Book Review – ‘Mayday!’ (#2 Dirk Pitt) a.k.a The Mediterranean Caper by Clive Cussler

An action adventure of epic proportions (and epic failure).

Genre: Action, Adventure

No. of pages: 362

Major Dirk Pitt picked up the frantic distress call as he cruised his lumbering amphibious plane over the islands of the Aegean. Brady Air Force base was under fire, its entire force of jets destroyed on the ground . . . by just one First World War bi-plane!

A psychotic ex-Nazi, a bloodthirsty Greek strongman and a beautiful double agent set Pitt on the trail of the warped mastermind behind a devastating sabotage plot. And on that trail, danger and death are never far behind . . .

I am a huge fan of the Dirk Pitt series, and started reading them in the early ‘90’s and was hooked straight away. Lately I’ve started to read more of the back catalog of this series, as I came into this about mid-way. It’s also allowed me to uncover a bit of history in what started off the Dirk Pitt legacy. ‘Mayday!’ (written first, but a second release in this franchise) did not live up to my childhood images, carrying an undertone of arrogance, white male privilege, and microagressions.

Dirk Pitt is a sexist pig. The characters are very two dimensional and it is apparent that the characters in this novel only exist to service Pitt’s self importance. This is the worst book from the series that I have read. If I had started reading this collection from this debut, I would have tossed the first few books into the fire and dismissed Cussler as a writer completely.

Dirk Pitt slaps a woman across the face because she is grieving for her dearly departed father and doesn’t want to deal with her emotions, reduces her to her looks and sexualises her. Like if she can’t look pretty for him, what use is she. The tone of ‘Mayday!’ is terribly sexist and left me with the worst taste in my mouth. And that about sums up the novels attitude towards women, and the number of women present in the plot.

Pitt is coming off as a bit of a pompous asshole.  The physical descriptions in this novel don’t entirely match those I’ve read in the many subsequent novels. I think this franchise went through a major re-vamp at some point (thank goodness.)

I found this offensive on so many levels.

The language structure of American cast – the syntax reads like London English… if indeed Cussler was trying to write a Bond type novel as cited, he must of had that in his head, then but failed to craft dialogue for his characters properly. It read with insincerity and clumsiness.

Plus we have spies and agents blurting out their operations, exposing their agents and identities all over the place. So not plausible. This book is ridiculous. The blurting of facts and identities from government officials about clandestine operations and agents in the last few chapters is mind-boggling. It was so unrealistic and harkens back to the days of simple plots and stereotypes… lest be said there was actually a moustache twirling character in this story. It was so bad I was actually having a ball poking holes in the plot and the terribly written characters. Lucky I didn’t turn it into a drinking game – I would have ended up with liver disease.

The only redeeming quality to this was the imagination to come up with the plot, the mixing in of maritime culture and a dash of marine biology.

The pacing was medium… it could have been a tad faster in the middle considering this is an action adventure spy thriller.

A big, huge, massive, NO for recommending this one. I’d be happy to chuck it out the window while driving along the Great Australian Bite and watch it sail into the ocean for a great white to swallow it whole and poop it out in the depths of some dark oceanic trench.

Overall feeling: Kill it with fire!

© Casey Carlisle 2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

#bookporn #coverlove

It’s been a very long while since I have read anything middle grade but wanted to give this series a chance: an action adventure sci-fi series that had a great cover design. Reminded me of Tin Tin in Space.

Plus I couldn’t resist featuring my puppy Buster – he likes to cuddle with me when I read.

Book Review – ‘The Lady’s Guide to Petticoats and Piracy’ (#2 Montague Siblings) by Mackenzie Lee

A delightful historical fiction that wrestles with society and feminism with immitigable humour.

Genre: Y/A, Historical Fiction, LGBT

No. of pages: 450

A year after an accidentally whirlwind grand tour with her brother Monty, Felicity Montague has returned to England with two goals in mind—avoid the marriage proposal of a lovestruck suitor from Edinburgh and enroll in medical school. However, her intellect and passion will never be enough in the eyes of the administrators, who see men as the sole guardians of science.

But then a window of opportunity opens—a doctor she idolizes is marrying an old friend of hers in Germany. Felicity believes if she could meet this man he could change her future, but she has no money of her own to make the trip. Luckily, a mysterious young woman is willing to pay Felicity’s way, so long as she’s allowed to travel with Felicity disguised as her maid.

In spite of her suspicions, Felicity agrees, but once the girl’s true motives are revealed, Felicity becomes part of a perilous quest that leads them from the German countryside to the promenades of Zurich to secrets lurking beneath the Atlantic.

The tone of this series is so delightful that I was immediately engrossed: it’s funny, witty, and pits modern-day realities against the restricted opinions and views of a past cultural set.

The Lady’s Guide to Petticoats and Piracy’ certainly did not suffer the middle book slump. In this sequel we follow Felicity (Monty’s sister – but don’t worry, we still get to see the rogue and is new boyfriend) and her dream of becoming a surgeon, despite the male gatekeepers of the institutions and the belief that women should stick to domesticated tasks. (Ugh! Seriously why is it always old white men that make it difficult for everyone else?) But Felicity will not take no for an answer; she will find a way to pursue her passion, even if it takes her down some dubious paths.

We still get that comedy that was introduced in ‘The Gentleman’s Guide to Vice and Virtue,’ as well as a heavy dose of feminism. I found this to be a powerful combination, and the pacing of this novel did not lag despite its length.

Felicity herself is determined but still maintains decorum expected in polite society. She is increasingly frustrated at the limited imagination and belief that women can do anything that men can, and desperately tries to find like-minded souls to allow her to follow her passion. We never really explore Felicity’s sexuality in ‘The Gentleman’s Guide to Vice and Virtue,’ but in ‘The Lady’s Guide to Petticoats and Piracy’ Felicity begins to notice stirrings of attraction that contra societies rules. Felicity could be bisexual or lesbian, and the attitudes towards this attraction are handled with sensitivity.

Sim – Felicity’s partner in crime (literally) – has found freedom from societies trappings, but still has to fight for what she wants… by any means necessary. She is a thief, a spy, a pirate. But I see her more as a revolutionary. She is proud, practical and empowered. Again, existing outside of polite society Sim has a ‘found family’ that gives her the space to live her truth; be it in her sexuality, opportunity, or euntrenprenureship.

Johanna, another woman in Felicity’s orbit, remind me of the changing of the guard. She is taking her first steps from the old oppressive world of being property, or a domestic slave, into the future of equality and independence (but all within the constraints of the current era.)

The Lady’s Guide to Petticoats and Piracy’ was a delicious read. Yes, it is mostly predictable, but the narrative is full of hair-brained adventure that makes for some entertaining reading with loveable characters. Another strong recommendation from me, and I have already pre-ordered the next in the series ‘The Nobleman’s Guide to Scandal and Shipwrecks.’

Overall feeling: A titillating tome!

© Casey Carlisle 2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘The Gentleman’s Guide to Getting Lucky’ (#1.5 Montague Siblings) by Mackenzie Lee

Awkward First Times.

Genre: Y/A, Historical Fiction, Romance, LGBT

No. of pages: 113

Monty’s epic grand tour may be over, but now that he and Percy are finally a couple, he realizes there is something more nerve-wracking than being chased across Europe: getting together with the person you love.

Will the romantic allure of Santorini make his first time with Percy magical, or will all the anticipation and build-up completely spoil the mood?

This was a cute novella dealing with Monty and Percy finally getting their ‘groove’ on despite many interruptions. ‘The Gentleman’s Guide to Getting Lucky’ is a charming aside to the Montague Siblings series. It does not expand on the universe too much. We learn what happens with our characters between the first and second novels in this series and it gives resolution to a few small plot points.

Monty is still that bumbling self-absorbed rake we love, but his softer and loyal side are emerging, giving him a bit of substance. Percy is beginning to find security in his relationship with Monty. There is more sibling rivalry and sibling unity with Felicity helping out the love sick couple yet again.

Mackenzi Lee has an elegant and humorous writing style that matches perfectly with the tone of the story and which I enjoy getting lost in.

This is a quick read and a great addition to all MontyxPercy stans.

The plot itself is highly predictable, but all the obstacles that get in the way certainly make for a fun journey.

There is not much to add to this review, as ‘The Gentleman’s Guide to Getting Lucky’ is a short novella, dealing with a singular topic. Fans of the series will not be disappointed with this addition to the franchise. Highly recommend.

Overall feeling: Adorkable.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

#bookporn #coverlove

I started reading the BrainShip series in my teens and was a massive fan of Anne McCaffery… recently discovered there was another book in the collection that had slipped under my radar. Are there any books in series that have gotten published without you knowing? I’m going to have to go through my back catalogue and ensure nothing else has slipped through the cracks.

Book Review – ‘Nil on Fire’ (#3 Nil) by Lynne Matson

An all-stakes battle with teens pitted against a sentient island in a pocket universe.

Genre: Y/A, Science Fiction, Adventure

No. of pages: 416

Despite Rives and Skye’s attempt to destroy Nil, the island remains. And back in this world, Nil won’t let Skye go. Haunted by a darkness she can’t ignore, Skye wrestles with Nil nightmares that worsen by the day and threaten to tear her apart. As Skye fights to keep her mind intact, she realizes that to finally break free of Nil, she must end Nil’s vicious cycle once and for all—and she can’t do it alone.

Who are Nil’s new arrivals? Who will return to the island? And who will survive in the end? In this final installment of the Nil series, the stakes have never been higher.

Losing isn’t an option, but winning will cost Skye everything.

I have so many feelings about this fantastic concept – sentient portals abducting teens and depositing them in an alternate pocket universe to survive Island-style, and try and find a way home again before their time runs out.

I appreciated the narrative around colonisation and erasure of aboriginal culture underlying ‘Nil on Fire,’ but I still don’t think it was handled as delicately as it could have been, but the representation and exploration of the Polynesian culture was a big plus for me. So too was the diversity – many cultures and languages represented in the characters, yet still no getting a chance to lead the narrative.

Unfortunately there were drawbacks in this concluding novel of the Nil trilogy. This felt long, facts kept getting repeated and I did not like the direction the last instalment in this series took us. I struggled a bit with the narrative, losing interest many times, the characters started to feel more two-dimensional despite the hell they were being put through. The deaths were shrugged off a little at the end. It was just disappointing for me.

There are multiple perspectives in ‘Nil on Fire’ we follow Skye, Rives, and a schizophrenic omnipresence of Nil (the island) and the story picks up pretty much right after the events ending in the second book in the series ‘Nil Unlocked.’ I did like how we got all the characters from the first two novels in this final book of the trilogy, facing off against the island itself, and the mythology behind its creation. This concluding novel does offer explanation and wrap up the series well, but it was the mythology that did not sit well with me. It was a little too fantastical. Nil is a great series and the premise had me hooked… I would have loved this to stick to a more science fiction route than it had – given the alien consciousness presence and the alternate pocket universe. The precedence had been set. Otherwise maybe the series should have taken the more mystical route and leave the mythology grounded in the Polynesian culture. The philosophy of the Nil series felt like a jumbled mish-mash of both elements and lacked conviction.

As we are dealing with established characters, who have already run the gauntlet, there is limited space for them to develop further. In that sense we get the main cast helping secondary characters grow from their own experience. I guess that is another factor that separated from the narrative. I kept getting bored with too much detail, repetition, and short chapters jumping from perspective to perspective. The narrative didn’t sit long enough with a character for me to really get sucked into the Nil universe, or form strong emotional connections with the cast. ‘Nil on Fire’ is banking on the reader already having forged those bonds in the first two novels to carry you through this finale.

Lynne Matson has a great writing style for setting the scene and world building, I loved her descriptions of the island and its mysterious sway on the teens. She is also great at character development from the previous novels. I’d like to read something from her told in first person with no switches in perspective and see how that affects my reading experience.

So this was a mixed bag of feelings for me. I loved getting to meet all the characters again, and have the mystery solved… I just didn’t like the direction it took.

Overall feeling: *nose-dive*

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Blastaway’ by Melissa Landers

The perfect light-hearted, family-friendly space adventure.

Genre: Y/A, Science Fiction, Adventure

No. of pages: 304

Kyler Centaurus isn’t your typical runaway. All he wanted was a quick trip to the legendary Fasti Sun Festival. Who wouldn’t want to see new stars being born? Um, try Kyler’s entire family. They couldn’t care less about mind-blowing wonders of science.

When an accidental launch sequence ends with Kyler hurtling through space on the family cruiser, the thrill of freedom is cut short by two space pirates determined to steal his ship. Not happening!

Luckily, Kyler bumps into Fig, a savvy young Wanderer who makes a living by blowing up asteroids. She could really use a ride to Earth and Kyler could really use a hand with the pirates.

But when Kyler learns the truth about Fig’s mission, the two must put aside their differences long enough to stop the threat of astronomical proportions racing towards Earth?

I enjoyed this book so much, it was literally like watching a Disney movie (no wonder Disney Hyperion published this.) Great family friendly hijinks. ‘Blastaway’ is every kid’s fantasy of running away from home on a spaceship with a robot sidekick to boot. There were elements of Home-Alone-in-space, and the robots is reminiscent of ‘Short Circuit,’ ‘Wall-E,’ and the two robots from ‘The Black HoleV.I.N.CENT and B.O.B.

We face pirates sans ‘Home Alone,’ and rescue planet Earth from a runaway star. There was adventure and action, and a lot of hilarity. If this ever gets the film treatment I’m definitely buying a ticket. It managed to capture the child hidden inside me, entertain me with jokes, and have enough sci-fi elements for me not to get bored. ‘Blastaway’ has a whip-cracking pace and I read the entire book in one sitting. My other half kept looking at me because I was giggling frequently.

The narrative is told from two different perspectives, having a number of chapters each. Kyler Centaurus is a privileged Earth boy who inadvertently steals his parents spaceship after a family tussle in which he comes off second best, after the fact he decides he may as well make the most of it since he is going to get punished anyway, and heads off to see the spectacular display of his favourite scientist create an artificial sun. He feels misunderstood and underappreciated, and the fact his brothers are always picking on him – and that it took nearly a day before his family realised he was gone – proves the point.

Figerella ‘Fig’ Jammeslot is an orphan runaway, grown up on ships and satellites after her parents were killed, snatching jobs where she can as a sharpshooter to destroy asteroids. She is the typical streetwise ruffian always on the take. She sees Kyler as an easy mark, and their destinies become intertwined.

For a light-hearted space romp we see both characters grow and develop, their motivations change, and real, heart-felt ‘ah-ha’ moments. I even developed an emotional connection to the robot Cabe.

I’d like to say I predicted the outcome of this novel, but I didn’t really. I misread the relationships (maybe just like the author wanted me too?) and was too wrapped up in the fun of it all to get out my detectives monocle and start looking for clues. Melissa Landers has a young breezy tone throughout the novel that completely engages the reader. I’ve enjoyed much of her back catalogue, so I knew I would like this one, but ‘Blastaway’ really surprised me. I love it. In fact if ever I’m in a down mood, I may just pick this up again for a re-read.

The plot is actually pretty amazing. It wasn’t over-simplified considering the target demographic, but not too complicated to leave it unrelatable to YA readers. I found depth and complexity in both plot and character for ‘Blastaway.’ I was already a fan of Melissa Landers, but now I stan her real hard.

I realise this novel may not be for all, but if you like a fun light read, something that feels like a good Disney movie, (and take note this is targeted towards tweens and teens) than I whole-heartedly recommend ‘Blastaway.’

Overall feeling: Captured my childish imagination.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Writing a business strategy (for writers)

A guide for beginners – the business of writing doesn’t have to be a drag, it can be an example of adventure.

“For the past couple of years, I’ve been fine-tuning my business strategy as a writer. At a recent writing conference, I discovered that many writers, even those with years of experience, find setting business goals daunting. It isn’t. It’s only frightening because it seems complex. By taking it one step at a time, your business strategy can be made simple and understandable.” – Lynne Lumsden Green

When I think of a business strategy for writing, my mind instantly goes to spreadsheets and budgets, but that is only part of managing your career… and the number crunching part is really a small part. Used as a way to track and monitor progress. An article published in WQ (Jun-Aug 2020) Lynne Lumsden Green discusses this topic which I think helps demystify the task many of us baulk at. She suggests that we start by asking ourselves these questions:

  1. What are your long-term goals? Where do you want to be in five years?
  2. What are your short term goals? What do you want to achieve in the next six months?
  3. What has worked best for you in the past? What hasn’t?
  4. What can you learn from your successes?
  5. What can you learn from your failures?

Upon first reading her article and going through the list of these questions an issue prominently jumped out at me regarding my own career goals. These questions prompt you to not only keep on track with your goals, but highlight what is, and is not working.

The key takeaway for me was the question about what is not working – how long have I been doing the same thing and seen little or no positive growth. It really gave me that ah-huh moment. It’s time I should be trying different methods, tackling different tracks towards my goal. What’s that old saying : doing the same thing over and over again yet expecting different results is the definition of insanity. I’ve gotten too comfortable in my systems and habits that it is now impeding growth.

These questions are all about finding out what works and using those methods to get you to your goals. Ditch what isn’t working.

Lynne Lumsden Green goes on to discuss:

“Let’s look at part of my business strategy as a stepping of point. For 2020, one of my goals is to get more paying gigs. This means I need to write nonfiction articles for magazines, as well as short stories for paying markets. From January, as part of keeping proper records, I’ve been keeping a monthly spreadsheet separate from my nonfiction submission spreadsheets. I started by wanting to sell an article a month, but I am hoping to increase that to one article a week by December. To do this, I need to develop a pitch/query at least once a week. To do that I must develop relationships with the editors of my target markets.”

“Can you see how setting goals leads to implementing a series of logical actions to achieve that goal?”

I love how Lynne explains desire/goal through to a practical application to achieve a result. My writing goals are more based around getting first drafts completed by the end of this year, gearing up for putting out for submission later in 2021. So I have set scenes I have to write each day (notice I didn’t say word count, but story elements of the plot.) In conjunction with this I am researching Publishers who are accepting submissions, what their guidelines are, creating paragraph summaries, tag lines, 1 and 2 page summaries, noting themes, writing up short character profiles… all that lovely marketing material you need for a pitch/submission. Additionally, some publishers (mostly overseas) require that you have a literary agent to represent you, so I have been researching that as well. Again, many are genre specific and have their own guidelines for accepting applications. Another aspect of this goal is researching writing competitions – these can not only put up on the radar of publishers/agents, but if you win, it commonly results in a publishing contract. All of this activity not only makes the whole writing activity real, but gives you a deadline. And each bit of information or step you achieve along the way is ticking off a small task towards your longer term goal.

If you want to get even more technical you could also be tracking the amount of time you spend writing, researching, marketing, so that when you start to earn money through a book advance, sales or royalties, you can estimate how much money you earn an hour. If it’s not high enough for your goals, then you can look at different ways to improve upon your system… and ultimately your earnings.

Writing when inspiration strikes, passively submitting a story here and there one at a time can be a little soul crushing because you are eagerly waiting for a payoff instead of concentrating on a schedule and already moving on to your next target/goal. A business strategy for writing forces you to take in a bigger picture, a career making attitude, and leave you little time to fall into depression from rejection letters and failed submissions.

Lynne Lumsden Green also states “As writing is my business, I try to keep to a schedule. I spend an hour or so every morning on mail, updating my files, and researching new markets. This part of my business strategy won’t be changing any time soon. I then spend an hour every day on social media. I recently had over 400,000 people come through my Steampunk Sunday page on Facebook; a ready-made audience for my writing! You might want to do writing courses or attend more conferences, or join a writing group, so don’t forget to include those in your plan.”

Again this shows by example how much a schedule, consistency, and trying new things are important you your long term success at being a writer. Simply posting to social media blindly does not ensure success, you need to add value, offer a solution to a problem, tap into a niche market. Research your demographic. Try different forms of social media. Reach out to other writers who are having success and mimic their methods for a trial period.

There are a lot of resources out there to tap into. Courses, platforms like SkillShare, YouTube videos, blogs with advice, writing groups, state and government bodies that are running local initiatives to support the publishing industry and writing community, even emailing an author with one or two questions to help you figure things out…

“Don’t forget to be brave. Take risks. Having a business strategy doesn’t mean it has to be boring.”

I hope this discussion helps to change your thinking and provide some inspiration to develop your writing career a little further. Go get ‘em!

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.