Book Review – ‘Prime Deceptions’ (#2 Chilling Effect) by Valarie Valdes

This has it all, like a mash-up of ‘Firefly’ and ‘A Long way to a Small Angry Planet.’

Genre: Y/A, Science Fiction, LGBTQIA+

No. of pages: 448

Captain Eva Innocente and the crew of La Sirena Negra find themselves once again on the fringe of populated space—and at the center of a raging covert war. When Eva’s sister asks for help locating a missing scientist, promises of a big paycheck and a noble cause convince Eva to take the job despite lingering trust issues.

With reluctant assistance from her estranged mother, Eva and her crew follow the missing scientist’s trail across the universe, from the costume-filled halls of a never-ending convention to a dangerous bot-fighting arena. They ultimately find themselves at the last place Eva wants to see again—Garilia—where she experienced her most shameful and haunting failure.

To complete her mission and get paid, Eva must navigate a paradise embroiled in a rebellion, where massive forests and pristine beaches hide psychic creatures and pervasive surveillance technology. Can she find her quarry while avoiding the oppressive local regime, or will she be doomed to repeat past mistakes when her dark deeds come to light?

The sequel to ‘Chilling Effect’ brings back the problematic Hispanic Captain Eva and her crew on yet another outrageous adventure complete with psychic cats and a lingering need for a cup of coffee. There is a lot to love about this series.

I had to really think on this… why it was so hard for me to fall into this book, I mean, I really enjoyed the debut in this series. So what was going on? The protagonist. We all know those people: the cocky, always right, sarcastic person, and while entertaining, they are well… a little frustrating and grating to be around. Immature. Hard to relate to or sympathize with. And that’s what we have with our foulmouthed Captain Eva… and why I kept putting the book down. Because though I enjoyed the jokes, she bored me. Not to mention the constant breaks into Hispanic that I had to google translate to get the joke or understand the context. I was constantly being pulled out of the narrative because I have no reference point for the language or culture… way to isolate your reader. I love representation, but this did not give me access to the story.

The second, after a bit of thought, was the info dumping. I’d rather experience the world through a character or dialogue (or another storytelling device) than paragraphs of explanation slowing down the pace and detracting from the ambience of the moment.

I can tell the author had a lot of fun writing this. There is a lot of detail. We get plenty of technology, alien culture, and politics which is great, but it felt a bit too much and bogged down the pacing. 

Our protagonist also gets thrown a lot of obstacles… which are joyous, sometimes hilarious, and interesting, but it felt like Captain Eva was stumbling through the plot rather than driving it forward.

The quality of the paperback copy was much lower than that of the debut… I don’t know if it was because of the page count or cost cutting, but it did have a cheap feeling to it, especially the cover material. But I still adore the cover art: Julie Dillon is a master at her craft.

So this is a difficult book to review for me – it has so many things I praise and look for in my reads, and Valerie Valdes has a gritty, entertaining, and comedic writing style – but I felt a little excluded from the narrative and bogged down with pace and detail. I’m definitely going to be following this author and keen to see what she releases next. On the bright side, with the constant need for me to translate text and look up culture references, I’m getting an education on the Hispanic elements of protagonist Eva and that means easier immersion into the story if this series continues. The story does feel episodic in the Chilling Effect universe, so who knows where Valdes can take this franchise. ‘Prime Deceptions’ wraps up nicely, but there were enough hanging plot points and teasers that can lead to a sequel. As challenging as it has been to read so far, I am invested in the Chilling Effect series, love some of the periphery characters and have a love/hate relationship with Captain Eva. And well, authors grow, so Valdes writing can only skyrocket from here and I am intrigued. No word of another sequel as yet, but I’m going to be keeping my ear to the ground.

I have a lot of praise for this book, but it just did not marry well with my personal experiences. And yes, I’d still recommend this to my friends who love sci-fi and sassy female characters on a hijinks adventure.

Overall feeling: so many things…

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

#bookquotes

Death and grief are strange creatures, no to are the same, the experiences and repercussions are always different – and it is inevitable that we will experience both in our lifetimes. It is always such a romantic notion in books, but the reality is visceral, devastating, and breaks you into pieces.

Book Review – ‘The Gravity of Us’ by Phil Stamper

The countdown to first love and finding your voice.

Genre: Y/A, Contemporary, Romance, LGBT

No. of pages: 314

As a successful social media journalist with half a million followers, seventeen-year-old Cal is used to sharing his life online. But when his pilot father is selected for a highly publicized NASA mission to Mars, Cal and his family relocate from Brooklyn to Houston and are thrust into a media circus.

Amidst the chaos, Cal meets sensitive and mysterious Leon, another “Astrokid,” and finds himself falling head over heels—fast. As the frenzy around the mission grows, so does their connection. But when secrets about the program are uncovered, Cal must find a way to reveal the truth without hurting the people who have become most important to him.

This book was set out to be a sure-fire hit for me – vlogging and journalism; diversity rep with POC, sexual orientation, and mental illness; general nerdiness around space travel and the race to colonise Mars; all wrapped up in an angsty teen coming of age bow… The concept of ‘The Gravity of Us’ had me from the first line of the blurb.

‘The Gravity of Us’ was a read of mixed feelings for me. Our protagonist, Cal, while rich with journalistic integrity, a passion for his home town Brooklyn, and commitment to best friend Deb, came across a little flat and obnoxious. I had difficulty in relating to him on an emotional level. I admired his ethics and drive for perfection and a career, but there wasn’t enough vulnerability for me to truly empathise with him. Plus he was always justifying himself in the narrative, and it comes off as, well, shallow.

I also didn’t quite blend with Phil Stamper’s writing style. It was sparse in areas where we had a chance to jump into deep emotion of a character, and the romance was all repeated phrases of a more physical reaction. I didn’t feel any deep connection growing between Cal and his love interest Leon. The romance fell real flat for me. Maybe it had something to do with Leon’s struggle with depression and anxiety, but I have read other novels where this struggle can bring the reader closer to the character, but in this case it isolated me to the point that I felt I didn’t really know Leon.

Plot wise ‘The Gravity of Us’ is fantastic. Stamper uses the first person narrative expertly to hide motives from the reader, and reveals plot points slowly throughout the novel, twisting this way and that. With interspersed chapters of Shooting Stars episodes (The NASA reality show around the astronauts getting ready for a Mars venture) each account reveals something for the plot, driving it forward. Because of these well placed developments throughout the story the pacing is perfect. Despite some of the issues I had with the characters and writing style, I was never bored.

We do see character development from all the cast, and it was sweet to follow Cal’s growing awareness for the wider world (despite abovementioned obnoxiousness) and I think if I had been able to make a stronger emotional connection to him and the other characters, I would have adored ‘The Gravity of Us.’

The plot is mostly predictable from the outset – I won’t mention them here and spoil the story for those of you yet to read ‘The Gravity of Us,’ but everything I guessed in the first twenty or so pages came to pass. There was only one twist I did not see coming, and quite frankly, is a redeeming feature of this novel.

There is some language use and underage drinking, talk of depression and running away if any of those are triggers for you, but we never get into any frank discussions for any of these topics. Neither do we touch on sexual intimacy when its clear Cal and Leon are heading in that direction… all the ‘hard’ topics are glazed over. Which is a pity, with Cal’s journalistic voice and love for fact and practicality we could have seen some relevant discussions on topics that affect all teens (and help add complexity to the characters.)

I want to say there was meant to be humour in ‘The Gravity of Us,’ but it comes across as snarky (almost bitchy) so none of the comedic tone landed with me.

All in all ‘The Gravity of Us’ did not meet my expectations and turned out to be a pretty average read. Cute, moralistic, and missed a lot of opportunity to find a real voice.

Overall feeling: Good, but not great.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Chilling Effect’ (#1 Chilling Effect) by Valarie Valdes

If Hans Solo was a swearing Hispanic Woman aboard the Firefly…

Genre: Y/A, Science Fiction, LGBTQIA+

No. of pages: 448

Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister Mari is kidnapped by The Fridge, a shadowy syndicate that holds people hostage in cryostasis, Eva must undergo a series of unpleasant, dangerous missions to pay the ransom.

But Eva may lose her mind before she can raise the money. The ship’s hold is full of psychic cats, an amorous fish-faced emperor wants her dead after she rejects his advances, and her sweet engineer is giving her a pesky case of feelings. The worse things get, the more she lies, raising suspicions and testing her loyalty to her found family.

To free her sister, Eva will risk everything: her crew, her ship, and the life she’s built on the ashes of her past misdeeds. But when the dominoes start to fall and she finds the real threat is greater than she imagined, she must decide whether to play it cool or burn it all down.

Valerie Valdes has an innate ability to craft tone and ambience with her writing, she can also create amazing action scenes. I was truly glued to the page with those aspects of her story.  I would have liked to see the characters fleshed out a bit more, they weren’t flat, but I didn’t feel an emotional connection to them, though she did map out their motivations really well.

There were so many aliens mentioned in this book (yay for alien rep) I had difficulty keeping them all straight, and to add to that, some of them barely got a description… it was a bit of a messy whirlwind around this aspect, and I would have loved to see her take her time and introduce us to the species properly – or at least have an illustration plate somewhere in the book with an artist’s rendering of the alien species for reference.

The tone of the book and the alien descriptions gave me more of a M.I.B. vibe

We get many plot points that are introduced in the first few chapters –the psychic cats, the Proarkhe technology, the rescue of her kidnapped sister, the hindrance of entitled sex pest Glorious Apotheosis, the mention of a unfortunate past incident (Garilia), and a nefarious mafia style organisation ‘The Fridge’ which our Captain Eva is determined to overthrow… none of these plot points is resolved in ‘Chilling Effect,’ well one is, but being completely circumvented and made completely mute. So the story structure itself was a complete shemozzle. Yes, ‘Chilling Effect’ is a highly entertaining read, one a thoroughly enjoyed, but it did not really go anywhere. It was like an intergalactic road trip with side adventures and hijinks, but the book ends before the protagonist reaches their destination.

Valerie Valdes writing is the only thing that redeemed this novel in my eyes.

A slight annoyance for me though, there is quite a lot of language – but it is part of our rough around the edges Captain. We also get a lot of Spanish… which I had to constantly use Google translate to see what I was missing… with varied success. This fact pulled me from the narrative and set up a language barrier. Granted some to the translated phrases are hilarious, and I now can swear like a sailor in Spanish, but the last thing I want to do when reading a book is to be constantly translating parts and slowing the pace and shattering the illusion. I love the representation of the culture (and language,) but maybe if there were an * and a translation at the bottom of the page, or at least an appendix with all the phrases translated at the back of the book, it would have been a more accessible read. But in its current form, the text proved a hindrance that outweighed my delight at the representation.

Captain Eva is a swearing Hispanic woman that takes no crap from anyone. Think Hans Solo from Star Wars – sassy and is not opposed to breaking the rules. The presence of the psychic cats softens her a little, and with how she relates to aliens (even on an intimate level) I’d describe here as pansexual.

The pacing was surprisingly good considering the plot was meandering, and that science fiction is prone to info-dumping. We literally go from one action scene to the next, or a comedy scene without lengthy transition scenes; Valdes has a fantastic ability to create flow and expert transitions.

The Proarkle Tech was not explored enough, even if this is an over-arching plotline for the series; so too for the psychic cats, The Fridge, and well, Glorious. The latter just seemed to be a comedic punchline in the end, I don’t know why this especially wasn’t brought to some conclusion in ‘Chilling Effect.’ It was literally left hanging in the air. I think if we had gotten a more solid story structure, some of the introduced elements resolved, I would have rated this much higher. I feel I’m being generous, though I feel Valdes writing style and comedic timing were right up there with the best of them. This is a soft recommendation from me because it feels incomplete, but was so much fun to read.

Overall feeling: Fun and funny but a little frustrating.

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

#bookporn #coverlove

I love it when I discover there are sequels to books I enjoyed that I thought were a standalone. Haven’t seen any hype for Michael Barakiva so I thought I’d give him a spruik here!

Book Review – ‘Guardian’ (#2 Proxy) by Alex London

Teen dystopian with diversity.

Genre: Y/A, Science Fiction, Dystopia, LGBT

No. of pages: 352

In the new world led by the Rebooters, former Proxy Syd is the figurehead of the Revolution, beloved by some and hated by others. Liam, a seventeen-year-old Rebooter, is Syd’s bodyguard and must protect him with his life. But armed Machinists aren’t the only danger.

People are falling ill—their veins show through their skin, they find it hard to speak, and sores erupt all over their bodies. Guardians, the violent enforcers of the old system, are hit first, and the government does nothing to help. The old elites fall next, and in the face of an indifferent government, Syd decides it’s up to him to find a cure . . . and what he discovers leaves him stunned.

This duology has me falling in love with Alex London’s writing and imagination. Not only do we get representation of a minority group (GLBT, POC) but a dystopian world to rival many that have dominated the YA genre. I can’t believe these books have been sitting unread on my shelves for years. ‘Guardian’ was a great read, but not quite up to the excellence of debut ‘Proxy.’ I was still engaged as a reader but upon completing the book I did not feel it had as much of an impact on me as the debut of the series. While the story unfolded organically, I did feel the omniscient POV pulled me from the story frequently.

Like ‘Proxy,’ ‘Guardian’ felt like a road trip book, protagonist Syd attempts to once again get to some place against a faction in power to free the population from an oppressive rule (and save their lives from a virus.) We see Marie stepping in as his protector/squad member again. And a new addition of Liam as a love interest.

I don’t think I saw too much character development from Syd. Being fallible seemed to play a big part of his story, but that had already been brought up in ‘Proxy.’ Instead it seems he starts to wrestle with his guilt and whether or not he is deserving of happiness.

Liam felt a little one note. He definitely embodies the mind of a soldier, but I wanted more inner torture to come out after the events he’s lived through and done… that kind of stuff would mess up anyone. I wanted more vulnerability (in private moments) to shine through. I feel it would have rounded him out as a character and not just a stereotypical protector.

I didn’t feel like Marie went much of anywhere. She helps move the plot along at some points, but again I was questioning what she was even doing there. Her determination to stick to a cause still feels out of step with the narrative. I think a great opportunity to juxtapose the philosophical themes of the novel were missed out in using her as an alternative point of view, or a sounding board.

It did feel a little formulaic, following the same path of ‘Proxy.’ I was hoping it would divert from this template, but still an entertaining read nonetheless. The first half, like the debut, felt a tad slow in its pacing. There are some great action scenes, but it takes half the book to set up the scene and get all the characters in place to drive the plot forward.

I really love Alex London’s writing style, but I’d love to read more following a different form of plot/story and see him start moving the plot forward in the early chapters.

I pretty much hunched-out the ending very early on – but not quite – there was a little twist to it that I had not guessed… and that added a great surprise. There were also a few other elements that I did not see coming. Overall, ‘Guardian’ gave me more surprises than ‘Proxy,’ but it let me down in the structure of the plot, pacing, and it needed a bit more spice for the characters. I needed something to balance out the bleakness in the world of ‘Proxy’ and machinations of introducing new characters and plot points.

I think as a sequel I was expecting more complexity, a higher intensity of challenges faced, introduction of a more emotional connection with the characters; but it was more of another episodic adventure following our protagonist. I can definitely see its appeal to the YA market.

Again some grammatical mistakes London’s editing team overlooked : missing words, words out of place. A little frustrating. I hope they up their professional game and let this author really shine.

I am going to download the finale short story form Alex London’s website because there is no third book in this series. Mainly because I did not get the level of completion I wanted. I don’t think it’s going to address the big questions, philosophical questions in the subtext, but merely wrap up the future of the main characters – which would be nice. As ‘Guardian’ ended as abruptly as ‘Proxy.’

Still a great read I’d happily recommend.

Overall feeling: totally didn’t suck

© Casey Carlisle 2020. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Representation in Writing vs Own Voices

Many of the novels I’ve read lately represent diversity or own voices, which I have loved. So let’s take a deeper look into how writing is evolving in today’s market, and how much of the market share they actually represent… or are they just the latest fad? Is this reflected in my personal library?

Firstly, let me state unequivocally that I do not lump diversity or own voices into a marketing trend. Granted, they are being used as just that at the moment, but trends are an unavoidable phenomenon in driving book and e-book sales. We saw a surge in YA after the success of Harry Potter and ‘Twilight,’ then erotica in the wake of ‘Fifty Shades of Grey,’ followed by a push in non-fiction, primarily memoirs and autobiographies… and of late it’s been LGBTQIA+ and diverse characters (including own voices.) This observation has come from what genre of novels publishing houses are accepting for submission, and where I’ve seen the marketing dollars spent on for campaigns both online and in-store.

But I don’t want to get into a discussion on marketing trends and the publishing landscape, I’m more concerned with what we’re seeing in literature, and congruently, how is it reflected in my own personal library and shopping habits? I know the things I like to read, but am I a snob when it comes to novels that support diversity? People of colour, LGBTQIA+ characters, characters with a disability or mental illness, empowered female characters… I think it’s about time I survey my shelves and tally up just where I sit on the spectrum.

In addition to that, I grew up in a privileged household, am healthy, able-bodied, and only lived through some aspects of discrimination and illness. So it limits what literature is relatable to me personally. While I like to educate myself and take a walk in other characters shoes to experience walks of life differing to my own, it still needs to be something I can connect with on some level. So the results of this discussion are skewed because of my life experience. I can strive for political correctness and inclusivity, but by nature, I will never truly know what it is like for some minorities. But literature plays a huge part in breaking down those barriers. As a former high school teacher I can see the value in this.

Firstly, let’s take a look at my own shelves to get a sample size. I’m going to put my money where my mouth is. Though take into account that I’m only looking at novels that I have purchased and read myself over the last thirty odd years. So it’s encompassing a lot of marketing trends.

Here’s the results from a sample size of 400 novels:

Own voices                         12%    (including LGBTQIA+ and people of colour)

I feel it’s important to recognise an authentic point of view that’s come from a place of genuine experience. It shows not only diversity in representation, but also in that of authors. While I believe a writer can create any character they wish, I feel it’s important to acknowledge books that fall into the own voices category, because they did not have access to the publishing industry in the numbers they do today previously. It’s illustrating how reading and writing is evolving, and indeed humanity as a species. Maybe we’ll get somewhere closer to a Star Trek future than we think.

 

LGBTQIA+                           21%

(Representation in the main characters of a novel)

Disabled                               9%

(A physical disability of some description in one of the main characters)

Mental Illness                    20%

(One of the main characters suffers some form of mental illness and is one of the major themes of the novel)

Person of Colour              14%

(Representation in the main characters of a novel)

Gender Inequality           11%

(The major theme of the novel deals with female discrimination/inequality)

Body Shape                        9%

(Main Character has body size issues as a main theme of a novel)

 

 

A further breakdown of GLBTQIA+  – looking at representation in the spectrum of sexuality and gender identity of the main cast.

The main observation of these statistics, is that if I did not take into account the last ten years of reading, all of these categories would have a sum total of less than 5%. So there has been a massive explosion of diversity in recent years.

We’ve seen the trend of more intricate storytelling evolve throughout the entertainment industry. Film and television are exploring more developed characters and storylines, including diverse characters. Flashing back to some of the shows and books I’ve read in my teens, they feel stereotypical and tropey nowadays. At the time I felt they were amazing, but if reviewing today, I’d tear them to pieces.

Two things surprised me, and made me a little proud, upon looking at the statistics of my library, is that I have around 15-20% representation of most of the categories above. That means one in five books I pick up are representing diversity of some description. Which is statistically comparable to the real world population. I mean, I’ll be working on getting those numbers much higher, but for all the talk that the publishing industry was dominated by white middle-aged men in the 80’s, to being overtaken by women today, it says a lot about my attitudes towards inclusivity and humanity in general. It seems I sought out diversity even in my teens, despite it not really having become a movement for another twenty years, or much of a selection to purchase from.

One thing I want to touch on a bit further is that of own voices versus diversity. It’s kind of like saying only gay actors can play gay characters in film. Writing is using words as tools, just as acting is using expression as tools. It has nothing to do with the creator. I say you can do either. But. Where a person who has been discriminated against in the past has managed to break out and add to the wonderful world of entertainment, it’s important to acknowledge their struggles and change from that experience. Why should it have been a struggle in the first place? What can we do the make it more accessible in the future? It doesn’t need to get uber-political, it just needs to stay rooted in common decency and mutual respect.

Looking at my TBR, there will be a huge difference in the statistics in years to come. I’m seeing a lot of queer books, novels dealing with mental illness, disability, and people of colour. I might have to make conscience effort to include more dealing with gender equality and body image to round out my library. But it looks exciting!

What other genres or categories am I missing that you feel are important to note? I’ve thought about class and social standing, but that seems to be a very dominate storytelling tool. Maybe I can call out representation of fellow redheads in literature?

My Challenge to You:

Take a look at your library, how many novels have you read that fall into the above categories? What trends have you noticed in the publishing landscape? Do you even enjoy diverse reads?

Comment and let me know the results.

Happy reading

© Casey Carlisle 2018. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.