Love the themes and experiment in formatting but the delivery was lacking.
Genre: Y/A, Contemporary, LGBT
No. of pages: 343
Seven students. Seven (deadly) sins. One secret.
Paloma High School is ordinary by anyone’s standards. It’s got the same cliques, the same prejudices, the same suspect cafeteria food. And like every high school, every student has something to hide—from Kat, the thespian who conceals her trust issues onstage, to Valentine, the neurotic genius who’s planted the seed of a school scandal.
When that scandal bubbles over, and rumors of a teacher-student affair surface, everyone starts hunting for someone to blame. For the seven unlikely allies at the heart of it all, the collision of their seven ordinary-seeming lives results in extraordinary change.
I really struggled with this novel, and it’s doubly disappointing because I really loved all her other title. The pacing as just so slow. I put the book down repeatedly due to lack of interest. It sort of picked up in the second half, but I still didn’t get that hook I was hoping for. I even felt the amazing writing style that I have come to expect had dimmed significantly.
The formatting of the novel also threw me off big time.
I loved the diverse cast, the concept of the seven deadly sins as a theme for each characters struggle. The characters were beautifully flawed and realistic, but I struggled to relate to, and care about any of them. I don’t understand how I was so detached? Maybe the fact we were dealing with so many big issues – slander, drug dealing, drug use, bullying, abuse of power, suggested statutory rape, divorce, abandonment, alcoholism, autism, gender identity, sexual orientation, and so on – it was a bit much to stomach from such a small group of high schoolers. The teacher in me arcs up and struggles to swallow the narrative. I guess it’s a good thing to have a strong reaction to the subject matter. Like I said, I loved the premise of ‘Seven Ways We Lie,’ the cast are amazing… but the uber-slow pacing just about did me in.
With run on sentences and dialogue in chapters I found difficult to read, and prose driven narration in others ‘Seven Ways We Lie’ is a great experiment in presenting tone in the layout of words. I can appreciate the attempt, but wasn’t sold on delivery.
I had given up on predicting the novel, I was just focusing on finishing it. Granted the last third is much more palatable, and that benchmark Redgate writing style started to shine through, but it was too little too late for me.
I hate to say it, but ‘Seven Ways We Lie’ was a big flop for me.
Maybe it was also because we follow so many perspectives?
Overall feeling: Oh no.
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