Books I read in 2019

Here are some goodreads stats and book covers of everything I read over the course of last year…

Casey Carlisle Books Read in 2019

…and if I had to pick my favorite read for last year it would have to be ‘Contagion‘ by Erin Bowman.

What was your most enjoyable read from 2019? I’d love some great recommendations.

UPPERCASE lowercase 2020 by Casey Carlisle

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Undaunted’ (#2 Fetch) by Kat Falls

Genetic virus wreaks havoc on humanity.

Undaunted (#2 Fetch)Book Review Pic 01 by Casey CarlisleGenre: Y/A, Science Fiction, Dystopian, Adventure

No. of pages: 352

From Goodreads:

Lane Everson barely survived her first journey to the Feral Zone. The forbidden, overgrown landscape east of the Mississippi River was abandoned years ago when a virus spread through the population, bringing civilization to its knees.

But Lane has crossed the quarantine line, and she knows the truth. There are survivors on the other side of the wall – people who were not killed by the virus, but changed by it, their bodies warped to display a variety of animal traits. In the most severe cases, their minds are warped as well, leaving them barely human.

Lane volunteers to return to the Zone as part of a humanitarian aid mission. But she has a darker, secret purpose. Someone she loves has been infected, and she once made him a promise: If he ever goes feral, Lane will be the one to put him down. Now, Lane fears that the time has come. 

page-border-by-casey-carlisle

Considering this was a sequel and a finale, I was expecting great things from ‘Undaunted.’ It certainly did not disappoint. The stakes were raised, the characters tested and showed growth, and there was plenty of dystopian sci-fi goodness al-laThe Island of Doctor Moreau.’

This was a difficult novel to get through however, which had me puzzled because it has all the earmarks of things I enjoy in a story. Just after I reached the halfway point I realised it was the writing style. Again another surprise to me given how much I have enjoyed Kat Falls other titles. In the afterward, the author did admit to struggling to complete penning ‘Undaunted,’ and I wonder if some of that awkwardness translated into the writing. There were moments of Lane’s narration that felt immature to me. Though it meets the intended demographic, I don’t remember feeling that way from the debut ‘Inhuman.’

Out protagonist Lane has much more direction and certainty about her in ‘Undaunted.’ It felt like she was on solid ground and no longer simply surviving from one instance to the next. You get a clear picture that she is aware of the larger mechanisms and politics of the situation at large. She has clear goals and determination to see them through – all mixed in with a hefty dose of compassion. It is a nice juxtaposition to how she was in the previous novel.

There was a hint of a love triangle with both Everson and Rafe vying for Lane’s attentions, but from her perspective, it was never a love triangle, just simply friends that she cared about; and one of those friendships blossoming into something more. Everson has a small amount of character development in the form of a shift in his morals at uncovering some truths, but Rafe has stronger growth from being, known as a thief and trouble maker, to a solid stand up guy, responsible, a leader. For some reason I was continually reminded of the main character in ‘Aladdin,’ a street hustler turned prince.

Undaunted (#2 Inhuman) Book Review Pic 02 by Casey Carlisle

I notably fell in love with the manimal orphans, and the lionesses as well both victims of the transformative genetic virus. Falls did a great job in marrying animal character traits with human ones to show strength, pride, and loyalty.

There was always something interesting going on to propel the story forward, but I felt the writing style let it down. Maybe some more sophisticated sentence structure and word choice to bring down the word count and increase the pacing of the story would have greatly improved my reading experience. Also help to eliminate a small amount of repetition. But that is me just being picky in trying to figure out why it took me so long to get through this novel.

I can’t say that there were any twists or turns that I didn’t see coming revolving around the central plot. It is very predictable in that sense, but there were a couple of minor reveals that had me raising my eyebrows. It is definitely a satisfying read, but not one that really socked it to me, or gave me the feels. The plot points are all addressed neatly – if a little cliché a times. I can see this being a great book to recommend to the younger end of the YA market. The whole manimal epidemic can be synonymous to racism and immigration themes in a sense. Because they have developed their own culture, and effectively, a different race. It also brings up themes of genetic modification, infection, and epidemics; great topics to open discussion on science, or the morality and ethics around these topics on a larger scale.

I’m happy I read it and got a conclusion to the story, even though slightly lacklustre for me. But would happily recommend it for younger readers.

Overall feeling: Get it girl, that was good.

Undaunted (#2 Inhuman) Book Review Pic 03 by Casey Carlisle

Undaunted (#2 Inhuman) Book Review Pic 04 by Casey Carlisle

critique-casey-by-casey-carlisle

© Casey Carlisle 2019. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Iceberg’ by Clive Cussler

A clusterf*#k of political incorrectness.

Iceberg (#3 Dirk Pitt) Book Review Pic 01 by Casey CarlisleGenre: Action Adventure

No. of pages: 340

From Goodreads:

Frozen inside a million-ton mass of ice-the charred remains of a long missing luxury yacht, vanished en route to a secret White House rendezvous.  The only clue to the ship’s priceless-and missing-cargo: nine ornately carved rings and the horribly burned bodies of its crew. 

page-border-by-casey-carlisle

I’ve been a fan of Cussler since my teen years, but this singular novel really tested my nerve. I can forgive a little machismo – it’s to be expected in this genre and series, but when Cussler has Dirk Pitt playing a stereotype of a gay man – even so far as to use the word faggot a number of times, I wanted to set the book on fire. It was in such poor taste to read these hate-filled slurs. It highlights all the issues of discrimination that the LGBTQIA+ community face.

Cussler used about every negative trope around this issue in ‘Iceberg’ with the protagonist Dirk Pit undercover as a homosexual artist, staring hungrily at men’s crotches like a sexual predator, acting submissive and weak, wearing over-the-top colourful clothing, and flowery speech. This goes on for half the novel. It is obvious that Cussler adopted this writing style for it to come off as comedic, but it just shows his insensitivity and ignorance.

To compound the issue there are continual cracks about crazy women and menopause, or someone on their period – that was also meant to be jocular. The female characters were irrational tittering things meant to look pretty and fetch coffee. Their only goal to land a good husband. They were diminished to a sexual object, nursemaid, or servant. It came off as highly offensive.

Iceberg (#3 Dirk Pitt) Book Review Pic 02 by Casey Carlisle

I just don’t understand. Was Clive Cussler on some sort of acid trip writing ‘Iceberg?’ I’ve read over 15 of his novels and never come across such blatant misogyny. Maybe I should stop making allowances for Cussler’s overused tropes and start calling him on them in my reviews… I read his novels for the emphasised adventure, the marine environment, and the espionage. ‘Iceberg’ was overshadowed with such a distasteful display of tropes and writing I am literally gobsmacked. Way to offend half your audience dude.

Looking at other aspects of ‘Iceberg,’ like pacing and plot, it wasn’t so bad, but by no means anywhere near his best. There was a plot twist at the end that I didn’t see coming, but that too left a horrid taste in my mouth. I enjoyed the surprise, but hated the premise it supported.

In all honesty I do not recommend this book to anyone. If fact Cussler should pull it from his catalogue entirely. I know I would be ashamed to have written a novel like this.

Overall feeling: Anger and nausea.

Iceberg (#3 Dirk Pitt) Book Review Pic 03 by Casey Carlisle

Iceberg (#3 Dirk Pitt) Book Review Pic 04 by Casey Carlisle

critique-casey-by-casey-carlisle

© Casey Carlisle 2019. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Film vs Novel – Everything Everything

Everything Everythng Film vs Novel Review by Casey Carlisle.jpg

I did purchase the novel when it was first released, but ended putting it to the side due to all the hype – I like to go into a read with a clear head so I can form my own opinions without any influence. The movie marketing began just as I was looking at starting the book (again), and so, back to the shelf to wait, until now, comfortably ready to read and compare the book to film with a clear conscience.

The film was cute. However it felt like the soul of the story had been edited out in comparison to the book. All those little symbolic references from the text, diminished or omitted completely in the movie adaptation. It left the characters feeling a little two dimensional and bland. However the cinematography was beautiful, but I wondered if it couldn’t feel ‘bigger’ – the daydream scenes were merged with text conversations and lost the reason of why they were there in the first place. It was a funny concept to marry meaning and the text message dialogue from the novel. I understand that Maddy tends to live in her imagination because it’s the only way she can explore the outdoors from inside her hermitically sealed home, but the tone wasn’t obvious enough and left the film feeling soft and ethereal, not grounded in reality. This, combined with the watering-down of more controversial elements of the narrative, like abuse, left me with some unease about the film.

The big screen version gave a beautiful nod to the novel with illustrations from the pages included at the end credits, however it only proved just how much they left out – how much of Maddy’s inner consternation was omitted. Even when watching the movie, I felt like all Maddy and Olly did was way too much staring…. there was so much silence. And while the actors (Amandla Stenberg and Nick Robinson) did a stellar performance with their subtext, it did not drive the story forward.

Everything Everythng Film vs Novel Review Pic 01 by Casey Carlisle.jpg

I love Nick Robinson as an actor, but on screen he looked older, tired, and the elements of the book – like the parkour were ignored, when Maddy commented in the film ‘You’re standing so still’ it had no context and felt superfluous. The severity of Olly’s relationship with his Father is alluded to, but lacked the prominence as it did in the novel. You really get a feel for what Olly is suffering through, and Maddy’s desperation to help him in the novel. It is raw, visceral and dangerous. The film simply shows a bit of shoving… I mean, it felt like such a weak trigger to propel Maddy into risking her life.

Olly’s sister plays a different role in the novel to the film, and because of the sanitised, laconic version of ‘Everything, Everything’ on the big screen, she was such a different creature in tone.

A scene not in the book – the visual delight the oceans of the world and Olly’s note was probably the best, and certainly the most memorable. If only that type of interpretation had been maintained throughout and the pacing kept up, I would have had a completely different opinion of the film. To prove a point, the first kiss – on the 4th of July was a big letdown in the film; the lighting effects came across as obviously fake and detracted from the mood of the scene.

Everything Everythng Film vs Novel Review Pic 02 by Casey Carlisle.jpg

Aspects like this ‘scene treatment,’ lack of a characters narrative to set up the relationships and actions, and pacing overall turned the film into a disappointment for me. Though it was cute. Cute for a 12 year old, and too fluffed up for its intended YA demographic. And those who loved the book may feel that much of the better parts of the novel had been cut.

Where the film felt slow, empty, and left me with a sense of unanswered questions. The book, even though containing many inaccuracies, at least had more of a dynamic and plenty of character motivation and interest.

Everything Everythng Film vs Novel Review Pic 03 by Casey Carlisle.jpg

critique-casey-by-casey-carlisle

© Casey Carlisle 2018. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Kalahari’ (#3 Corpus) by Jessica Khoury

Kalahari will test your mental strength and physical ability to survive in the harshest of climates.

Kalahari (Corpus #3) Book Review Pic 01 by Casey CarlisleGenre: Y/A, Science Fiction, Adventure, Romance

No. of pages: 368

From Goodreads:

Deep in the Kalahari Desert, a Corpus lab protects a dangerous secret…
But what happens when that secret takes on a life of its own?

When an educational safari goes wrong, five teens find themselves stranded in the Kalahari Desert without a guide. It’s up to Sarah, the daughter of zoologists, to keep them alive and lead them to safety, calling on survival know-how from years of growing up in remote and exotic locales. Battling dehydration, starvation and the pangs of first love, she does her best to hold it together, even as their circumstances grow increasingly desperate.

But soon a terrifying encounter makes Sarah question everything she’s ever known about the natural world. A silver lion, as though made of mercury, makes a vicious, unprovoked attack on the group. After a narrow escape, they uncover the chilling truth behind the lion’s silver sheen: a highly contagious and deadly virus that threatens to ravage the entire area—and eliminate life as they know it.

page-border-by-casey-carlisle

I loved this book. Admittedly, my expectations were a little lower after reading ‘Origin’ – though that debut wasn’t bad, there were moments the pacing lagged. That was definitely not the case in ‘Kalahari.’ It was non-stop action from start to finish. It has been a while since I’ve been so wrapped in a story.

Kalahari’ is a companion novel to the other two in the Corpus collection – and you by no means have to read them in order. In fact I read Kalahari before reading ‘Vitro.’

The best way I can sum up this novel is a combination of the movies ‘The Breakfast Club’ meets Clive Cussler’s ‘Sahara.’

Kalahari (Corpus #3) Book Review Pic 03 by Casey Carlisle.pngOur protagonist, Sarah is one gutsy chick. Using all her survival skills, sheer grit and determination to drag a group of city kids through the desert… while being stalked by human and animal predators alike. She comes across as shy in social situations, which is understandable, since she is practically home schooled in the isolation amongst the South African desert – sorry, semi-desert; but is also confident and determined from years of living in remote places and dealing with all types of wildlife.

The only thing that reflected negatively for me was when Sarah started listening to a recording at the most inappropriate time… that’s as much as I’m going to say, because – spoilers. But when I read that, I was literally saying out loud “What the eff” in astonishment.

Khoury’s writing style improves progressively throughout this trilogy. Pace and tension are far superior in ‘Kalahari’ than in the debut (‘Origin.’) She also has a way of building the world and describing the landscape that is anything but delicious. You can get such a clear picture of Sarah’s surrounds you really feel like you are there. Seeing the improvement in Khoury’s skills only make me more excited to read some of her recent releases.

It was interesting to read the city-slicker group that Sarah guides through the desert and how they cope with suddenly being cut-off from all aid, under threat, and needing to push their body to the limits to survive. I felt it was a realistic interpretation of what could happen. Growing up in the Australian desert myself, and a love for nature and hiking, occasionally friends would tag along and be confronted how being in the middle of nowhere means you need to adopt an entirely different set of skills to survive.

I love science fiction that actually has some science in it. And though it’s dumbed down drastically, we get some of the science behind the story. As well as botanical and zoology references about the Kalahari environment. It really gives you a strong sense of the flora and fauna. Geek girl in me loves it! I read it in one sitting.

Overall feeling: Spectacular survival skills!

Kalahari (Corpus #3) Book Review Pic 02 by Casey Carlisle.gif

Kalahari (Corpus #3) Book Review Pic 04 by Casey Carlisle

critique-casey-by-casey-carlisle

© Casey Carlisle 2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.