Monty’s epic grand tour may be over, but now that he and Percy are finally a couple, he realizes there is something more nerve-wracking than being chased across Europe: getting together with the person you love.
Will the romantic allure of Santorini make his first time with Percy magical, or will all the anticipation and build-up completely spoil the mood?
This was a cute novella dealing with Monty and Percy finally getting their ‘groove’ on despite many interruptions. ‘The Gentleman’s Guide to Getting Lucky’ is a charming aside to the Montague Siblings series. It does not expand on the universe too much. We learn what happens with our characters between the first and second novels in this series and it gives resolution to a few small plot points.
Monty is still that bumbling self-absorbed rake we love, but his softer and loyal side are emerging, giving him a bit of substance. Percy is beginning to find security in his relationship with Monty. There is more sibling rivalry and sibling unity with Felicity helping out the love sick couple yet again.
Mackenzi Lee has an elegant and humorous writing style that matches perfectly with the tone of the story and which I enjoy getting lost in.
This is a quick read and a great addition to all MontyxPercy stans.
The plot itself is highly predictable, but all the obstacles that get in the way certainly make for a fun journey.
There is not much to add to this review, as ‘The Gentleman’s Guide to Getting Lucky’ is a short novella, dealing with a singular topic. Fans of the series will not be disappointed with this addition to the franchise. Highly recommend.
I started reading the BrainShip series in my teens and was a massive fan of Anne McCaffery… recently discovered there was another book in the collection that had slipped under my radar. Are there any books in series that have gotten published without you knowing? I’m going to have to go through my back catalogue and ensure nothing else has slipped through the cracks.
An all-stakes battle with teens pitted against a sentient island in a pocket universe.
Genre: Y/A, Science Fiction, Adventure
No. of pages: 416
Despite Rives and Skye’s attempt to destroy Nil, the island remains. And back in this world, Nil won’t let Skye go. Haunted by a darkness she can’t ignore, Skye wrestles with Nil nightmares that worsen by the day and threaten to tear her apart. As Skye fights to keep her mind intact, she realizes that to finally break free of Nil, she must end Nil’s vicious cycle once and for all—and she can’t do it alone.
Who are Nil’s new arrivals? Who will return to the island? And who will survive in the end? In this final installment of the Nil series, the stakes have never been higher.
Losing isn’t an option, but winning will cost Skye everything.
I have so many feelings about this fantastic concept – sentient portals abducting teens and depositing them in an alternate pocket universe to survive Island-style, and try and find a way home again before their time runs out.
I appreciated the narrative around colonisation and erasure of aboriginal culture underlying ‘Nil on Fire,’ but I still don’t think it was handled as delicately as it could have been, but the representation and exploration of the Polynesian culture was a big plus for me. So too was the diversity – many cultures and languages represented in the characters, yet still no getting a chance to lead the narrative.
Unfortunately there were drawbacks in this concluding novel of the Nil trilogy. This felt long, facts kept getting repeated and I did not like the direction the last instalment in this series took us. I struggled a bit with the narrative, losing interest many times, the characters started to feel more two-dimensional despite the hell they were being put through. The deaths were shrugged off a little at the end. It was just disappointing for me.
There are multiple perspectives in ‘Nil on Fire’ we follow Skye, Rives, and a schizophrenic omnipresence of Nil (the island) and the story picks up pretty much right after the events ending in the second book in the series ‘Nil Unlocked.’ I did like how we got all the characters from the first two novels in this final book of the trilogy, facing off against the island itself, and the mythology behind its creation. This concluding novel does offer explanation and wrap up the series well, but it was the mythology that did not sit well with me. It was a little too fantastical. Nil is a great series and the premise had me hooked… I would have loved this to stick to a more science fiction route than it had – given the alien consciousness presence and the alternate pocket universe. The precedence had been set. Otherwise maybe the series should have taken the more mystical route and leave the mythology grounded in the Polynesian culture. The philosophy of the Nil series felt like a jumbled mish-mash of both elements and lacked conviction.
As we are dealing with established characters, who have already run the gauntlet, there is limited space for them to develop further. In that sense we get the main cast helping secondary characters grow from their own experience. I guess that is another factor that separated from the narrative. I kept getting bored with too much detail, repetition, and short chapters jumping from perspective to perspective. The narrative didn’t sit long enough with a character for me to really get sucked into the Nil universe, or form strong emotional connections with the cast. ‘Nil on Fire’ is banking on the reader already having forged those bonds in the first two novels to carry you through this finale.
Lynne Matson has a great writing style for setting the scene and world building, I loved her descriptions of the island and its mysterious sway on the teens. She is also great at character development from the previous novels. I’d like to read something from her told in first person with no switches in perspective and see how that affects my reading experience.
So this was a mixed bag of feelings for me. I loved getting to meet all the characters again, and have the mystery solved… I just didn’t like the direction it took.
The perfect light-hearted, family-friendly space adventure.
Genre: Y/A, Science Fiction, Adventure
No. of pages: 304
Kyler Centaurus isn’t your typical runaway. All he wanted was a quick trip to the legendary Fasti Sun Festival. Who wouldn’t want to see new stars being born? Um, try Kyler’s entire family. They couldn’t care less about mind-blowing wonders of science.
When an accidental launch sequence ends with Kyler hurtling through space on the family cruiser, the thrill of freedom is cut short by two space pirates determined to steal his ship. Not happening!
Luckily, Kyler bumps into Fig, a savvy young Wanderer who makes a living by blowing up asteroids. She could really use a ride to Earth and Kyler could really use a hand with the pirates.
But when Kyler learns the truth about Fig’s mission, the two must put aside their differences long enough to stop the threat of astronomical proportions racing towards Earth?
I enjoyed this book so much, it was literally like watching a Disney movie (no wonder Disney Hyperion published this.) Great family friendly hijinks. ‘Blastaway’ is every kid’s fantasy of running away from home on a spaceship with a robot sidekick to boot. There were elements of Home-Alone-in-space, and the robots is reminiscent of ‘Short Circuit,’ ‘Wall-E,’ and the two robots from ‘The Black Hole’ V.I.N.CENT and B.O.B.
We face pirates sans ‘Home Alone,’ and rescue planet Earth from a runaway star. There was adventure and action, and a lot of hilarity. If this ever gets the film treatment I’m definitely buying a ticket. It managed to capture the child hidden inside me, entertain me with jokes, and have enough sci-fi elements for me not to get bored. ‘Blastaway’ has a whip-cracking pace and I read the entire book in one sitting. My other half kept looking at me because I was giggling frequently.
The narrative is told from two different perspectives, having a number of chapters each. Kyler Centaurus is a privileged Earth boy who inadvertently steals his parents spaceship after a family tussle in which he comes off second best, after the fact he decides he may as well make the most of it since he is going to get punished anyway, and heads off to see the spectacular display of his favourite scientist create an artificial sun. He feels misunderstood and underappreciated, and the fact his brothers are always picking on him – and that it took nearly a day before his family realised he was gone – proves the point.
Figerella ‘Fig’ Jammeslot is an orphan runaway, grown up on ships and satellites after her parents were killed, snatching jobs where she can as a sharpshooter to destroy asteroids. She is the typical streetwise ruffian always on the take. She sees Kyler as an easy mark, and their destinies become intertwined.
For a light-hearted space romp we see both characters grow and develop, their motivations change, and real, heart-felt ‘ah-ha’ moments. I even developed an emotional connection to the robot Cabe.
I’d like to say I predicted the outcome of this novel, but I didn’t really. I misread the relationships (maybe just like the author wanted me too?) and was too wrapped up in the fun of it all to get out my detectives monocle and start looking for clues. Melissa Landers has a young breezy tone throughout the novel that completely engages the reader. I’ve enjoyed much of her back catalogue, so I knew I would like this one, but ‘Blastaway’ really surprised me. I love it. In fact if ever I’m in a down mood, I may just pick this up again for a re-read.
The plot is actually pretty amazing. It wasn’t over-simplified considering the target demographic, but not too complicated to leave it unrelatable to YA readers. I found depth and complexity in both plot and character for ‘Blastaway.’ I was already a fan of Melissa Landers, but now I stan her real hard.
I realise this novel may not be for all, but if you like a fun light read, something that feels like a good Disney movie, (and take note this is targeted towards tweens and teens) than I whole-heartedly recommend ‘Blastaway.’
Overall feeling: Captured my childish imagination.
A guide for beginners – the business of writing doesn’t have to be a drag, it can be an example of adventure.
“For the past couple of years, I’ve been fine-tuning my business strategy as a writer. At a recent writing conference, I discovered that many writers, even those with years of experience, find setting business goals daunting. It isn’t. It’s only frightening because it seems complex. By taking it one step at a time, your business strategy can be made simple and understandable.” – Lynne Lumsden Green
When I think of a business strategy for writing, my mind instantly goes to spreadsheets and budgets, but that is only part of managing your career… and the number crunching part is really a small part. Used as a way to track and monitor progress. An article published in WQ (Jun-Aug 2020) Lynne Lumsden Green discusses this topic which I think helps demystify the task many of us baulk at. She suggests that we start by asking ourselves these questions:
What are your long-term goals? Where do you want to be in five years?
What are your short term goals? What do you want to achieve in the next six months?
What has worked best for you in the past? What hasn’t?
What can you learn from your successes?
What can you learn from your failures?
Upon first reading her article and going through the list of these questions an issue prominently jumped out at me regarding my own career goals. These questions prompt you to not only keep on track with your goals, but highlight what is, and is not working.
The key takeaway for me was the question about what is not working – how long have I been doing the same thing and seen little or no positive growth. It really gave me that ah-huh moment. It’s time I should be trying different methods, tackling different tracks towards my goal. What’s that old saying : doing the same thing over and over again yet expecting different results is the definition of insanity. I’ve gotten too comfortable in my systems and habits that it is now impeding growth.
These questions are all about finding out what works and using those methods to get you to your goals. Ditch what isn’t working.
Lynne Lumsden Green goes on to discuss:
“Let’s look at part of my business strategy as a stepping of point. For 2020, one of my goals is to get more paying gigs. This means I need to write nonfiction articles for magazines, as well as short stories for paying markets. From January, as part of keeping proper records, I’ve been keeping a monthly spreadsheet separate from my nonfiction submission spreadsheets. I started by wanting to sell an article a month, but I am hoping to increase that to one article a week by December. To do this, I need to develop a pitch/query at least once a week. To do that I must develop relationships with the editors of my target markets.”
“Can you see how setting goals leads to implementing a series of logical actions to achieve that goal?”
I love how Lynne explains desire/goal through to a practical application to achieve a result. My writing goals are more based around getting first drafts completed by the end of this year, gearing up for putting out for submission later in 2021. So I have set scenes I have to write each day (notice I didn’t say word count, but story elements of the plot.) In conjunction with this I am researching Publishers who are accepting submissions, what their guidelines are, creating paragraph summaries, tag lines, 1 and 2 page summaries, noting themes, writing up short character profiles… all that lovely marketing material you need for a pitch/submission. Additionally, some publishers (mostly overseas) require that you have a literary agent to represent you, so I have been researching that as well. Again, many are genre specific and have their own guidelines for accepting applications. Another aspect of this goal is researching writing competitions – these can not only put up on the radar of publishers/agents, but if you win, it commonly results in a publishing contract. All of this activity not only makes the whole writing activity real, but gives you a deadline. And each bit of information or step you achieve along the way is ticking off a small task towards your longer term goal.
If you want to get even more technical you could also be tracking the amount of time you spend writing, researching, marketing, so that when you start to earn money through a book advance, sales or royalties, you can estimate how much money you earn an hour. If it’s not high enough for your goals, then you can look at different ways to improve upon your system… and ultimately your earnings.
Writing when inspiration strikes, passively submitting a story here and there one at a time can be a little soul crushing because you are eagerly waiting for a payoff instead of concentrating on a schedule and already moving on to your next target/goal. A business strategy for writing forces you to take in a bigger picture, a career making attitude, and leave you little time to fall into depression from rejection letters and failed submissions.
Lynne Lumsden Green also states “As writing is my business, I try to keep to a schedule. I spend an hour or so every morning on mail, updating my files, and researching new markets. This part of my business strategy won’t be changing any time soon. I then spend an hour every day on social media. I recently had over 400,000 people come through my Steampunk Sunday page on Facebook; a ready-made audience for my writing! You might want to do writing courses or attend more conferences, or join a writing group, so don’t forget to include those in your plan.”
Again this shows by example how much a schedule, consistency, and trying new things are important you your long term success at being a writer. Simply posting to social media blindly does not ensure success, you need to add value, offer a solution to a problem, tap into a niche market. Research your demographic. Try different forms of social media. Reach out to other writers who are having success and mimic their methods for a trial period.
There are a lot of resources out there to tap into. Courses, platforms like SkillShare, YouTube videos, blogs with advice, writing groups, state and government bodies that are running local initiatives to support the publishing industry and writing community, even emailing an author with one or two questions to help you figure things out…
“Don’t forget to be brave. Take risks. Having a business strategy doesn’t mean it has to be boring.”
I hope this discussion helps to change your thinking and provide some inspiration to develop your writing career a little further. Go get ‘em!
I thought I’d take a look back to recommend my top 10 standalones that I read in 2020, it’s a mixed bag but maybe you’ll find that new-to-you read!
I’ll Give You The Sun – yes this was released ages ago, and has been sitting on my shelf since, but in the past year I’ve been making a concerted effort to shrink my TBR and stop getting detracted by too many new shiny covers. This contemporary lived up to the hype I remember it getting when it first came out. Interesting characters and fantastic reveals that brought all the feels.
The Luminous Dead – On of the latest purchases, a sci-fi psychological thriller set in caves on a distant planet, the protagonist faces treacherous terrain, a controlling guide, alien nasties, and a few dead bodies. With a F/F romance to boot this was everything I needed and didn’t know it.
Famous Last Words – a contemporary mystery set in the Hollywood Hills. A young girl moves into a spanish estate that might be haunted, oh, and there might be a killer lurking about.
Highway Bodies – a zombie apocalypse that a diverse group of youngsters have to survive. Set in Australia, and a gem of a novel.
The Sky is Everywhere – Another contemporary romance from Jandy Nelson I let sit on my shelf for too long. Quirky characters painted with artistic flare.
The Gentleman’s Guide to Vice and Virtue* – A historical rom-com as brother, sister and their best friend take a road trip across Europe and all sorts of hijinks ensue. This was a laugh riot. *Not a standalone, there are two more novels and a novella in this series, but I’m including it here because I’ve only read the debut.
Life Expectancy – Dean Koontz has been a favorite of mine since I was in junior high. This tale is a crazy twist of futures that keep getting intertwined: one is a family man, the other is a killer clown.
Pet Semetary – A re-read of an old classic that never fails to entertain and send a shiver down your spine. Bringing back the dead, indian burial grounds and a spooky wendigo… it never gets old (but parts of the story haven’t aged well – it fun to see how writing has evolved in the last 30-40 years)
Reckoning – the only non-fiction title in this list. Magda Szubanski, Australia’s first lady of comedy takes a serious tone exploring her family history: a father who was an assassin, her dreams of becoming a tennis star and falling into acting… and discovering her own identity in a time when being in the spotlight was a dangerous thing.
Cold Fire – A re-read that I didn’t know was one. I owned this book in high school and has lost it in my travels across the continent. I bought another copy thinking it was a title I didn’t have in Dean Koontz’s back catalog…. and the whole time I was reading it though ‘this sounds familiar.’ Still it was a great story of possible aliens haunting a man’s past who has the uncanny ability to foretell certain peoples deaths and goes out of his was to prevent them.
The top 10 series I completed (or nearly completed) in 2020 are:
This Mortal Coil – a science fiction future where the world is ravaged by genetically modified viruses, body modifications, and advanced technology. Warring factions for control and freedom, super soldiers… this really shows where a STEM education could take us. My no.1 pick for the year.
Warm Bodies – I finally completed this epic series, though it slowly left it’s satirical roots and turned philosophical. But is was fun to get answers to how the zombie apocalypse came about, and what the future holds for R and the gang.
The Rook* – There are still more installments to come in this series*, but this is all that is published for now. A spy thriller with supernatural powers set in England with a sense of humor! This collection has a special place in my heart (the television adaptation did not do it justice.)
Midnight Sun* – I got around to what I thought was finishing off the series I started back in 2007, but since have heard there is the possibility of another two books to come!? Nontheless this was a fun return to the beginnings of the Twilight franchise and the story of Edward and Bella (if a little long-winded) but I managed to read it in two days.
Impossible Times trilogy – a collection of novellas that is very timey-wimey. Set in England this has an echo of Doctor Who and mixes in a heavy dose of time travel. Well-written and a blast to read.
Death Works trilogy – Aussie author Trent Jamieson pens a great collection of novels about a Pomp (think grim reaper) guiding souls to the afterlife and fighting all sorts of supernatural nasties… but it’s all handled like a well-oiled corporate office. Best in my backyard : Brisbane, a story very close to my heart.
Proxy – another sci-fi dystopia with a gay main character where the wealthy can get a proxy to stand in for their punishments. A fantastic tale of class structure, technology and rebellion.
Zeroes*- A group of supernatural teens – crooks come heroes that have to navigate their powers, face the consequences of their actions and face-off similarly powered foes. It has a fun twist on the superpower genre, I just have to read the concluding novel to complete the series.*
One Man Guy – a contemporary romance duology featuring a M/M couple as they come out, and navigate romantic rivals, clashes of culture and class structures.
Nil* – a science fiction portal trilogy about a supernatural island that pits teens against the elements and predatory animals, but they have a year to untangle the mystery and catch a portal home before they die. Just have to read the concluding novel for this series*, but so far it has been one heck of an adventure.
I had such a blast when I read ‘Beauty Queens,’ a bunch of self-absorbed teens *cough-reality stars and influencers-cough* from diverse backgrounds survive ‘Lord of the Flies‘ style. I’m thinking it’s about time for a re-read.