Revisiting Roswell

Revisitng Roswell Pic 01 by Casey Carlisle

Throwback to just over 15 years ago and I had a steady diet of CW television shows like Buffy the Vampire Slayer, Angel, Charmed, and of course Roswell.

I was having a moment (feeling despondent and procrastinating) so I thought I take a trip down memory lane and watch an episode or two – but I ended up binge watching the entire 3 seasons. Oi vey!

Revisitng Roswell Pic 03 by Casey CarlisleWhat alarmed me was how much more discerning over content I am now that I’ve been professionally writing for over 10 years. While I was filled with nostalgia and angst, quietly slobbering at Jason Behr, and wished Liz (played by Shiri Appleby) was me, the construction of the episodes delivered a sting I was not prepared for.

 

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There were some major issues with plot, continuity and believability. And don’t get me started on complexity.

The construction of each episode was great – they all told an important story, and even the scenes were framed perfectly… but the transition of scene to scene was shaky at times. Rational thought seemed to get tossed out the window. What happened to the path of least resistance and all that? I know it was manufactured the way it was to create drama, but couldn’t we have at least addressed the elephant in the room? I think this aspect was compounded at times by the special effects. Many were executed marvelously, where others resembled cheap, fake looking digital renders. I understand there is a budget for the production of each episode, and I’m subconsciously comparing it to today’s standards, but couldn’t they have filmed it in a different manner to eliminate the nasty look of the spfx? Some episodes were brilliant, where others screamed poor production and plot holes.

I’m still wondering about the whole alien abilities thing – which are supposed to be human abilities – when the human race have evolved to use a higher percentage of their brains. It’s not an unheard of mythology. But their abilities kept getting redefined and the past retconned on a number of occasions. Grrr!

Sometimes the cast were emotional, motivated, and complex; and other times, stereotypes… guest stars and supporting cast were often reduced to a cliché as well. But I think that is more a television thing than a Roswell thing. We are still viewing characters over-stylized into a role for easy identification. That’s the bad guy because he wears black and has a scar… I hate it when things get dumbed down for an audience. Especially in science fiction. You expect it in something like comedy, where you can overact, over-emphasize everything; but in sci-fi, it’s meant to be challenging, though provoking. Even if it is a teen drama. I would have liked to have seen the complexity set up at the beginning and slowly grow as the characters are tested with roadblocks each episode.

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Again, the issue of spfx let me down with believability – it’s hard to get sucked into an imaginary world when your spitting out your cup of tea laughing at sub-par digital rendering. So to goes for terrible dialogue and poorly constructed scenes. You want your characters to explore and find themselves in a precarious position, not feel like they were placed there by the author and have their options removed by some unseen hand of God… that’s cheating!

I know this is sounding over-critical and ranty. Roswell will continue to remain one of my favourites (faults and all) but I think it’s a great exercise in constructing a scene, and writing a novel for that matter, to actively and critically watch shows. You start to see what works and what doesn’t. What is relying on the actors’ good looks or interpretation of the character, and what is bad screenwriting. Other times elements of production let down the story – the way it’s edited together, the treatment… there are so many aspects to focus on. So many tools you can use to objectify your own writing and potentially improve it.

I love reading books and casting a critical eye over them; but a television episode is usually a story told in 45 minutes, and to that end, you don’t have to invest so much time to flex your critical eye. It’s fun to mix it up in different mediums: movies, plays, short stories, novels, tv shows… keep it interesting.

Nonetheless Roswell is a guilty pleasure, the tween in me still swoons over the love-stories, and the geek in me salivates with the science fiction elements. There are constant nods to other icons in geekdom that felt like they were a personal call out to me as a viewer. I was distraught when the series was rushed to an end. It had so much potential, but seemed squandered in the wrong hands.

Revisitng Roswell Pic 06 by Casey CarlisleI did read the 10 book series that was commissioned to write by Melinda Metz, of which this television show was based off, (and a lot of fanfic after it was cancelled.) At the time, it enabled me to live in that universe just a moment longer, but none of it did the concept of this show any justice. I just had to kiss it goodbye and find something else to obsess over.

Now, when there is a trend to re-boot, re-make, and bring back television shows and movies, I wonder how this would actually happen for Roswell. The Romeo and Juliet vibe mixed in with stranded alien hybrid teen royalty, trying to find home… There would need to be a lot of tweaking of the original series for it to be re-introduced and engaging for today’s viewers, a darker and more sci-fi edge, but a character driven plot. Personally, I’d love to see it lead off with a group of healed humans coming to terms with their growing powers, trying to track down Max and Liz, and the rest of the gang (who are currently on the run.) Sherriff Valenti (also healed by Max, and now having his own alien abilities) could be running an underground alien alliance, grouping the growing number of new-humans-with-alien-powers spread across the globe back in Roswell to create a safe haven. A ‘hide in the least obvious place’ sort of thing. I’d like to see a re-imagined alien threat and a seemingly sympathetic government body looking to identify and help the human/hybrids, but have their own nefarious agenda… still a great concept! It would leave it open for guest spots or inclusion of the original cast, but primarily reinvigorate the original concept with a modern cast and contemporary edge.

I’m such the Dreamer…

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You can support the Roswell Revival that is currently gaining traction through social media here: https://www.facebook.com/roswellmovie/

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© Casey Carlisle 2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

#bookquotes ‘de-frag’ teaser

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Starting to develop more on the second book in the re-boot trilogy ‘de-frag,’ as I am in the throws of a final draft.#amwriting. Every month is like NaNoWriMo for me 🙂

Bailey survived a horrific car crash and has been different ever since her recovery. What she thought was a simple case of mistaking fantasy for reality while she healed, has been thrown into question… now she has to find out the truth. A conspiracy that may be stranger than fiction.

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‘re-boot’ teaser by Casey Carlisle

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Here’s a teaser I was playing with for the upcoming debut novel ‘re-boot’

After recovering from a horrific car accident where she lost her Grandparents, Bailey Silverman is returning to High School. The strange side effects from her brain injury only intensify around Flynn Nelson, leading her to question: is it really a medical condition or something else? Driven by an unknown need, Bailey pursues Flynn, fighting against the images of violently attacking him in her nightmares. Is Flynn the key to awakening her heart and becoming normal, or unlocking a monster inside?

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A bit of a character profile for Bailey, the protagonist of ‘re-boot’ the start of a paranormal trilogy going through the final editing process leading up to publication.

She is really naive and does not understand what is going on with her body, the way she thinks. With unprecedented recovery from a car crash it leaves us wondering if there wasn’t something else responsible for her miraculous healing…

Plus Bailey starts having violent dreams about attacking her friends, mainly Flynn.

She just hope to find the reasons behind it all before pouncing of Flynn in real life and exposing her other-worldly nature.

In for the long haul?

Writing a stand-alone or beginning a series… what do you picture at the starting point?

In for the long haul by Casey Carlisle

With NaNoWriMo in full swing, I wondered how many of us writers sit down and have full intention of composing a series, or is it merely a case of the story growing larger that we first intended, leading us to subsequent volumes?

It is a bit of a mix with me (as art and the creative process always is). I remember starting my Smoulder series with every intention of it being a trilogy. I had the story of my Firestarter mapped out. But upon reviewing, I completely changed the direction of the plot and added in a whole lot more, afraid it was being too generic… and a four book story line emerged. You could put all of that down to a little self-doubt and exposure to countless reading hours of YA. I think my reading habits (market research) helped me identify major plot problems before I got too deep into the writing process.

The For keeps duology was initially one book, but fears that it would end up being a mammoth book and not lucrative for a budding author, I split it in to two volumes. It was fairly easy – There is definitely a break in the middle of the story where things change in context and was perfect tone for a GLBT contemporary novel to end (and pick up with a second instalment). As it was my first attempt at a completed novel (there had been MANY different books written beforehand but abandoned after 30 or so pages in), it needed the most work. It’s been re-written and edited to death! I’ve found that leaving it for 6 months and coming back with fresh eyes for a final edit to be the saving grace.

A science fiction series (LONERS) I started early last year popped into my head fully formed as a four-book series. It is structured a little differently to a traditional series, where either of the first three books can be read as stand-alone, companions, or out of order. That’s the beauty of sci-fi – you can mix things up a little. This experience has really flipped my attitude towards writing and made me realise that finishing a novel can be a quick, easy and rewarding experience. Or maybe that’s be buying into my own insanity :p

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And finally, the re-boot trilogy started from a few scenes in my head, and evolved into three books… and I’ve yet to decide between one of two different directions this series could take.

And so… I had books that have grown into a series, and those I plotted that way from the outset. Additionally I have some titles which could quite easily become a series, but none of the characters have raised their voices with a desire to continue their adventure as yet.

I’m always amazed at creativity and how it just shows up.

Most of the time I simply just sit and write, no planning, just me and a blank page where I’ll scribe away for hours. Then, if it feels like something, I’ll go back, tidy it up, add to it, and eventually plot out a novel, or series. So, out of 23 concepted works in progress, only two were forecasted as a more than one book franchise.

I’m really great at organising things, and could quite easily plot out everything I write before a letter appears on the page, but find I lose my characters voice that way – and consequently, my passion for writing. Plus I like to keep the work malleable, open to change or exploring other arcs. The debut in the For keeps duology deviated into a major arc that added so much to the story (and how it came about to be a duology) that I’m greatful I let the story stray from my initial imagining.

Who knows if what I’m writing is any good or makes any sense – but the point is: I have to write. I write for me. To be entertained, to escape, to laugh, to vent (and the list goes on…)

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And I’ve committed to the decision to give this writing thing a professional go.

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I guess everyone’s process is different, but I simply wanted to share mine and am interested to learn of other author’s process. How do you write a series? Do you need some major brainstorming before beginning, or does it just happen?

Smoulder series by Casey Carlisle

re-boot trilogy by Casey Carlisle

LONERS series by Casey Carlisle

For keeps duology by Casey Carlisle

Stand alone titles by Casey Carlisle

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© Casey Carlisle 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.