Steampunk magical zombies and so many men who just want to get married.
Genre: YA, Historical Fiction, Fantasy
No. of pages: 567
A net of shadows begins to tighten around the Shadowhunters of the London Institute. Mortmain plans to use his Infernal Devices, an army of pitiless automatons, to destroy the Shadowhunters. He needs only one last item to complete his plan: he needs Tessa Gray.
Charlotte Branwell, head of the London Institute, is desperate to find Mortmain before he strikes. But when Mortmain abducts Tessa, the boys who lay equal claim to her heart, Jem and Will, will do anything to save her. For though Tessa and Jem are now engaged, Will is as much in love with her as ever.
As those who love Tessa rally to rescue her from Mortmain’s clutches, Tessa realizes that the only person who can save her is herself. But can a single girl, even one who can command the power of angels, face down an entire army?
This concluding novel of the Infernal Devices trilogy brought everything to a dramatic climax and Tessa, Will, and Jem are all tested to the extreme.
We start to see more of the Shadowhunter lore and lifestyle instead of that of the 1800’s London society. It’s full on magic and paranormal. And it was such a fun adventure, though, to be honest, with did feel like a weak ending to the trilogy… maybe because it’s continued on in other series in the Shadowhunter universe in some form or other, or that I was a little over the too-frequently used tropes that Cassandra Clare loves to employ in her writing.
The secondary cast members get to play a greater role in the narrative in ‘Clockwork Princess’ you can get the sense of a strong team forming when facing the treat of the clockwork zombies that are immune to the defences of the Cleve’s magic protecting the hub and home of the London faction of Shadowhunters. I really enjoyed following their individual stories, their character development to have a break from the angsty love triangle of Tessa, Will, and Jem.
The concluding chapters dealt some twists that I did not see coming – but some that I did not altogether appreciate. While these plot reveals can sometimes be masterful, I found a few to be all too convenient and a bit of a cop out. But that’s just my opinion. I think because I was craving a bit more personal tension and drama for our trio at the centre of the series.
I’m not sure if it’s all the propriety of 1700’s society, or the way the relationships were written, but I wasn’t as sold on the Tessa love story; not as much as I was in Clary’s from the Mortal Instruments series – maybe because if felt a little copy and paste tropes of the bad boy with a heart of gold, and an everyday girl with a one-of-a-kind special talent that can save the world. I was craving something a bit different, more original. But the rest of the story, and the Shadowhunter universe I was really enjoying.
Mortmain was a weird antagonist – always in the periphery, out of reach. Not quite in the Shadowhunter, or Downworlder world. And as a consequence not someone as I thought of as all that scary. He came across as more annoying than maleficent. Though I appreciated the whole circumventing magic and wards with the invention of his clockwork army. That was true genius.
Now I’ve tucked this trilogy under my belt, I’m eager to finish off the Mortal Instruments series (the second trilogy) to see what happens with this background now established. I’d still recommend this collection, even though the ending didn’t quite stick for me. The concept and element of The Infernal Devices was truly entrancing. But maybe for those who love the Shadowhunter world – it’s not something that can be enjoyed in isolation… each of these trilogies sets up groundwork for the following trilogy.
Cassandra Clare’s writing style is light and manages to draw out period details expertly, I was never pulled from the narrative apart from moments when I was eye-rolling from the overused tropes. ‘Clockwork Princess’ was mostly predictable, a few surprised, but on the whole a solid read.
Overall feeling: Lukewarm
© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.