I’ve been neglecting my e-books – am I becoming a book snob?

I’ve been trying desperately to reduce my TBR – and I have been succeeding. With a self-imposed book buying ban, and trying to #BeatTheBacklist, I’ve felt productive and able to appreciate the novels on my shelves, finding that little spark that drew me to purchase them in the first place. I’ve been keeping count of the number of unread books on my shelves, determined to see that figure drop each month. But what I never took into account is any of the e-books I have on my tablet. I actually shudder when I think of all the books I have there hidden away from sight and easily forgotten.

I think I’m going to have a month where I only read e-books. #30DaysOfDigitalReading  Just to start making a dent on the collection I’ve amassed. I announce this challenge with trepidation because I generally attempt to reduce my screen time, and this will push it to the max.

Usually if I really like a book, or happen upon one of my auto-buy authors, I purchase a hardback. If I’m unsure about a novel, I’ll usually grab a e-book: it’s a lower dollar investment, and if I really like the story I’ll get a physical copy later. So now I’m anxious. All these e-books are wildcards. Novels that I was unsure of, or ones that I got free as a part of a subscription service. It could be a fun ride and discover some great new stories… or it will be a complete disaster and I’ll feel like I’ve wasted my time.

When I really started getting into reading with fevor, I was recovering from cancer (the first diagnosis) and had lots of time in bed to while away. An e-reader was perfect. Light, compact, and I could have hundreds of titles at my fingertips. Once I was at full health and returned to work, I preferred physical books. Travelling on the tram to and from work, if you are reading a book you are much less likely to have your device stolen, or have undesirables try to strike up a conversation (*cough* hit on you *cough*) so a book was like my armour… and the best way to make the dreary ride of public transport zoom by.

There is also the stigma that self-published novels that populate the e-book market are typically vetted less, the cost of production is kept low, so quality can be an issue. And sad to say, this has proven true in my many, many years of experience in comparing the two mediums. Though there are always exceptions to the rule. I also find that e-books are great if you are delving into a title that would embarrass you in public, like say if the subject matter, or cover art, could have on-lookers questioning your sanity or taste levels.

But the experience of reading a physical book is so much more satisfying for me. Like the added sensation of touch and smell add to the retention and immersion into the story.

Do you have a preference?

What are your pro’s and con’s of physicals books vs. e-books?

Has anyone read only e-books for a month as a challenge?

Do you think preferring hardbacks is a form or elitism – because they can be the most expensive form of a book, and therefore are a way of flouting your financial status… and don’t get me started on decorating your shelves in tonnes of unread classics as an aesthetic, and to hint to your guests that you are indeed, an intelligent reader.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Investigative journalism and research can help improve your fiction writing.

Taking a page from journalistic writing to help write and edit your novel.

What’s the best thing about journalism that we tend to overlook?

Typically, print investigative journalism is usually condensed, because there is a word count that the writer needs to comply with. A hook. An angle, a balanced discussion, or point of view the author wishes to bring to light. All the relevant information, facts, and references are provided. Regardless of tone and writing style, these aspects are usually always present. So, what is the takeaway for fiction writing?

Focus.

If you break down your writing into scenes – a section of your writing that has its own unique combination of setting, character, dialogue, and sphere of activity – (like a conversation, or a fight, or the first time a character arrives at a destination) you can focus on certain elements to help keep your writing focused, paced well, and if need be, your word count on track.

Granted an article is short prose and has different intentions than a novel, but if you look at each scene in your story and ensure it hits benchmarks of purveying the right emotion and intent, covers the plot points (or facts, or reveals) and has an element that engages the reader… all the hard work is done. Then it’s a matter of ensuring the pacing works for the scene and the prose flows easily. Journalism or Non-fiction can tend to be flat or short in its writing style (apologies for the broad and generally incorrect assumption.) Not a lot of time is spent on world building or on character development. It’s all about supported facts and the intent of the piece.

I think this is especially handy when you are looking at your work and can’t figure out what is wrong with the scene.

What is supposed to happen? What do you intend the reader to get from this scene? Or what (facts) am I meant to show the reader? Is the plot point clear?

See how asking those questions clear away a lot of muddy ground to get right to the heart of the scene. Or if in fact the scene is needed at all.

All of the above points deal with the mechanics of your writing… how it is put together. The other aspect of investigative journalism is research. It should be common sense at this point, but there are still writers out there that begin writing a novel about something that they don’t know much about. Taking the time to build the world, craft characters, look into every little facet that makes your characters compelling and interesting, of the world you are setting your novel in (wondrous, or bleak, or scary…) it’s adding those little touches, brief flecks of complexity that give your writing confidence and nuance. I’ve known authors to spend months researching topics before beginning to write. Some create elaborate topological maps, extensive character profiles. Researching mental illness or medical conditions, collection of colloquial dialogue, or even the fashion and social etiquette of a certain time period. Other writers read scientific journals on forward evolution or potential global impacts of things like pollution, over-population, solar radiation, etc… to get a solid ground behind them before crafting even a single sentence. It boasts sound knowledge of their world, plausibility of the plot, and realistic, complex characters which are a joy to read. The narrative feels solid and realistic no matter the subject.

Things like this can be applied in a developmental edit, but, you can use these tools in the planning phase of writing your novel depending where you sit in the spectrum of Plotter vs. Pantser.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

System Restored!

After 3 months with a soft social media detox, a computer in for technical repairs, and chemotherapy, it’s time to get back to the regularly scheduled program and reflect on what I did with all that free time… and does social media really warrant the amount of time we spend on it?

At the beginning of March, my computer screen suddenly went dark. I could turn the system on, but was only met with a blank display. Immediately I thought of how much it would cost for repairs, of the potential expensive replacement. Then I agonised over the loss of my files. I back up at the end of every week and the fault happened at lunch time on Friday – so a week’s worth of writing on my WIP (just over 3 chapters) was hanging in limbo. Would I get to recover my work or not? Then there’s the months’ worth of blog posts I’d worked ahead, sitting on a hard drive I can’t get access to.

I elected to take a social media break while my computer was in the shop rather than scramble and create new content immediately. It seemed like a lot of stress to put on me for no reason. And buggar trying to rewrite those chapters to my WIP from memory. The first week was strange. After being used to a tight schedule for so long, I found myself constantly sitting in my study in a Pavlovian response, ready to write, blog, scroll the socials… to an empty desk. Instead of trying to fill this time with more work, I decided to catch up on all those relaxation activities I’d been saving for a rainy day. My chemotherapy is coming to an end and the sessions a little more intense with stronger dosages, so indulgence in reading and catching up on television shows were top priority. Plus, in hindsight, a lot of the writing I was doing towards the end was word salad or stopped mid thought… the chemo brain was hitting hard and from my perspective, I didn’t notice the lapses until now. Admittedly I felt very lazy and unproductive. I had to keep reminding myself that this is a holiday, that I’m taking time to rest and recover, and get over the guilt of not having daily accomplishments.

The social media thing, I did not miss that so much. It’s lovely to keep in contact with family and friends, but did not realise how much time and head space that takes up. On my hiatus, I didn’t have to dress up and look nice every day, I could veg on the couch in trackies, without a care in the world. Maybe if I wasn’t sick and exhausted from my treatment I’d have a different attitude and miss the social interaction; but frankly, I loved the time alone where I didn’t have to put on a smile. Or comfort people because they felt uncomfortable because of what I was going through. I could be sullen and cranky all by myself, cry and get doggy cuddles; it might sound morbid, but it was heaven to revel in that emotion for a while. Purge it from my system.

I watched many (many) seasons of shows that I’d been meaning to get to, read four trilogies that have been tormenting me from the TBR shelf for years, played some video games, and slept. A lot. It kind of feels like a cheat, because now I’m well over three months in front for my book reviews… so despite doing little, I accomplished something.

I usually limit my social media to an hour, or hour and a half a day in the mornings with breakfast. And I think that is not going to change, I don’t need to be wasting any more of my day than that. But I do think I want to limit my time spent on blogging a little more – as much as I love it time spent relaxing instead of scheduling every minute of my day has left me feeling calmer and more refreshed. I have a bad habit of always trying to do too much, and taking time to just be feels important. That doesn’t mean I need to slow down with the blogging, just make sure the time I spend there count.

So I guess I’m back. The hard part of my health is behind me (fingers crossed) and even though I am still having technical difficulties, there are work arounds to keep my productivity up. But the social media break actually helped remind me of what is the correct balance – and let me reclaim time back to spend on more important things.

Have you ever done a social media break? Did it give you anything in return, like perspective, recharge the batteries, or did you miss it too much and swear never to do it again?

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Hitting your stride… starting small and building up your reading and writing habits.

A February 2021 wrap up

I have to admit, I’m making a concerted effort to get my TBR down so far this year. I managed 6 novels this month, taking my total TBR down to 407.

I’m also getting back into the swing of writing regularly again, though most of my writing this month has been in edits and re-writes on my current WIP. I’m giving myself a few months to polish off this draft and am really excited with the forward momentum despite losing work time for chemotherapy and recovery. I’m planning on spending the first half of 2021 drafting and the second half polishing manuscripts ready for submission. With 3 drafts completed, I need to get them to a point I’m satisfied with, and start querying. I can’t keep putting it off or toying with the manuscripts. Otherwise I’ll never get past where I am.

So, I’m past the halfway mark on my queer contemporary novel, which makes me feel like doing a happy dance.

Having this enforced break from my regular pace of writing and work, and now trying to break back into productivity, it’s like I’m starting over from scratch. I’ve mentioned it many times before that you need to create a writing habit. It gears your mind and circadian rhythms into a rewarding routine. So for my first month back into writing, my word count was down (and the fact I did a lot or re-reading and editing to get back into the tone and setting of the novel after time away) in comparison to what I would usually turn out. But I feel a great sense of joy to be back at the keyboard and working towards my goals.

I’m a huge lover of checklists, graphs for productivity, and making spreadsheets where I can colour in squars with each achievement… a visual reminder of progress in very motivating for me and keeps reminding me of what I have achieved and not to be so hard on myself.

What do you do to track your progress?

What helps motivate you in organising your writing?

Besides all that I’ve just been concentrating on getting through my treatment and fighting my way back to health! Combining a bit of physical therapy with my treatment has helped no end. It’s keeping up my physical fitness as well as stacking the cards in my favour for a quick bounce back after all this chemo is over. (It is beginning to look like mid-year until I’m finished with treatment. UGH!) You have good and bad days, but I’m seeing slow progress which gives me a warm fuzzy inside.

I have to wrestle with my pooch for the couch on a daily basis, he seems to think it’s his spot for naps – he still does not understand that it’s for ME to take naps on. My furbabies bring me joy each day, and don’t seem to mind that I don’t have the stamina to play with them too much or take them for long walks. My little fluffy cheer squad!

Not the best quality of picture (because I used my phone and not my regular DSLR camera – and it was a few days before they got groomed, so my boys are looking a bit scruffy. But still cute as all getout!

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Publishing : Australia vs Overseas… and the pandemic

Will I be able to afford to buy my favorite new release post-pandemic?

Does the U.S. economy have a monopoly on publishing economy? What do forecasters say for writers in America and Australian the face of the pandemic? Are our futures safe?

With today’s reach via the internet, authors can reach international markets with e-book sales easily; and shipping costs may impact sales for hardback or paperback copies, but that too can be circumvented by stocking large online resellers, or subscribing to print-on-demand services. If you are self-published, you have complete control of these revenue streams, but for traditionally published there is a quagmire of International law around sales and distribution that your publisher handles. Measured with a sharp eye on cost/benefit analysis whether your book will perform well in certain regions. It’s all a very intricate web of research, finance, legal rights, and marketing. So does it make sense for Australian writers to court American publishers for their debut with a traditional publisher considering USA has a double the market share compared to their home country?

It’s an interesting topic that gives me a headache if I think too much about it – because of all the moving parts. I know some published authors here in Australia mention that it’s hard to break into the U.S. market because they’re viewed as sub-par (depending who you talk to) and compared to Australian authors who have signed in the States and performed really well in all markets. Much of the information I’ve garnered is anecdotal, but it is from working writers, published authors, so there has to be a grain of truth to the snub Australian authors face when trying to break into overseas traditionally published markets. Or it may simply be that you are a big fish from a small pond entering the ocean… you are lost in a fierce amount of competition in turbulent currents with little or no experience on how to navigate those riptides. You not only have to have skill in writing, but a great team with connections on your side to catch the tide in your favor.

Okay enough with the sea analogies.

Given that the U.S. market share is the largest in the globe, (followed closely by China) there is potential to earn the most income from breaking into that market. So comparing authors (of any nationality) published in America to those of their Australian counterparts is like pulling up to a Mercedes Benz at the traffic lights and find your sitting on a scooter. Same amount of work went into the finished product, but you just didn’t have access to the market (and subsequently, the funds.) The average Australian author earns an average salary of A$13,000 (US$10,007) compared to an average author from the USA – US$51,170 (AU$66,473). That’s a huge difference in ratio of income to market share! What has me alarmed is that an updated figure for Australian Authors earnings after the impact of the pandemic reported by Helen Garner, Christos Tsiolkas and Charlotte Wood (when discussing the Federal Arts Package) recently have estimated the average income at as low as $AU 3,000 ($US2,319). No matter which way you look at it, the average Aussie writer is living WELL below the poverty line if they rely on this medium for their sole income. Despite the larger challenges, it’s looking like breaking into the American market is highly lucrative and worth the risk.

That research further shows that “among 33 OECD countries, Australia ranked 26th in the level of investment in arts and culture from all three tiers of government. The OECD average was 1.11% of GDP compared with Australia’s 0.77%.” So not only are Australians earning near the lowest income from writing in developed countries, it is also investing even less in supporting and developing this sector. I see incentives from writing groups here in Australia, and read great content getting published, but it honestly does not get enough hype and marketing overseas… we have such incredible talent, but when I look at market studies and government support for the industry, it makes me want to pack a suitcase and relocate to the States.

Many of the papers and studies I’ve been reading pre- and post-Covi-19 pandemic paint a fluctuating economy. Bookstores closing, yet book sales rising… it’s all very confusing. I feel it’s more like luck guiding our careers. Take a punt and cross your fingers to hope for the best. But above all be consistent and don’t give up… stay in the fight until you get your break.

So, putting aside all the technical jargon, let’s ask readers these questions:

• Do you care about the nationality of an author when you buy their book?
• Do you intentionally seek out foreign published works when looking to pick up a new book or rely on advertising materials or suggestions from the likes of Goodreads and Amazon?
• Do bloggers or friends help you decide on your next purchase?
• How much does cost come into play when you buy a book?

Because, honestly, the global market would not be sustainable if consumer behavior changed. If American readers branched out of regional sales in the publishing industry – and they can afford to because the cost price would be negligible – it would open doors for a truly global market. But does that mean the average U.S. reader holds the future of the global market in their reading choices? What do you think?

Personally, every time I buy a new hardback or paperback in Australia, I’m looking at needing to spend on average $AU25.00 ($US19.50) no matter what the country of origin. If I purchase online or instore… that puts buying physical books into the category of a luxury item when comparing it to the unemployment benefits we receive in this country. Just to put it in perspective. Obviously there are cheaper options, like waiting for a sale, buying second hand, borrowing from the library, or purchasing an e-book copy. But it means as a reader, my access to the market is limited. As an avid reader (and writer) that depresses me.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Changing my reading habits

Breaking the mold and taking part in reading challenges this year… how else am I going to reduce an embarrassingly large TBR pile!

Not really one to take part in reading challenges because I already have a TBR of around 400 titles, and I tend to be a mood reader, so scheduling what I have to read in advance usually falls apart, I typically select a collection of around 20 novels to polish off in a month or two (or three); but I read a post from Yvonne @ It’s All About Books regarding her taking part in the #WhatsInAName2021 reading challenge, and after mulling it over I thought I would take part. It is not demanding for a high volume of reads, and I am able to meet the criteria with books from my TBR (which is the only reason I am participating – I’m still on a self-imposed book buying ban.)

This challenge is hosted by Andrea @ Carolina Book Nook.

The rules:

• The challenge runs from January 1, 2021 to December 31, 2021. You can sign up any time, but only count books that you read between those dates.
• Read a book in any format (hard copy, ebook, audio) with a title that fits into each category.
• Don’t use the same book for more than one category.
• Creativity for matching the categories is not only allowed, it’s encouraged!
• You can choose your books as you go or make a list ahead of time.

In 2021, choose 6 books that have titles that contain a: (Click on the links for more examples and info)

• One/1 (ex. One Second After; The 100)
• Doubled word (ex. In a Dark, Dark Wood; Wolf by Wolf)
• Reference to outer space (ex. The Fault in Our Stars)
• Possessive noun (ex. The Zookeeper’s Wife)
• Botanical word (ex. The Language of Flowers; The Sandalwood Tree)
• Article of clothing (ex. Bossypants)

TITLES FROM MY TBR

.      

• One/1: The One Memory of Flora Banks by Emily Barr
• Doubled word: The Love That Split The World by Emely Henry
• Reference to outer space: Record of a Spaceborn Few by Becky Chambers
• Possessive noun: The Gay Teen’s Guide to Defeating a Siren by Cody Wagner
• Botanical word: Into the Forest by Jean Hegland
• Article of clothing: Wool (#1 Silo) by Hugh Howey (though wool is not technically an item of clothing, it is a fabric and I didn’t have any other titles in my TBR pile which has an item of clothing in their title.)

Depending on if I get to read all these titles by mid-year on not, I may pull another six titles so that I have two books for each category by the end of 2021. I have already spotted a few alternative titles, but I’ not putting any pressure on my reading habits this year.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Are you blogging for the right reasons?

When I first started my blog I had visions of writing fun and informative articles, book reviews, and getting to connect with writers across the globe to discuss all things literary… eight years on and I get a little disheartened because while my goal is still the same, I’m not really getting the connection that I imagined.

This topic came about from a combination of Briana’s post on discussion topics for her blog, predictions for 2021, and her 2020 review:  it prompted the thought of what content performs well in the blogosphere opposed to what we actually post… and my heart sunk a little. I don’t want to write click-baity articles, or post content that I’m not genuinely interested in, or superfluous articles regurgitating what many others have already done without corroborating those claims with statistics or real-world experience.

I enjoy blog hopping and starting up conversations on other’s blogs, but it is usually met with a generic thank you, or just a ‘like.’ Yet are these the same people complaining that their blog is not gaining any traction? They want interaction, yet are not taking to time to build a conversation? Just posting content hoping for a like. Is this a social media thing around blogging activity in searching for validation, or do we truly want to discuss books, ideas, and help other writers develop their craft?

Maybe I’m expecting too much from a bunch of strangers on the internet. Maybe successful writers are too busy to run a blog, comment, and interact with fellow bloggers and maintain a writing career?

There is such a mixed bag of content out there around writing, reviewing, and reading. Much of the writing advice I see is fairly general and rarely breaks things down to specifics and provide examples – is it a secret we’re not meant to find out? Many reviews I read are fantastic, insightful, and really attend to the mechanics of story craft; whereas others are maybe a paragraph long, summarize the story, or worse, bullet points, and give an opinion of a thumbs-up or thumbs-down without ever discussing things like character, character development, world building, pacing, writing style, plot… But that’s me viewing this platform through the reasons I blog. Many others may have different uses for the blogosphere.

There’s other types of content that I’m, really interested in, like journal/lifestyle blogs, trend forecasting, tips, design, nature blogs, and science related content: so it does not have to be directly related to writing and satisfies my other interests. But still, blogging feels like a niche juxtaposed. And many are hoping to make a living from their writing and monetise their content. I’m starting to think I’m really out of touch with my community, that I’m looking in the wrong place. Maybe I should start venturing out into other online mediums to connect with likeminded souls?

A blog is meant to perform one, or a combination of three things: to inform, entertain, or discuss, if my introduction to writing, literature, and journalism means anything. I get more of these types of things from writing groups, clubs, and paid subscription services. Is it because the content is ultimately vetted in those places? That its membership is exclusively professionals?

I guess people blog for different reasons, and mine is just another drop in the ocean, floating in the currents yet to find a reef to drop to where I can feel like I can make a home. Has anyone else felt this despondency around blogging? Like it’s not really fulfilling the purpose you wanted it to? That it is not achieving what you want it to?

My main reason for blogging is to share my love of reading, writing and improve how I craft prose, connect with other writers and swap bits of information on the process, editing, marketing, and publishing. I’ve maintained this course since I initially started the blog. I will never class myself as an expert because you can always learn and change as this craft and the market evolves.

I’m genuinely interested in the reasons you write your blog. Comment below and let me also know if you are satisfied with what you are getting out of blogging, and what your expectations are.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Writing a business strategy (for writers)

A guide for beginners – the business of writing doesn’t have to be a drag, it can be an example of adventure.

“For the past couple of years, I’ve been fine-tuning my business strategy as a writer. At a recent writing conference, I discovered that many writers, even those with years of experience, find setting business goals daunting. It isn’t. It’s only frightening because it seems complex. By taking it one step at a time, your business strategy can be made simple and understandable.” – Lynne Lumsden Green

When I think of a business strategy for writing, my mind instantly goes to spreadsheets and budgets, but that is only part of managing your career… and the number crunching part is really a small part. Used as a way to track and monitor progress. An article published in WQ (Jun-Aug 2020) Lynne Lumsden Green discusses this topic which I think helps demystify the task many of us baulk at. She suggests that we start by asking ourselves these questions:

1. What are your long-term goals? Where do you want to be in five years?
2. What are your short term goals? What do you want to achieve in the next six months?
3. What has worked best for you in the past? What hasn’t?
4. What can you learn from your successes?
5. What can you learn from your failures?

Upon first reading her article and going through the list of these questions an issue prominently jumped out at me regarding my own career goals. These questions prompt you to not only keep on track with your goals, but highlight what is, and is not working.

The key takeaway for me was the question about what is not working – how long have I been doing the same thing and seen little or no positive growth. It really gave me that ah-huh moment. It’s time I should be trying different methods, tackling different tracks towards my goal. What’s that old saying : doing the same thing over and over again yet expecting different results is the definition of insanity. I’ve gotten too comfortable in my systems and habits that it is now impeding growth.

These questions are all about finding out what works and using those methods to get you to your goals. Ditch what isn’t working.

Lynne Lumsden Green goes on to discuss:

“Let’s look at part of my business strategy as a stepping of point. For 2020, one of my goals is to get more paying gigs. This means I need to write nonfiction articles for magazines, as well as short stories for paying markets. From January, as part of keeping proper records, I’ve been keeping a monthly spreadsheet separate from my nonfiction submission spreadsheets. I started by wanting to sell an article a month, but I am hoping to increase that to one article a week by December. To do this, I need to develop a pitch/query at least once a week. To do that I must develop relationships with the editors of my target markets.”

“Can you see how setting goals leads to implementing a series of logical actions to achieve that goal?”

I love how Lynne explains desire/goal through to a practical application to achieve a result. My writing goals are more based around getting first drafts completed by the end of this year, gearing up for putting out for submission later in 2021. So I have set scenes I have to write each day (notice I didn’t say word count, but story elements of the plot.) In conjunction with this I am researching Publishers who are accepting submissions, what their guidelines are, creating paragraph summaries, tag lines, 1 and 2 page summaries, noting themes, writing up short character profiles… all that lovely marketing material you need for a pitch/submission. Additionally, some publishers (mostly overseas) require that you have a literary agent to represent you, so I have been researching that as well. Again, many are genre specific and have their own guidelines for accepting applications. Another aspect of this goal is researching writing competitions – these can not only put up on the radar of publishers/agents, but if you win, it commonly results in a publishing contract. All of this activity not only makes the whole writing activity real, but gives you a deadline. And each bit of information or step you achieve along the way is ticking off a small task towards your longer term goal.

If you want to get even more technical you could also be tracking the amount of time you spend writing, researching, marketing, so that when you start to earn money through a book advance, sales or royalties, you can estimate how much money you earn an hour. If it’s not high enough for your goals, then you can look at different ways to improve upon your system… and ultimately your earnings.

Writing when inspiration strikes, passively submitting a story here and there one at a time can be a little soul crushing because you are eagerly waiting for a payoff instead of concentrating on a schedule and already moving on to your next target/goal. A business strategy for writing forces you to take in a bigger picture, a career making attitude, and leave you little time to fall into depression from rejection letters and failed submissions.

Lynne Lumsden Green also states “As writing is my business, I try to keep to a schedule. I spend an hour or so every morning on mail, updating my files, and researching new markets. This part of my business strategy won’t be changing any time soon. I then spend an hour every day on social media. I recently had over 400,000 people come through my Steampunk Sunday page on Facebook; a ready-made audience for my writing! You might want to do writing courses or attend more conferences, or join a writing group, so don’t forget to include those in your plan.”

Again this shows by example how much a schedule, consistency, and trying new things are important you your long term success at being a writer. Simply posting to social media blindly does not ensure success, you need to add value, offer a solution to a problem, tap into a niche market. Research your demographic. Try different forms of social media. Reach out to other writers who are having success and mimic their methods for a trial period.

There are a lot of resources out there to tap into. Courses, platforms like SkillShare, YouTube videos, blogs with advice, writing groups, state and government bodies that are running local initiatives to support the publishing industry and writing community, even emailing an author with one or two questions to help you figure things out…

“Don’t forget to be brave. Take risks. Having a business strategy doesn’t mean it has to be boring.”

I hope this discussion helps to change your thinking and provide some inspiration to develop your writing career a little further. Go get ‘em!

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Wrapping up 2020…. And good riddance!

Looking back through the year that was, a lot has happened, but a lot did not… It’s kind of a 2020 thing. All my friends are saying the same. My yearly goals have mostly been thrown out the window because of Covid-19 and a cancer diagnosis (again, sigh) but let’s get this wrap up done and put a positive spin on things.

Book worm:

My last catch up was in October leaving my TBR at 423, I didn’t post a November wrap-up because I’d not long started chemotherapy and was focusing on my health and wellbeing, so any work and reading goals felt superfluous. (Plus I was tired and in pain all the time and it was difficult to concentrate.) Though I did read 2 books in November, and completed 8 novels in December, taking the TBR down to 413. I’m still on my buying ban until I get below 400.

I set my reading goal to 52 books for the year, but was really hoping to reach 104… I kept it light with all the financial stresses, health issues, etc… but managed to complete 68 book for the calendar year which I’m happy about.

Thinking back over the year though, I would have to highlight my top five reads:

This Mortal Coil (trilogy) the first two novels were outstanding, it’s action packed and choc full of STEM themes of what the future could look like under heavy influence of genetic manipulation and body modification.

Highway Bodies is a zombie apocalypse with diversity. Highly entertaining and so proud of a fellow Aussie author.

The Gentleman’s Guide to Vice and Virtue is a comedic historical fiction that had me laughing up a storm, really looking forward to completing the series.

I’ll Give You the Sun was a surprise hit out of the park. Bring your tissues for this roller coaster ride.

Reckoning a non-fiction title by Australian darling Magda Szubanski was beautiful melancholic writing that captured a lot of my youth and challenges what it means to not only be an Aussie, but a human being.

Scribe and scribble:

I only managed a paltry 1500 words for the year. With distractions, having to work long hours, being the only one to stay employed through the Covid-19 lockdown for six months, then having to manage doctors’ appointments and chemotherapy, not only did I have little time to write, but my mind simply wasn’t in the right headspace to get creative. It was a depressing year, but I am thankful the worst is behind me.

Levelling Up:

I still haven’t completed my marketing course, it had to put on the back burner in favour of other priorities. But I am still keen to complete it in 2021 and am eyeing off a few other short courses. I love to learn!

Social Butterfly:

My biggest goal for 2020 was to be more social, get out and about more… and well, it goes without saying that it didn’t happen. Lockdown and being immune-compromised has meant I’ve become a bigger homebody than ever. Oh the irony! On the upside, I’ve caught a lot of good television. Australian series ‘Glitch’ has been a big favourite, tv series ‘Insatiable’ had me in belly laughs, ‘Dickinson’ staring Hailey Stansfield was strangely hypnotic, I re-watched the ‘Teen Wolf’ series and making a start on re-watching ‘Supernatural’ now that it is ending; props to ‘Love, Victor’ and ‘Never Have I Ever.’ Fell in love with ‘Little Mix : The Search,’ squee’d over ‘Julie and the Phantoms,’ and like everyone else got a big sci-fi hit with ‘The Mandalorian,’ ‘Star Trek Discovery’ and ‘The Expanse.’

Some movies that brought me joy include: ‘The Invisible Man,’ ‘Underwater,’ ‘Like a Boss,’ ‘We Summon the Darkness,’ ‘My Spy,’ ‘Enola Holmes,’ ‘Love and Monsters,’ ‘Happiest Season,’ ‘Uncle Frank,’ ‘Freaky,’ ‘Godmothered,’ ‘Superintelligence,’ and ‘Monsters of Man.’

Work that body:

I was working out before the Covid-19 shutdown, and was making progress, though it wasn’t until 6 months later that the gym re-opened and I only got in a month before getting diagnosed with cancer and not being able to return. Though as a part of my treatment and recovery I am doing stretches, getting adrenal massages, and anything else the doctors have recommended to increase my chances for a quick recovery. I have lost some weight, my hair has been falling out, I feel a lot of aches and pains and lose my breath easily; but with a prognosis of 100% recovery I know it is all temporary and am looking forward to normalising my health in the new year. Some scary emergency hospital stays knocked my confidence a bit, but the idea of simply being able to take my dogs for a walk around the park keeps me motivated – I mean those soulful eyes would heal anyone!

As much as 2020 has been a dumpster fire, it’s forced me to focus on what is important and plan out my 2021 – it’s going to be a cracker of a year, because I don’t think I could do worse that 2020 anyway. The only way is up!!

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Tips for writing productivity and ergonomics

Is your desk set-up secretly causing aches and pains?

I used to be the go-to person in my last few job positions for health and safety when it came to setting up workstations, specifically the ergonomics. With a massive pool of employees that either worked in customer service, or 2D and 3D animation for film and television, people were sitting at their desks for long periods of time, and frequently complained of back, neck, and shoulder strain… enter my lovely smiling face to visit their work area and help set things up so they could be more comfortable.

The biggest issue around back, neck, and shoulder pain mainly came down to muscle fatigue from prolonged amounts of time in a fixed position. It’s important to get up and move around every 45 min to an hour. In fact, I set a timer when I work to remind me to get up and do something else. Typically, I will spread my chores through the day for these intermissions. It not only gives your body a break from being in a seated position, but also helps reduce eye strain from staring at a fixed depth (of the computer screen) and a reprieve from monitor glare.

The next important issue has to do with posture and placement of the keyboard, monitor, mouse and other regularly used items. Without getting into all the specific angles, I’ll attach a few diagrams for reference. But the best gauge is that your feet are meant to comfortably reach the floor (flat feet,) with no pressure on your thighs, elbows level with, or slightly higher than the desk surface, and your monitor positioned straight in front of you. When looking straight ahead, your eyes should hit around the top of the monitor. Regularly used items (keyboard, mouse, etc) should be easily reachable with your elbows near the sides of your torso. Items used a lesser amount can be placed further back on your desk.

All of this keeps you in a natural seated, and relaxed position, avoiding having to hold your body or limbs in unnatural positions for any extended length of time.

From there you can address if you need lower back (lumbar) support cushions, seat framing to keep your hips even with a shaped cushion, or even a shoulder/back harness to stop you from slouching forward. There are other elements you can use to help set up your workspace, like footrests, laptop stands, a standing desk (you can purchase ones that can convert from seating to standing with the press of a button these days.) Different types of chairs, or the kneeling seats or even the exercise balls instead of a chair to force you to use your core muscles to keep you stabilized. It’s important to find what works best for you to avoid injury from strain, or being frozen in a fixed position for too long.

Of course all hazards and wires are safely stored with cable ties and the like. Ensure you have adequate lighting and try to avoid clutter on your work surface.

I only just gave my workstation an ergonomic assessment as I was finding the number of hours I could work comfortably in a day was reducing… it turns out my monitor was too low and off to the left side, and as the day went on I was hunching over more and more until I started getting a lower back ache or headache. Now that everything has been correctly situated, my productivity is picking up and the niggling pain dissipated.

When I originally organised my home office, I had set it up to be aesthetically pleasing using some gorgeous Pinterest pictures as inspiration. And yes, it looked pretty, but was not necessarily the best functioning. I feel like such a doofus for not thinking about the ergonomics earlier.

How did your workspace fair after reading this information? Do you get eyestrain or back pain from the hours you spend writing… let me know if any of these tips help you.

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.