earn the most income from breaking into that market. So comparing authors (of any nationality) published in America to those of their Australian counterparts is like pulling up to a Mercedes Benz at the traffic lights and find your sitting on a scooter. Same amount of work went into the finished product, but you just didn’t have access to the market (and subsequently, the funds.) The average Australian author earns an average salary of A$13,000 (US$10,007) compared to an average author from the USA – US$51,170 (AU$66,473). That’s a huge difference in ratio of income to market share! What has me alarmed is that an updated figure for Australian Authors earnings after the impact of the pandemic reported by Helen Garner, Christos Tsiolkas and Charlotte Wood (when discussing the Federal Arts Package) recently have estimated the average income at as low as $AU 3,000 ($US2,319). No matter which way you look at it, the average Aussie writer is living WELL below the poverty line if they rely on this medium for their sole income. Despite the larger challenges, it’s looking like breaking into the American market is highly lucrative and worth the risk.

That research further shows that “among 33 OECD countries, Australia ranked 26th in the level of investment in arts and culture from all three tiers of government. The OECD average was 1.11% of GDP compared with Australia’s 0.77%.” So not only are Australians earning near the lowest income from writing in developed countries, it is also investing even less in supporting and developing this sector. I see incentives from writing groups here in Australia, and read great content getting published, but it honestly does not get enough hype and marketing overseas… we have such incredible talent, but when I look at market studies and government support for the industry, it makes me want to pack a suitcase and relocate to the States.

Many of the papers and studies I’ve been reading pre- and post-Covi-19 pandemic paint a fluctuating economy. Bookstores closing, yet book sales rising… it’s all very confusing. I feel it’s more like luck guiding our careers. Take a punt and cross your fingers to hope for the best. But above all be consistent and don’t give up… stay in the fight until you get your break.

So, putting aside all the technical jargon, let’s ask readers these questions:

• Do you care about the nationality of an author when you buy their book?
• Do you intentionally seek out foreign published works when looking to pick up a new book or rely on advertising materials or suggestions from the likes of Goodreads and Amazon?
• Do bloggers or friends help you decide on your next purchase?
• How much does cost come into play when you buy a book?

Because, honestly, the global market would not be sustainable if consumer behavior changed. If American readers branched out of regional sales in the publishing industry – and they can afford to because the cost price would be negligible – it would open doors for a truly global market. But does that mean the average U.S. reader holds the future of the global market in their reading choices? What do you think?

Personally, every time I buy a new hardback or paperback in Australia, I’m looking at needing to spend on average $AU25.00 ($US19.50) no matter what the country of origin. If I purchase online or instore… that puts buying physical books into the category of a luxury item when comparing it to the unemployment benefits we receive in this country. Just to put it in perspective. Obviously there are cheaper options, like waiting for a sale, buying second hand, borrowing from the library, or purchasing an e-book copy. But it means as a reader, my access to the market is limited. As an avid reader (and writer) that depresses me.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Writing a business strategy (for writers)

A guide for beginners – the business of writing doesn’t have to be a drag, it can be an example of adventure.

“For the past couple of years, I’ve been fine-tuning my business strategy as a writer. At a recent writing conference, I discovered that many writers, even those with years of experience, find setting business goals daunting. It isn’t. It’s only frightening because it seems complex. By taking it one step at a time, your business strategy can be made simple and understandable.” – Lynne Lumsden Green

When I think of a business strategy for writing, my mind instantly goes to spreadsheets and budgets, but that is only part of managing your career… and the number crunching part is really a small part. Used as a way to track and monitor progress. An article published in WQ (Jun-Aug 2020) Lynne Lumsden Green discusses this topic which I think helps demystify the task many of us baulk at. She suggests that we start by asking ourselves these questions:

1. What are your long-term goals? Where do you want to be in five years?
2. What are your short term goals? What do you want to achieve in the next six months?
3. What has worked best for you in the past? What hasn’t?
4. What can you learn from your successes?
5. What can you learn from your failures?

Upon first reading her article and going through the list of these questions an issue prominently jumped out at me regarding my own career goals. These questions prompt you to not only keep on track with your goals, but highlight what is, and is not working.

The key takeaway for me was the question about what is not working – how long have I been doing the same thing and seen little or no positive growth. It really gave me that ah-huh moment. It’s time I should be trying different methods, tackling different tracks towards my goal. What’s that old saying : doing the same thing over and over again yet expecting different results is the definition of insanity. I’ve gotten too comfortable in my systems and habits that it is now impeding growth.

These questions are all about finding out what works and using those methods to get you to your goals. Ditch what isn’t working.

Lynne Lumsden Green goes on to discuss:

“Let’s look at part of my business strategy as a stepping of point. For 2020, one of my goals is to get more paying gigs. This means I need to write nonfiction articles for magazines, as well as short stories for paying markets. From January, as part of keeping proper records, I’ve been keeping a monthly spreadsheet separate from my nonfiction submission spreadsheets. I started by wanting to sell an article a month, but I am hoping to increase that to one article a week by December. To do this, I need to develop a pitch/query at least once a week. To do that I must develop relationships with the editors of my target markets.”

“Can you see how setting goals leads to implementing a series of logical actions to achieve that goal?”

I love how Lynne explains desire/goal through to a practical application to achieve a result. My writing goals are more based around getting first drafts completed by the end of this year, gearing up for putting out for submission later in 2021. So I have set scenes I have to write each day (notice I didn’t say word count, but story elements of the plot.) In conjunction with this I am researching Publishers who are accepting submissions, what their guidelines are, creating paragraph summaries, tag lines, 1 and 2 page summaries, noting themes, writing up short character profiles… all that lovely marketing material you need for a pitch/submission. Additionally, some publishers (mostly overseas) require that you have a literary agent to represent you, so I have been researching that as well. Again, many are genre specific and have their own guidelines for accepting applications. Another aspect of this goal is researching writing competitions – these can not only put up on the radar of publishers/agents, but if you win, it commonly results in a publishing contract. All of this activity not only makes the whole writing activity real, but gives you a deadline. And each bit of information or step you achieve along the way is ticking off a small task towards your longer term goal.

If you want to get even more technical you could also be tracking the amount of time you spend writing, researching, marketing, so that when you start to earn money through a book advance, sales or royalties, you can estimate how much money you earn an hour. If it’s not high enough for your goals, then you can look at different ways to improve upon your system… and ultimately your earnings.

Writing when inspiration strikes, passively submitting a story here and there one at a time can be a little soul crushing because you are eagerly waiting for a payoff instead of concentrating on a schedule and already moving on to your next target/goal. A business strategy for writing forces you to take in a bigger picture, a career making attitude, and leave you little time to fall into depression from rejection letters and failed submissions.

Lynne Lumsden Green also states “As writing is my business, I try to keep to a schedule. I spend an hour or so every morning on mail, updating my files, and researching new markets. This part of my business strategy won’t be changing any time soon. I then spend an hour every day on social media. I recently had over 400,000 people come through my Steampunk Sunday page on Facebook; a ready-made audience for my writing! You might want to do writing courses or attend more conferences, or join a writing group, so don’t forget to include those in your plan.”

Again this shows by example how much a schedule, consistency, and trying new things are important you your long term success at being a writer. Simply posting to social media blindly does not ensure success, you need to add value, offer a solution to a problem, tap into a niche market. Research your demographic. Try different forms of social media. Reach out to other writers who are having success and mimic their methods for a trial period.

There are a lot of resources out there to tap into. Courses, platforms like SkillShare, YouTube videos, blogs with advice, writing groups, state and government bodies that are running local initiatives to support the publishing industry and writing community, even emailing an author with one or two questions to help you figure things out…

“Don’t forget to be brave. Take risks. Having a business strategy doesn’t mean it has to be boring.”

I hope this discussion helps to change your thinking and provide some inspiration to develop your writing career a little further. Go get ‘em!

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Is the self-publishing industry being held back by hack writers?

I’ve been reading articles and having discussions with my peers and industry professionals regarding the future of self-publishing, and while the outlook is generally positive, the reputation isn’t so bright.

When canvasing readers about self-published titles I generally get a pensive face… and when I push harder, the responses I get revolve around poorly produced cover art, poorly written novels that have not been sufficiently developed or edited; and occasionally, the reader desires a physical copy, only to find the novel is available only in ebook format.

Admittedly this mirrors my own experiences with self-published authors. While it is not the rule of everyone, but it does seem to be a common thread. When I start to push for examples and numbers however, we start to see a slightly different story. And I have to think about that saying of “If you get ten compliments in a day and one person yelling a derogatory comment at you, you are more likely to only remember that one bad comment.” So too, readers tend to remember bad reading experiences more prominently that good ones when it comes to self-publishing… leading to the self-fulfilling prophecy that self-publishing is amateur and rife with a whole lot of sub-par material.

So basically, the self-publishing industry, more often than not, is getting judged by readers on the authors either inept at the publishing and writing process, or doing it for the wrong reason entirely. That’s a pretty harsh and bleak statement to make – and it infuriates me – but the results into my research and discussions with readers support this statement.

Granted, there are self-publishing success stories, and reports of various increments of success across the board. But, it is those poorly produced and written tomes that readers are using to pass a blanket opinion on the industry in many cases.

There are many authors whose body of work can dispel this assumption, and the tide is slowly turning, but what do we have to do to eliminate this attitude completely? The cost of self-publishing is weighted fully on the author, and services like cover art, editing, marketing, and manuscript development services are expensive – they are steps self-published authors shouldn’t be skipping, and it is unfair to ask professionals to offer their services at a discounted rate or for free for self-published authors. Do we start booting off under-cooked material from online stores? That’s censorship. Can we force self-published authors to do a minimal number of steps in the writing development stage before allowing them to publish on a given platform to ensure a certain standard is being represented? It’s hard to start putting regulations like that on a free-form market. There are authors churning out up to ten novels a year (or more) just to earn enough money to live off, but does their content meet the cut?

I read a number of self-published authors personally and I have to say there is a 50/50 split between books that if I didn’t know any better I’d say were traditionally published, and the rest have really obvious mishaps: spelling mistakes, grammatical errors, formatting errors, poorly developed writing style, novels that have been rushed to publication… don’t get me started on some of the cover art. While some are exceptional, others look like clip art from the 1980’s.

When I first started blogging and reviewing I accepted review requests from self-published authors hoping to support those trying to carve out a career in writing, but I found nearly all the manuscripts I received were sadly not up to scratch. I teach English in High School and any of these novels wouldn’t have even received a passing grade. So after that I stopped accepting review copies and focused on a curated selection of novels appeal to my tastes.

Another aspect I found my readers reporting was regarding career authors: not only were many of the self-published authors they listed falling into the ‘rushed to publication’ category because they were trying to get a high volume of work out there to earn a suitable income. But also the readers were inundated with online marketing and blog posts. Spam and junkmail seemed to add to their discomfort with self-published authors. It seemed like some of these authors were not selectively marketing effectively and barraging their subscribers with continual and repetitive content. This kind of strategy quickly turned readers off as they unsubscribe… and subsequently stopped reading the authors books.

I understand the whole self-publishing journey is a learning experience, and your mistakes are going to be out there for everyone to see with a google search, but I guess slow and steady wins the race. Reputation is the biggest commodity for an author to have in their arsenal. That and a solid, professional body of work. The publishing industry as a whole (traditional or self-published) is a slow moving creature. It takes hard work to get a novel published, time for readers to read and review a book. Heck I still have unread novels on my shelves from five years ago that I am still keen to read once I get the time. But after all this, I still ask myself what can I do – all of us do – to help the self-publishing industry? It does have a valid place – not everyone can afford the cost of a physical, traditionally published book, not everyone has access to physical book stores. Traditional publishers set and follow trends and an author’s work may not fit into the current marketing trends, and self-publishing may afford them that niche market they need to reach. Increasingly we are seeing textbooks and manuals reach the self-publishing industry because of the volume of pages in their publications, why try and carry around 2 or 3 books over a thousand pages long, when you have an e-reader? Readers read for a variety of reasons and in a variety of forms, and self-publishing has its place, but I was sad to read the results of the survey of my peers, industry professionals, and readers alike when it comes to the general feel of the self-publishing industry.

Which I find astounding considering the market share e-books have in the economy. Though, that share is dominated with traditionally published authors. The whole situation feels a bit of a quagmire. And don’t get me started on the number of pirated copies of books then self-published by ghost profiles stealing income from popular authors.

I think the reality is, we need some policing on standards for self-publishing, but also a more transparent view of the amount of work – the number or tasks and roles you need to perform above writing the book – for a self-published manuscript of a certain standard. With so many resources online – for free – and courses you can access, I’m still a little bewildered why some authors are not taking advantage of these to give themselves the best possible chance of success for their book launch and their career. Did they just run out of steam? Are they ignorant of what they need to do? Do they just not care? Too harsh? Well, it’s because I get a little heated over some of the attitudes I’ve been reading – and come of the poorly developed work I’ve seen around the self-published industry. I hear people saying “But so-and-so is a successful self-published author, why not use them as an example?” Well. They have put in the work, educated themselves, invested money to get that success, why should another author who’s put in a fraction of that effort ride on their coattails? Don’t they need to put in the hard work too? Again it comes back to reputation – the author who has put in the effort, maintained a quality body of work and found that balance of marketing and a target demographic will thrive in the self-publishing environment over time; those who do not, will falter. I just hope readers stop judging the industry as a whole on those of the latter.

So there is no easy answer, no easy solution. The industry will be swayed by larger platforms and their market share. Newer authors are still going to blunder their way through the digital publishing process and either succeed or buckle under the enormity of the task. Our industry relies on word of mouth and marketing – no matter how good a writer you are – a book does not sell itself. I have heard of online platforms dropping authors and works that do not sell, and algorithms for how your book is listed in search results plays a bit part in that behaviour too. That’s why it’s important to have a marketing plan and cover all your bases. Build a subscriber list. Argh! So many thing for an aspiring author to think about… and try not to spend too much of their own money to achieve it.

What’s your opinion on self-publishing? Are there too many low quality books saturating the market? Do you have any solutions that could help rescue its reputation?

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Tip Sheets – and why it is important to create at least one for your book.

There are many aspects to launching your book and creating awareness, tip sheets are a must-have element to include in your marketing strategy.

Launching your book, or gaining exposure through media outlets can give you immediate results and boost not only your sales, but your profile as an author. When you have toiled for months and years writing your novel and honing it into a masterpiece, you would want it to have the best possible chance to become a commercial success. You can outsource this kind of task to a publicity or PR firm, blast it on social media. However, creating a tip sheet for release to the media can save you some big dollars and give your marketing schedule a massive boost.

I know numerous authors who have created their own tip sheets, and implemented them with local media outlets and seen immediate results. Below is information I have collated from several sources and examples to help you create and implement your own tip sheet for your book launch, or increase exposure in conjunction with a special offer.

What’s a tip sheet?

A tip sheet is a short publication intended for media outlets containing the latest information, anecdotes, theme-related content, and quotations pertaining to your book, usually in easy-to-read bullet form.

It is similar to a press release – a self-contained story focused around elements of interest from the book (not the book directly) that can be run as-is for the media bodies

Generally tip sheets showcase a novel’s content, theme, message, or author related subjects, while getting the book title in front of the target demographic.

Tip sheet topics and elements

If you hire a PR company or publicist they will do all the hard yards for you and provide a proof for approval before release, but if you want to save some bucks and tackle this yourself, here’s some examples of things you could include. Don’t throw everything and the kitchen sink in your tip sheet, keep it succinct, on topic, and easy to read.

A must is an attention grabbing headline. Something that will not only peak the interest of the media outlets, but also your target audience. It should directly lead to the topic you are discussing in your tip sheet information.

Have an opening paragraph that introduces your topic, or raises a problem/issue that your are going to provide solutions for.

Don’t forget to have a concluding paragraph with information about you, the author, and your book (and it’s release date.)

Here are some ideas to prompt you in crafting your tip sheet:

• Providing factual or historical information on what your book is about/ where it is set
• A unique anecdote about the author, or material/themes from the novel
• Solve a problem that is introduced in the book in some way, or something that the author overcome to write the book.
• How topics or themes in your book relate to trending news stories.
• Something that is unique about you, or your book.
• A top 10 tips list

The list is endless, it’s about hooking the interest of your reader – but remember a tip sheet is not directly about your book, it’s a publicity tool that relates to your book. We’re not spruiking ‘buy my book because it is a fun read with great magical elements and a tough-as-nails protagonist.’ Instead we are creating ambient buzz. For instance, you could be discussing the influence of pop culture on the rise of wicca from tv shows like ‘Charmed’ and ‘Buffy’… and then mention at the end of your discussion how your interest in this topic lead you to writing a unique magic system for your novel.

Breaking it down

HEADLINE

Think of a tip sheet like a news or magazine article – a catchy headline. Click-baity. On-trend words and phrases. What titles grab your attention when skimming the newspaper, what blog article headlines do you click on when browsing the internet? Pay close attention to those elements and you’ll have a roadmap to creating a great headline.

OPENING PARAGRAPH

In that opening paragraph when you state what this story/tip sheet is about – use facts, statistics, and/or quotes to ground your article. This shows you are coming from a place of knowledge. An expert.

A well researched tip sheet is a successful one. It lets the media outlets your pitching to sound like experts too. The less work the journalists, presenters, or bloggers have to do, the better. They are usually time-poor, so the less preparation they have to do, the better your chances are for them picking up and running with your story.

Provide a quote from yourself, or someone else (cite sources) that add something new to the story – a new fact or perspective, a twist, or even inject some humour.

INTRODUCE your tip sheet topics in one sentence.

TIP SHEET Topics

List your tip sheet topics in bullet form, short, to-the-point  and easy to read.

CONCLUSION

The final paragraph ties everything up with two or three factual sentences about the author and the book.

Here’s some examples of what a tip sheet looks like to get you started on creating your own:

IMMEDIATE RELEASE

4th September 2020

FRIENDS AND FAMILY FOR CANCER… AUTHOR JENNIFER DUGGAN TAKES PART IN A VARIETY SHOW TO RAISE FUNDS FOR THE CANCER COUNCIL

On the 20th of November the Town Hall will be transformed into the glitziest venue in the city for a charitable variety comedy show to raise funds for cancer sufferers. Author Jennifer Duggan brings her unique style of stand-up in a star-studded event. Miss Duggan asks that the audience make a donation upon entry for the Cancer Council.

Audiences will see six performers, Jennifer Duggan, Michael Plott, Michelle Foley, Frederick Grainger, Kate Millichamp, and Doug Deep bring the funny in ten minute sets, with drag sensation Willma Fingerdo as MC for the night.

With her cutting and sarcastic wit Jennifer Duggan has paved a successful career with her comedy stylings, and with one her sister currently diagnosed with Non-Hodgkins Lympoma, Jennifer Duggan follows her passion of stand-up and raising money to help those like her sister who are fighting cancer.

The Olivia Newton John Foundation states that “We all know at least one person who has been affected either directly, or indirectly by cancer.” With members of the foundation in attendance along with some support staff from the local hospitals oncology ward.

Jennifer Duggan has said “It’s important we get the funds needed to fight this thing that is taking so many members of our family. Research into a cure is paramount. Nobody wants to be sick. Being able to laugh in a time of such difficulty has been important for me and my sister, so I wanted to share that with everyone. That’s why I’m taking part in this variety show. It’s a topic that is near and dear to my heart.”

Jennifer Duggan also has a memoir being released on 5th December that further showcases her humour and anecdotes of growing up in Australia and a behind the scenes look at the world of stand-up comedy.

Don’t miss all the action on the 20th of November at the Town Hall. Come down and support our local artists and raise money for our fight against cancer with all proceeds going to the Cancer Council. Doors open at 7pm. Visit http://www.jenniferduggan.com.au for more information.

ENDS

For further details, interview or photographic opportunities please contact:

Jennifer Duggan

Telephone 555-456-9910

email author@jenniferduggan.com

Contact: Jane Doe, 555-727-3910, Janetheauthor@janedoebooks.com

Nine tips for writing op-eds that get published

ROCHESTER, NY – November 15, 2014 – Op-eds – essays that appear opposite the editorial pages of newspapers – are powerful communications tools for nonprofit organizations working to influence public policy or initiate change. But one communicator says that too many local nonprofits miss some of their best opportunities to inform readers through these opinionated essays.

“National headline news stories give nonprofits the hook their opinion pieces need to catch an editorial page editor’s attention, but nonprofits don’t always take advantage of this because they can’t react quickly enough to write and place an essay when it’s still timely,” says Jane Doe, author of Publicity for Nonprofits: Generating Media Exposure That Leads to Awareness, Growth, and Contributions (Kaplan Publishing).

Jane Doe recommends having at least one op-ed written in advance to use when a news event brings the op-ed’s topic to the public’s attention. She cites recent headlines as examples: The latest celebrity starting a family before getting married creates a news peg for pro-family organizations while a weather disaster provides a hook for groups helping businesses and individuals prepare for disasters.

Jane Doe’s book offers these nine tips for writing effective op-eds you can update according to the news story for immediate publication:

· Introduce yourself to your newspaper’s op-ed page editor by telephone or e-mail and request the publication’s op-ed guidelines. Then follow them.

· Determine your goal. What do you want to achieve through your op-ed? Do you want people to behave differently or take a specific action? Keep this goal in mind as you write.

· Select one message to communicate. Op-eds are short – typically no more than 800 words – so you have room to make just one good point.

· Be controversial. Editors like essays with strong opinions that will spark conversation.

· Illustrate how the topic or issue affects readers. Put a face on the issue by starting your essay with the story of somebody who has been affected or begin with an attention-getting statistic.

· Describe the problem and why it exists. This is often where you can address the opposing viewpoint and explain your group’s perspective.

· Offer your solution to the problem and explain why it’s the best option.

· Conclude on a strong note by repeating your message or stating a call to action.

· Add one or two sentences at the end that describe your credentials as they relate to the topic.

“With this approach, when your issue is suddenly making headlines, you can write an introduction that connects the news to your essay and e-mail it to the editor quickly,” adds Miss Doe.

Publicity for Nonprofits: Generating Media Exposure that Leads to Awareness, Growth, and Contributions is available at neighborhood and online booksellers or by calling 800-245-BOOK. For more information, go to http://www.nonprofitpublicity.com.

• Simply substitute in your details, quotes, resources, and information and there you go!

Useful hints to remember when creating your tip sheet:

Remember to look at a plethora of newspaper and magazine articles before writing the tip sheet. The news writing style is informal and factual. 

A tip sheet is commonly written to help people solve a problem. State a problem . . . offer your solutions.

Offer an incentive or reason to buy your book.

Promote something important or unique in your story.

How to use tip sheets

Distribute tip sheets to media outlets that would be interested in the content.

There are interesting tutorials on skillshare.com about this if you need more of a visual learning aid, coming from people who successfully use what they are discussing. You can pay for a month’s subscription for a small investment in your career, get what you need, and cancel the service.

There is information on media outlet websites with guidelines on how to submit your material, so be sure to check those out before emailing. Make sure that your story is similar to the types of articles they frequently publish.

Alternatively there are services like eReleases  that can help.

Welp, I hope there’s enough information here to get you started. And remember, tip sheets are just an aspect of your book launch, or growing your author profile. You should calendar out your book launch and use tip sheets in conjunction with many other activities like social media marketing, book signings, talks, interviews, blog tours…. start building your marketing schedule today!

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Measuring Your Success as an Author

You write, therefore you are.

Before we get into what can be a touchy subject for some, please note the title: I mention success, not commercial success. Which I feel is an important distinction. The latter seems to be the standard in order to gauge whether being a writer is, in fact, a worthwhile profession.

This topic came about from a discussion I was having with a few fellow authors when I had noticed an ex-business acquaintance posting about her award winning novel. How it was ranked #1 on Amazon. Now, from knowing her personally for over 10 years, I know she was never inclined with superb literacy. And upon hearing that I was writing books, and was going to be editing my mothers work (posthumously) to release under her name as a dying wish. It felt like she wanted to become an author to throw it in my face. Like anyone can do it. Like I wasn’t all that special.

Truth be told. Anyone can write a novel. But this woman was coming from a place of negativity. The past aside, I thought good for her. I’ve been toiling for years on content and yet to publish. She has achieved this in six short months. Though, when I investigated her claims, found out a little more about her book, nothing added up. No listing on Goodreads, no search results on Amazon, or Google for that matter. I couldn’t find it anywhere apart from a link on her website. It was a little overpriced. In the genre of self-help, and to be completely honest, nothing particularly unique or original. I could jump on Pinterest and scroll through the inspirational quotes and get the same sort of content.

Did that mean she wasn’t a success as an author?

So the discussion with my little gaggle of writers pondered the idea that you are a writer as long as you are writing, and an author as long as you have published something for public consumption.

The woman mentioned above may be an author, but she exposed herself as a bit of a liar by making sensational claims on stitched together content from very generic sources. My fellow writers wanted to discredit her because of how they put in so much time and effort to craft a novel, or memoir, and someone else produces something, in their opinion, substandard.

But that’s the thing about the access to self-publishing. We have started to see work that is solely produced as a revenue stream, a low-cost method to get your work out and support your claims that you are an established author.

I say good for them. Everyone has different tastes in literature, different ways they want to spend their own money. There is an audience for all types of writers.

Eluding further on the conversation, many of us were mixing up published online content with traditionally published and self-published material. It is such a diverse field. I had to bring up the fact that I do a lot of writing for web content, textbooks and manuals, technical writing, and ghost writing. Very little of which has my name attached to it. So it falls into the grey area of being labelled an author. I can’t point a something and claim I wrote it when I don’t have a by-line, or am not credited in the end pages. Today, we have infinitely more access and diverse modes of writing and publishing. I think the past ideas of a successful author aren’t holding true in today’s climate.

Not all authors are credited for their work. Not all writers earn money from their craft. Not all writers and authors are commercially successful.

Talking to many writers, it seems the dream is to be getting that elusive best seller from being traditionally published. However there are alternatives to this ideal. Traditionally published authors reap the benefits of a system that has their work edited and published by a team, having their books positioned in book stores, department stores and online shops. It’s nothing a person with some basic know-how and a bit of savvy, and a lot of hard work cannot accomplish today. Online marketing has provided a great opportunity to anyone willing to have a go.

Blogs and podcasts have found success on their own. E-books have cornered a niche market. It is truly an amazing landscape in comparison to what existed 15-20 years ago.

Getting back to defining success as an author… is success earning a living from your publications? Recognition? Or merely the fact that you have been published? With the market being flooded with sub-par self-published material, general opinion on simply being published has become devalued. In a culture of influencers and social media, recognition seems to have taken a more dominant role. But that is tied into image, behaviour, content, and relevance. It’s a full time job managing an image just to market your publication. But individuals are doing it and winning. And as for earning a living from your published works… there aren’t a lot of writer friends in proportion to the number of writers I know of who are living above the poverty line solely on the profit and royalties they make from sales alone.

So, unfortunately, success as an author is a subjective term. It’s interpreted by the individual and their perspective. In my opinion as long as you are enriching the publishing landscape, touching readers, then you are a success. But don’t be like that woman lying about her book – she’s like a Karen. Don’t be Karen. Write with passion. Believe in your work. Support fellow authors and make the publishing experience a pleasant one, because heaven knows it’s hard enough for most of us to write a book in the first place.

How would your measure success for an author or writer?

What is your opinion on a lot of these false claims made in marketing a book?

Do you thing self-publishing is sullying the reputations of published authors?

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

How To Get A Submission: Query Letter Edition

Writing is hard. Unfortunately, querying can be even harder.

I came across this article by A.C. Wyatt a little while back, and wanted to re-share it here because it is similar to what I have garnered in my own submission experience in regards to novel writing. It is a lot different in submission/querying for articles/journals/news outlets and different again for copywriting, screenwriting, and ghost writing. Let me know if you want to explore these of the aspects of submitting for work and I’ll detail the niche topics for you. In the mean time…

I’ve been through the query trenches time and time again, and written about it a lot, too. Through all of this, I’ve discovered a fair amount about ways to help me land a submission. Here’s what I’ve learned.

1. Write up your blurbs and synopses.

Once you’ve done all the revising and polishing you can, it’s time to start getting ready for querying. This means you should have a few synopses of varying lengths on hand. Here’s a list of what I like to have ready:

• A back-cover blurb (about two/three paragraphs or somewhere around 100-200 words) for a query letter
• A short synopsis about a double-spaced page in length that introduces the story and discusses the main plot points and over-arching themes (check out this siteor this site for help)
• A longer synopsis that goes over all the important stuff in your story (think an IMDB movie synopsis; for help, check here, hereor here)

It seems like a long list, but agents can ask for these things. I’ve seen agents who ask for short synopses along with your query letter, and agents who ask for longer synopses in partial submissions. And everything else will most likely go into your query letter.

2. Create an elevator pitch.

While longer synopses are good as well, shorter pitches are just as important. You aren’t always going to have a paragraph or ten minutes to explain your novel to agents or editors. Sometimes, all you have is a couple sentences. You might be participating in a Twitter query contest and only have 140 characters, or you might luck out and meet an agent in real life. So you’ve got to have something short prepared. This comes in two parts: a few comp titles (those lines in query letters that say something like MY NOVEL IS X MEETS Y, and an elevator pitch.

For VINDICTA, my comp titles are currently The CW’s The 100 and Suzanne Collin’s THE HUNGER GAMES. (For help with comp titles from a much better authority, check out here orhere.) I haven’t actually written out my elevator pitch yet (oops), but the idea here is to capture the book’s essence and pique interest in one or two sentences. If I was to write an elevator pitch, it’d be something like Kieran can’t let herself fall again. Flynn can’t survive losing anyone else. But in this forest of empty ghosts, they’re all the other has.

It’s rough, and it’s not my best stuff, but you get the point. Immediately, questions come to mind. Why is Kieran so scared? What did Flynn lose? What happened in the forest? Who’s after them? You’ve got to hook them in and leave them wondering.

3. Write your query letter.

Seeing as I’ve queried and been rejected by several dozen agents, I’m probably not the best authority on the topic. But this is the stage where you write your basic query letter—the no frills one you can customize to fit the agent. Sites to help you write a query letter includeCarly Watters’ querying tag, QueryShark and Nathan Bradford’s example of a good query letter.

4. Do your research.

The most important step of all. In order to really help you land an agent, you’ve got to do your research. What agents are looking for novels in your genre? Which agents are known for working with debut authors? Which agents have represented books similar to yours? Doing all this work can be daunting, but it’ll pay off in the end, I promise. Find the agents who rep similar books in your genre. Browse the #MSWL hashtag on Twitter. Other sites to help you find agents to query include Manuscript Wishlist, AgentQuery (although beware, this one can be outdated) and QueryTracker.

5. Personalize the letters.

I know I said before to create a query letter template. And yeah, it’s important to have a good base to work off, but you also have to tailor every single query letter you send out to the agent you’re sending it to. Are they a fan of a book that inspired your manuscript? Put it in. Something else you two share? Mention it. You’ve got to have an author bio anyways. This takes care of it.

6. Send out the letters.

This is the hardest part for me. I’m a generally anxious person anyways, but sending out query letters for something that’s incredibly important to me in hopes of achieving my biggest goal is completely nerve-wracking. So if you’re like me, just breathe. It’ll be okay. No matter what happens, you’ll survive.

NOTE FROM ME: I think one important point that must be re-iterated that I hear from A LOT of publishers, literary agents, and fellow published authors, is not taking the time to find out if the agent/publisher is even taking submissions; what genre they specialize in, and what their specific guidelines are. So many submissions get tossed into the trash immediately for not following the simple rules for submission. So do your due diligence. Research. Network. And you will find a higher percentage of success.

 

About the author

A. C. Wyatt is a nineteen-year-old writer and university student from Canada. When she’s not writing, she can be found a) reading, b) fangirling over fictional characters, or c) procrastinating. She also hates talking about herself in 3rd person, and can most likely be found at the computer.

 

 

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Jan – Mar 2020 Quarterly Goals

I’m attempting the quarterly goals thing again this year, (inspired by Jenna Moreci – check out her YouTube video here  https://www.youtube.com/watch?v=67VbahiISDo) it helped increase my productivity in 2019 – even if I was a bit lazy in posting my updates… well, posting in general. I think after doing too much of the same thing for five years now, it was feeling stale. So, I’m trying to mix it up a bit, do a slight facelift and hopefully breathe some enthusiasm back into my online activity.

Book worm:

I was surprised once I posted my Goodreads challenge earlier that there were no autobiographies, memoirs, or non-fiction titles; so I plan on getting back to including some of these in 2020. Again variety is the spice of life – no wonder my reading felt somewhat lacklustre.

I shall also be including some text books and reference material: mainly for professional development and feeding a curious mind.

I am also hoping to increase the number of diversity reads and novels written by Australian authors. Mainly because they are the type of books I enjoy the most, and help support my local economy,

And lastly I made little to no progress in finishing series I started years ago – got to get that TBR down.

Plus I’m still bargaining with myself that I can only buy less than half of the number of books that I read. It was torture doing this in 2019, but if forced me to actually read some of the books on my shelves. Consequently my wish list has grown exponentially, but my bank balance is greatful.

Scribe and scribble:

2019 has been one of the better years for writing in a long time, and I plan to continue this trend in 2020. I want to at the very least get another four chapters written on my WIP. (My goal is to complete the first draft this quarter, but 4 chapters is more realistic.)

 

Levelling Up:

I’m looking to add a few more feathers in my cap this year. I’m part way through a digital marketing course and want to finish it by the end of March. I also want to start something new and I’m eye off SkillShare… has anyone taken any courses from this platform? Has it provided you with practical skills that have translated in furthering your professional career?

 

Social Butterfly:

Being a writer, and living in a remote location I sometimes feel like a hermit. So this quarter I want to attend at least one writer event, and one social event. I know I haven’t set the bar very high, but I’m starting slow. Plus its a guaranteed success… right?

 

Get creative:

I was very lazy last year and have several unfinished projects… so I want to finish something. Sew a garment, restore some furniture, renovate a room. Just one thing other than writing.

 

Cash grab:

There is so much stuff stored around this house that is never used or no longer needed. And a good percentage of it is brand new. So I’m challenging myself to start listing items for sale. Probably on eBay. Reduce the clutter and provide a little extra pocket money.

Work that body:

I started a new fitness regimen halfway through last year and had a small amount of success, so I’m taking it up a notch this quarter and want to start seeing some bigger results. I like how healthier eating and fitness has kept my mind alert… now I want my waistline to shrink!

So professional:

I also want to start expanding my digital platform. I’ve had ideas for years now but still to implement any… this quarter I plan to cease the day!

 

If I can achieve at least half I deem it a success and do a happy dance, if not I’ll have the shame of announcing it publicly and everyone will know what a lazy human being I’ve become. See you in three months for a recap and a new list of goals.

Wish me luck!! I’m also sending out creative vibes and motivation to help you reach your 2020 goals.

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Ageism and Fear in the Jobscape and why writing saved my life

It’s been a minute since I’ve written anything about writerly advice because I’ve been taking time to, well, write. But I thought I’d share how I created my own job, and the circumstances that led me to it. Maybe you can create your dream job too.

Having difficulty gaining employment once you reach a certain age isn’t a new story. I never really had to face this issue until I moved from the city to a small regional centre. This combined with the reality that my work experience and qualifications typically exceed that of the employers I’m interviewing with… and well, for whatever reason, I did not land a new position. But it is a little my fault because instead of applying for high stress, high responsibility vacancies, I choose to wind down and enjoy the coastal lifestyle – so targeting a less demanding position was key.

I was cited many reasons for the lack of success at the interview stage. I was too over-qualified, they were afraid I would get bored, or I was met with silent wide-eyed blinking when they perused my resume at job interviews. And typically, the jobs going to a more suitable applicant usually meant someone in their early 20’s with little education and experience. I know this because I followed up on every job I applied for out of professionalism and courtesy.

There is no sour grapes here. Just a little dumbfounded. I never had any complications gaining employment in metropolitan areas, but country regions have proven fruitless. It’s a smaller market and much less resources. And I hesitate to mention that there was on average 100-150 applicants for each vacancy.

I even went as far as explaining that I knew exactly what the positions I was applying for entailed. The kinds of positions that suited my lifestyle. I have a lot going on outside of a job (like writing, volunteering for marine conservation efforts, and exploring the area). And though I will dedicate 110% of my effort and commitment, when the day ends I like to leave work at the office, and enjoy my personal time with other endeavors. I’m not out to climb corporate ladders or build an empire. I want work satisfaction in a great environment and an income help me earn enough money for holidays, living, and retirement. I’ve already done the hard yards. I own my home and cars. My experience and qualifications should not be seen as intimidating or being over-qualified; but as a value add. An in-house all-rounder at your disposal whenever you need it.

So I was flummoxed to say the least.

My only alternative was an hour and a half commute to the city, to start my own business… or turn a passionate hobby into a new career. Determination and perseverance, and a little outside the box thinking has taken me to a place where I can breathe a sigh of relief. Otherwise it would have been selling up and moving back to the city (along with a substantial financial loss). But I have an emotional attachment to where I am currently located, so moving was a last resort.

I had already been writing in my free time. And when the idea to chase this pastime on a full-time basis struck, I thought – easy! I’ll just finish writing novels faster and send them out to publishers. Raking in the dough.

What a deluded creature I was.

Turning writing into a fulltime career meant diversifying the types of writing I was doing; and diversifying my skills.

Online marketing, website building, photography, and a foray into post-production of images, formatting, mastering algorithms, networking, professional development… and the list goes on! It turns out I’m not writing much more than I was when working full time, it’s just the remainder of my working week is taken up by all the bits and pieces involved in submitting and applying for work, and the industry as a whole.

So inadvertently, the jobscape in a small regional town has actually pushed me into creating my dream job through necessity. I don’t think I’ve ever had this amount of job satisfaction either. It’s interesting and diverse. I can pretty much choose my own hours, work remotely and travel if I wish.

I will say it was challenging to get started. There is no roadmap for this kind of thing. It’s all about building a portfolio, making industry contacts, and bidding for jobs. There are so many niches within the corporate, marketing, and technical sectors as well. You really need to research and investigate where there is a need for your services. My dreams of putting my feet up with a coffee and churning out the next best YA hit of the season is still there, but I’ve padded it out with screenwriting, speech writing, technical writing, ghost writing, proof reading and editing, and providing content for customers maintaining a website or social media platform. Heck I’ve even had work published for local news outlets.

I think exploring these other modalities has enriched my interest and skills as a writer. I love it.

My success feels like a bit of a ‘up yours’ to those employers who labelled me as too old, or felt intimidated to employ because of my qualifications and experience. They failed to see the passionate person in front of them. But those judgements say nothing about me and everything about them… so I just adapt. Innovate. Overcome.

Write on fellow wordsmiths!

 

 

 

What obstacles have you had to overcome to realise your career as a writer? I’d love to hear your stories… even if you’re only just starting on the journey.

© Casey Carlisle 2019. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

 

 

 

Ghostwriting and earning money from writing under a pseudonym

I aspire to write novels under my own name… but at the moment, the majority of my income comes from writing for other people.

Ghostwriting, or writing for other people so they can attach their name to your work as the author is more prevalent than you might think. More so in Non-Fiction genres, but it’s pretty much everywhere.

When you take a step back and view writing as a whole – and not just novel writing – there are plenty of opportunities to earn a living. For me, I’ve diversified. I get a little bit here, a little bit there, and it all adds up enough to support myself as I chase my dream. That suits me. If I focused on a certain specialization, I find I get stagnant with creative flow, as well as being pigeon-holed as only being able to produce that kind of material. I like to mix it up and keep things fresh.

The majority of my income is derived from Manuals, Text books, Academic Support Material, and Speech Writing. It’s also easier to do because it’s more about conveying facts than embellishment and world building. Plus I love research, so I find it fun. It’s the type of work where there is a team involved – you work to a spec, fact check, submit for feedback and re-write. You get a stamp of approval and it’s off to someone else to worry about the editing, formatting, publishing, and marketing.

It’s much the same as Article Writing for media, except in media you need to include marketing terms and hot topic phrases (*cough* click bait *cough*) which is usually for an established columnist who is on a break or overworked. You will get a sample of their writing style to match before submitting. If you do a good enough job it can mean a fairly regular source of work.

I used to do a lot of Copywriting, but am scaling back on that, as the Marketing environment has grown exponentially in the last five years, and with so much new talent and a technology/social media focus, I’m not wanting to take a year or so off to update my skills in order to compete. It’s time I’d much rather spend writing my own content.

Screenwriting is something I fell into, and I’m finding the more work I do, the more offers I get. It was a case of who you know to get this score. Always a part of a writing team, deadlines that must be met no matter what, and I’ve gotten to work for some big movie productions down to a scripted YouTube piece.

All of that is fun and full of variety, but I’m also branching out into releasing work under a pseudonym. Only because in the world of publishing and marketing, everything is genre based. You can’t become established as a Mystery writer and then drop a cookbook on your dedicated fan base. So it’s recommended by your publishing team to ‘brand’ yourself. And thus alter ego’s are born. Plus the different genres/forms of publishing differ greatly for each pseudonym. They have their own marketing plans and budgets, different demographics and markets. Although I’m only small fry, it makes me feel like some big corporation at times with all this diversification with my writing.

All that I’ve mentioned is well and good for an established writer. I’ve got degrees, industry contacts, and thirty years of experience. For those of you starting out, do the research. Each of these endeavors were the result of weeks of toiling through information to form an action plan. Know your stuff. The internet has provided you with perfect tool to get the advice you need right in front of you for free. It just takes some time and perseverance to pull it all together. Plus, you need to get out there and network. Attend industry conferences in the field you are interested in writing for, publishing workshops, writers groups – the more resources you have, the better equipped you’ll be. Make sure you have samples of your writing handy at all times, whether it’s something you can email, or examples listed on a website, these will be crucial for attracting paid work. Don’t be afraid to put in a submission for work. Call places or send them an email query. It is an investment of time in trying to set up and get prepared for an income other than that from your novel… but it will mean you are a full-time writer.

These different forms of writing income have given me freedom to follow my passion, and although I’m not getting credit for my work in the form of notoriety – because it’s being published under someone else’s name. It does provide the financial freedom I need to work from wherever I carry my laptop. Plus releasing work under a pseudonym not only gives me a chance to brand work best suited to marketing activity to reach its target demographic, but also gives you the opportunity to try out different tactics in promoting. Whether traditionally published, or self-publishing, it will always be beneficial to learn how to sell your own work.

Keep at it author friends – find a way to follow your dreams!

© Casey Carlisle 2019. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.