Slow-burn twisty thriller on a haunted island.
Genre: Mystery, Thriller
No. of pages: 373
After one of their identical twin daughters, Lydia, dies in an accident, Angus and Sarah Moorcroft move to a remote Scottish island, hoping to mend their shattered lives. But when their surviving child, Kirstie, claims they have mistaken her identity – that she, in fact, is Lydia – their world comes crashing back down.
They know one of their daughters died. But can they be sure which one?
This was a spooky psychological thriller with a brilliant setting and unreliable narrators to keep you guessing.
‘The Ice Twins’ and I did not gel. I liked the unfolding mystery, but it took a long time to get interesting. I put this novel down multiple times due to boredom and read five other books intermittently before returning; it was only after reaching the halfway mark when the story finally got interesting.
The story is told in multiple perspectives – and when it was necessary to reveal plot points, it did so in an abrupt manner. No build up. Just – here is a twist you won’t see coming. There was no context, no grounding in the story. It didn’t make a whole lot of sense to me. Like the author was intentionally throwing in the wildest thing they could think of to shock and awe the reader. I would have appreciated this mastery if there had been some clue or precedence in the narrative… there was the teeny-tiniest hint, but not enough to give it any substance and make the reveal knock me for six.
There was so much secret holding and distrust within the family that it all left a bad taste in my mouth and prevented me from really getting into the story. What young family exists in this manner? It felt so unrealistic. It had a tough of a gothic thriller: over dramatized and spooky atmosphere.
Sarah dominates with her perspective throughout ‘The Ice Twins.’ While it is clear she loves her family and is trying to make things work after the loss of one of her twin girls in a tragic accident; slowly my unease with her grew. She was wishy-washy, impulsive, and at times unstable. There was a lot of naffing about that you simply don’t do when caring for the well-being of a child navigating grief. It’s like the Mamma Bear in me reared up and rejected half of the narrative of this book. So I did not connect with Sarah’s story, or any other characters for that matter, and consequently did not get immersed into the story of ‘The Ice Twins.’
Sarah’s husband, Angus felt distant the entire story. It was like his actions and motivations were in conflict. I felt he was pretty much useless apart from the sporadic plot reveals his narrative provided. And even then I was shocked at his inaction to take care of his family.
The twins, Kirstie and Lydia – such a tragic story. Their experience is the only thing that my heart went out to. They were neglected on so many levels before and after one of them reaches their demise. I liked the touch of the supernatural of this story (if you want to interpret it that way, others may see it in a more practical sense) but the beginnings of this storyline took far too long to set up.
This is my first foray into S.K. Tremayne, and I hate to say, but their writing style just did not do it for me. It felt dry, emotionless, and the characters not developed enough early on. But for building ambience and world building, their skills really shine. I think maybe a lack of empathy is what I’m sensing in S.K. Tremayne’s writing style. It was rich and colourful, but lacked an emotional connection. It didn’t help that any of the characters in the story were not relatable.
I don’t think I’m going to recommend this one. I’ve read so many other thrillers that I enjoyed much more; and, consequently, will not be going out of my way to purchase any more of Tremayne’s titles. It’s mainly the writing style that did it for me. But I can see how some readers will love ‘The Ice Twins’ or any other title from Tremayne’s catalogue.
Overall feeling: Just like soggy chicken
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