I remember Cas @ Little Book Owl off YouTube raving about this duology – a badass female protagonist with a samurai sword and dragons: where do I sign up?
Was feeling this cover while going through the boxes of novels I have to read for my TBR. The stack is ridiculously huge, but I am feeling like I’m actually starting to bring that number down with 20 books read in April and 9 in May (plus a self imposed book buying ban.) My goal is to have only a small bookshelf of unread books as soon as I can.
How bad has your book buying gotten – especially when they have gorgeous covers like this?
A little bookish post for pride month here in Australia. Some of you will get it, some won’t. But it’s all about celebrating diversity and love… and reading 🙂
Re-visiting my ultimate fandom.
Genre: YA, Paranormal
No. of pages: 404
Into every generation a Slayer is born…
Nina and her twin sister, Artemis, are far from normal. It’s hard to be when you grow up at the Watcher’s Academy, which is a bit different from your average boarding school. Here teens are trained as guides for Slayers—girls gifted with supernatural strength to fight the forces of darkness. But while Nina’s mother is a prominent member of the Watcher’s Council, Nina has never embraced the violent Watcher lifestyle. Instead she follows her instincts to heal, carving out a place for herself as the school medic.
Until the day Nina’s life changes forever.
Thanks to Buffy, the famous (and infamous) Slayer that Nina’s father died protecting, Nina is not only the newest Chosen One—she’s the last Slayer, ever. Period.
As Nina hones her skills with her Watcher-in-training, Leo, there’s plenty to keep her occupied: a monster fighting ring, a demon who eats happiness, a shadowy figure that keeps popping up in Nina’s dreams…
But it’s not until bodies start turning up that Nina’s new powers will truly be tested—because someone she loves might be next.
One thing is clear: Being Chosen is easy. Making choices is hard.
It was fun to get reacquainted with the Buffyverse through ‘Slayer.’ While it is technically cannon and references many familiar characters, it didn’t quite match the tone of the television series ‘Buffy the Vampire Slayer.’ Though it has elements of teen drama, horror, and dark comedy, it managed to carve out its own identity.
I found parts of the narrative repetitive – especially in the first half – and it became somewhat annoying, but once past the midway point ‘Slayer’ really starts to amp up. The pacing is pretty good, but in what we’ve come to expect from Whedon’s brainchild, ‘Slayer’ is the poorer cousin. There should have been much more drama and angst, much more action, and a heavy, more pronounced theme of good versus evil… and some core moral centre that the protagonist deals with.
The concept of twins and prophecy was a fun twist and great to explore. Stepping into the world post-Sunnydale where hundreds of potential slayers have realised their power, Watcher/medic in training Nina (‘Artemis’) has joined the ranks of newly awakened slayers. I feel like having Nina isolated and in hiding with the remainder of the Watcher brethren was a great storytelling perspective, but did little to create a lot of relatable content for the reader. Buffy was a typical teen who just wanted to be normal – Nina is a naive teen who doesn’t know what she wants… so for the first half of the novel I didn’t really care for her as a main character because she lacked the strength and interest. Though as she stretches her newly slayer abilities Nina grows into the role.
There was this whole kept-in-the-dark-for-your-own-protection trope and miscommunications which was okay as a plot device, but I’ve seen it executed much better; and not only did it feel obvious, but frustrating that I was able to not only predict the outcome of the novel, but pretty much all but one of the smaller story arcs. I feel like Kiersten White could have cut 100-150 pages out, only hinting at plot reveals, and this would have not only been a better paced read, but married true to the tone of the source material. But it was so nostalgic and squee-worthy to be back in the Buffyverse. Plus, a red-headed protagonist – fellow gingers unite!
So I may have rated this lower if not for the connection to my early years through the Whedonverse, and just the simple enjoyment of spending a few days back in that place. This was an emotional connection, and I felt like the story was really getting its legs in the second half. So I’m assuming the sequel ‘Chosen’ is going to be much better and I am definitely fangirling over these books.
I’d love to freely recommend this to everyone, but some hard-core Buffy fans may not take to ‘Slayer’ so easily. While this has elements of the franchise, it’s not delivered as tightly as the source material. Even the DarkHorse comics that continued the story after the television series ended with a team of the original writers (helmed by Jos Whedon himself) still retain that ‘it’ factor we’ve come to love in the Buffyverse that I felt wasn’t quite reached with Kiersten Whites take on the franchise. But hey, I’d would LOVE to be proven wrong.
Overall feeling: A fun frolic in a favorite fandom
Another read from an early TBR purchase – the premise looked great but recently found out the series (the final book) was cancelled by Disney-Hyperion… don’t you hate it when you don’t get to read the concluding novel. Grrr!
Is there still a lot of discrimination or is it just fear and dysphoria? Or is a thing of the past?
I had this idea a couple of years back after beginning to read more diversely, and with the latest coming out and worldwide publicity around Nikkietutorials, curiosity of how trans and intersex protagonists are represented in mainstream literature is back in the forefront of my mind. We even have what I think is the final season of ‘I Am Jazz’ which has just started airing and a trans character in ‘Supergirl.’ I also loved the representation in shows like ‘Pose’ and ‘The Fosters.’ Just to mention a few – so there is definitely an accepting and welcome addition of transgender and intersex representation in the mainstream media – but I wanted to explore it further and take a look at the publishing industry (and my own personal reading habits.)
There is also the concept of ‘own voices’ books, written by transgender and intersex authors – which can be a more authentic representation of their own community and experience. I’ve read novels with leading characters who identify as transgender or intersex penned by cis authors, and I must admit it’s very hit or miss with how I enjoy the narrative. Half the time they are a tiny bit offensive or dysphoric without meaning to be. It says more about the authors’ education about this niche community that it does about someone who has actually lived through the experience. And thus, the novel reads like its demographic is skewed towards enlightening cis gendered readers. Deep discussions with members of the LGBTQIA+ community always praise the efforts and inclusion on the surface, but if you have a deep discussion with these readers, the details are often off-base.
If you search for the terms transgender or intersex when looking for your next read you will typically get a list of non-fiction titles. Socio-political or psychological focused papers, autobiographies, and erotica. Where are all the great stories that just happen to have a transgender or intersex protagonists that are fiction which are not revolved around coming out, transition, or sexual intimacy? Believe me, they are out there, you just have to really look. The only place I was able to find a decent collection of current releases are from blogs or Listopia on Goodreads. And if you compare the lists to general fiction current releases… the average transgender and intersex list sits at 100 books, the average general fiction list in anywhere from 1,000 to 4,000. Which boils down to a 4-10% representation on the current market. Which is an interesting figure because that is what psychological journals are quoting as the percentage of people identifying as transgender or intersex in the real world as a general benchmark – whether that is accurate or not today is a different debate. But it felt like a significant correlation. Looking through my own library (which is skewed by the availability of literature and available funds to purchase books) sits at approx. 5% (up from 4% in 2018) out of a 22% share of LGBTQIA+ titles.
I am definitely thankful for the changes in attitude to transgender and intersex characters. Twenty years ago it was rare to read a novel with their representation, and if they were present, they were usually treated as evil, a freak, a sex worker, or the comic relief. The ending of their storylines usually culminated in tragedy too. It was dehumanizing. The trend is definitely skewing towards greater representation, more realistic, well-rounded characters, and positively ending storylines.
I do have to say that there is a great deal of acceptance out there. And it warms my heart. People are people. Love is love. We are seeing that reflected in representation in our publishing material, film and television, and the wider community in general. Yes, there are still opposing voices, but as loud as they get, their manifesto is getting tossed out the window in favor of a more inclusive and accepting environment. And something makes it feel like we are heading for that Star Trek future.
So what does it all mean? I think is shows how society’s attitudes are changing, how that change is reflected through representation in art and culture, books and movies. It’s allowed for the discussion and importance of own voices literature. It is also opening doors for other minority groups into inclusivity. It leaves me feeling positive for how the human races collective consciousness is evolving, and how we are getting a wide array of poignant reading experiences.
What was the last book you read with a transgender or intersex protagonist? Can you add to these titles of new and upcoming books with transgender/intersex protagonists?
A guilty pleasure that’s getting me back into fantasy.
Genre: Fantasy, Mystery
No. of pages: 268
Be careful what you wish for…it might be inhabited by a demon.
When a case takes me to the wilderness of Northern Maine, I’m not even sure there’s a paranormal angle. Two girls walked into the woods one night and only one of them came back. She’s so traumatized by what she saw that she hasn’t spoken a word since.
The police come up empty-handed so the girl’s father hires me to find out what happened. Getting out of Dearmont for a while seems like a good idea—especially when there’s an ancient wizard trying to force me into using a cursed sword—so I pack the mosquito repellent and head north.
But when my client ends up dead, surrounded by occult symbols, I realize this is no vacation. Evil forces are at work here and someone is going to have to deal with them.
Guess that someone will have to be me.
Another fun entertaining read from Adam Wright.
‘Faerie Storm’ follows another murder mystery and brings in a lot of characters both new and established in this series. We get a lot of world building, setting up to expand the Harbinger universe even wider (as Wright has a spin off franchise already slated with two novels for release in the Harbinger Academy series.)
This novel has really upped the ante, the stakes are higher, there is much more action, more intricate plot and plot points – Wright is really playing to his strengths in ‘Faerie Storm.’ It is the most engaged I’ve been in any of his novels so far. I am excited to see where his career goes if this level of development continues with each subsequent publication.
We don’t see a lot of growth or development with our protagonist, but he does overcome great obstacles and is changed because of it – the reason there isn’t a great character arc is because this is a serialised story. So we’re following different rules with this series. And what we get is fun escapist fiction that is action-orientated and a super-fast read. I managed to digest this tome in a matter of hours.
There are still some grammatical errors – nothing a spell check would pick up, but a line editor should have. And the formatting of the physical book was off where the printed page is skewed too far to the right. I’ve seen these issues pop up in every other of Wrights novels so far, and I’m guessing it’s down to rushing through the writing/editing/publishing process and using a self-publishing platform. But those kinds of issues are slowly eliminated with experience. I am seeing a lot less mistakes, but yet to have a ‘perfect’ copy.
I’ve mentioned before that this series is a guilty pleasure read for me – it’s the kind of fantasy I can get into. High fantasy tomes are sometimes a bit too heavy and I get bored with excessive world building and long character backstories (or constant diversions into language, customs, etc.) Stick to the mythology and character development and a great plot. I like my read to have a clip of pacing.
There are a number of things set up for over-arcing storylines in the volumes in this franchise to come that sound exciting. I was a bit bummed we didn’t get a better resolution to the Cabal – that storyline is dragging a bit; but having said that it is the most excited for a sequel I’ve been since discovering Alec Harbinger P.I. I’m really looking forward to ‘Night Hunt’ releasing in March 2020.
Adam Wrights writing style is improving. I’m seeing less repetition in common phrasing, less of the chauvinistic attitudes of our protagonist, less of the convenience and coincidence of the secondary cast (it’s still there, but less obvious) I’d still like to see some character development of all the cast, feel a stronger emotional connection, because if any of them were killed off at the moment (apart from Felicity) I’d be like, meh. And there was a bit of a rush at the end in setting the scene that felt disingenuous for the characters and setting. A small developmental editing tweak could have made it so much punchier. But I have to say this is best and by far the most engaging read in the series so far.
This one gets the MVP trophy!
Overall feeling: I want more, gimme more.
My last book haul had me completing my collection of the Red Queen novels. I love it when you get to finish a series. What is your favourite collection of five books or more that have all been published? I’d have to say mine is a toss up between Twilight by Stephenie Meyer and the Lux series by Jennifer L. Armentrout.
The latest addition to my TBR – #8 in the Alec Harbinger P.I. series ‘Faerie Storm.’ A guilty pleasure read… and have ordered #9 ‘Night Hunt’ and waiting for it to arrive…
What type of books are your guilty pleasures, you know, the ones which you secretly love but do not admit to loving so much?
Another interesting world introduced, but one that had me scratching my head.
Genre: YA, Fantasy
No. of pages: 204
This fourth entry and prequel tells the story of Lundy, a very serious young girl who would rather study and dream than become a respectable housewife and live up to the expectations of the world around her. As well she should.
When she finds a doorway to a world founded on logic and reason, riddles and lies, she thinks she’s found her paradise. Alas, everything costs at the goblin market, and when her time there is drawing to a close, she makes the kind of bargain that never plays out well.
‘In An Absent Dream’ is my least favourite of the series so far. It took a while to get the story moving, and then kind of went nowhere. For a novella this is not a great start.
Sean’s melodic writing is there and still amazing, but I did not get the complexity of characters I’m used to from this series. This felt very… vanilla. Plus I think my portent for fantasy is wanning again.
Our protagonists (Lundy) arc was more subtle in comparison to its prequels; plus there was always an amount of crossover – dealing with other characters previously introduced – but there was none of that this time. ‘In An Absent Dream’ is a true standalone… and subsequently left me feeling isolated from the established narrative. I guess that’s the risk you take in writing a sequel; I’m hoping that this has gone a long way to set up the next few instalments in the Wayward Children collection, but I’m just not seeing those aspects just yet. Maybe some stronger hints would’ve done this story more justice, or even an afterward?
‘In An Absent Dream’ is still a quaint little read, but in comparing it to predecessors it fell slightly flat. I put the novella down many times, and even read another two books in between starting and finishing this fourth novella in the Wayward Children collection.
The world the door lead protagonist Lundy to was not as interesting as many of the others we’ve visited between the pages… and the stakes did not seem as high for Lundy to either evade and escape, or want to stay. A bland Sophie’s choice.
Lundy is a pretty plain girl – bookish and rule following; not anything like the diverse cast I’ve come to expect from McGuire.
The story is predictable – following the same plot as all the previous novellas but lacked the tension and pacing.
So this turned out to be a so-so read for me, and hopefully the relevance of this story is yet to come to light in the franchise, but it’s not one I would recommend at this point in time. I am hoping McGuire will make me eat my words because this is a series I have come to love.
Overall feeling: a bit of a let down