Book Review – ‘Monsters of Men’ (#3 Chaos Walking) by Patrick Ness

Power struggles, an alien race, and a boy and a girl trying to make peace for everyone.

Genre: YA, Science Fiction

No. of pages: 643

As a world-ending war surges to life around them, Todd and Viola face monstrous decisions. The indigenous Spackle, thinking and acting as one, have mobilized to avenge their murdered people. Ruthless human leaders prepare to defend their factions at all costs, even as a convoy of new settlers approaches. And as the ceaseless Noise lays all thoughts bare, the projected will of the few threatens to overwhelm the desperate desire of the many. The consequences of each action, each word, are unspeakably vast: To follow a tyrant or a terrorist? To save the life of the one you love most or thousands of strangers? To believe in redemption or assume it is lost? Becoming adults amid the turmoil, Todd and Viola question all they have known, racing through horror and outrage toward a shocking finale.

Monsters of Men’ sees the stakes for both Todd and Viola raise to a global scale. Told in alternating perspectives between the love-stuck teens (and that of one of the Spackle) as they try to influence opposing factions to a peaceful resolution as a colony ship comes close to land… but land to what? A controlling faction ruling with fear and lies, or the utopia humanity has always dreamed of? But how can any of that be achieved when the settlers have enslaved the native alien species and committed genocide against the race and other human settlements. It makes it hard to organise the population when all the men’s thoughts are laid bare in the Noise, even if some of the men have mastered how to hide their Noise. ‘Monsters of Men’ brings the trilogy to an epic conclusion.

There are a lot of elements in this trilogy, and all of the themes mix and become an important distinction for our two protagonists in ‘Monsters of Men.’ Political control through fear, murder, terrorism, genocide is at the forefront. It mirrors the colonisation of Earth where we saw the murder and erasure of aboriginal peoples like in America, Australia, and New Zealand. The native residents of New World, the Spackle, are either killed off or enslaved, their culture ignored by the human settlers; prompting an additional war between groups of people.

We are also faced with the duplicitous nature of thought and action – how does that add up to honesty? And if our thoughts are not on display for all to read, is that dishonesty? We see how the faction of men have split, some accepting this new state of being, and others viewing it a women having something to hide. And women, alternatively, seeing the shameful thoughts of men on display. The whole culture of shame, guilt, and fear plays out in dividing the population. Some using if for power, some for religion, some for manipulation.

There is even more character development for Todd and Viola as they are forced to make decisions for the good of the colony, or should I say the planet New World at great risk and sacrifice. I think by this point in the story, even though events throughout the series have forced them to grow up quickly, they are still in their early teens, and I struggled a bit with their level of responsibility, their reactions and courage. They are meant to be 13-14 years of age… I mean it felt a little unrealistic. That aside, I did get carried away with the story and this small fact did not impact too heavily on my enjoyment of the trilogy.

It was great to see the Spackle represented, take a forefront sharing the narrative along with Todd and Viola after being in the background of the story for so long. We learn about their culture, their community dynamics, and connection to the land. With all the conflict though, I felt a full picture wasn’t able to get painted as we only see them through the eyes of one member as they lead a rebellion.

Monsters of Men’ is better than any of the previous novels, the pacing was a lot faster, though the story still felt far too long. But there is a lot to unpack in the 643 pages, still, it could have been edited down to make it more accessible to the YA demographic. I can see why the film adaptation of the debut novel of this series did not perform well in the box office, because there are so many elements packaged into this story it can be involved and busy – it doesn’t translate well for the big screen.

There were many plot twists that I did not see coming which overjoyed me to now end. I love surprises and stories taking unexpected turns. I’d definitely recommend this to all my reader friends, but I know some may be put off because of its length and complexity – as I mentioned earlier, there are a lot of themes, layers, and subtext jammed into this story. It’s like comparing people who love playing games that are point and shoot to those who spend weeks or months on campaigns. You need to invest time to get the pay-off. And boy does this pay-off! All the little plot threads are tied off and leave the reader with a sense of completion and hope.

Overall feeling: Long, but a delicately detailed tale!

© Casey Carlisle 2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Ruin and Rising’ (#3 The Shadow and Bone Trilogy) by Leigh Bardugo

Culture, magic, and political infighting make this epic fantasy shine bright.

Genre: YA, Fantasy

No. of pages: 422

The capital has fallen.

The Darkling rules Ravka from his shadow throne.

Now the nation’s fate rests with a broken Sun Summoner, a disgraced tracker, and the shattered remnants of a once-great magical army.

Deep in an ancient network of tunnels and caverns, a weakened Alina must submit to the dubious protection of the Apparat and the zealots who worship her as a Saint. Yet her plans lie elsewhere, with the hunt for the elusive firebird and the hope that an outlaw prince still survives.

Alina will have to forge new alliances and put aside old rivalries as she and Mal race to find the last of Morozova’s amplifiers. But as she begins to unravel the Darkling’s secrets, she reveals a past that will forever alter her understanding of the bond they share and the power she wields. The firebird is the one thing that stands between Ravka and destruction—and claiming it could cost Alina the very future she’s fighting for.

The finale for a trilogy set in a fantastical Russia where protagonist Alina is going to have to test all that she is capable of to defeat the evil power-hungry Darkling and his supernatural army. I’m not a huge fantasy reader, and it has taken me a while to get to read these novels, but I have to admit, the debut, ‘Shadow and Bone’ drew me in to the world of the Sun Summoner (Alina) and an army of preternaturally gifted soldiers (Grisha.) The world building in this series, from the landscape, to the magic system, and the political manoeuvring was done so expertly it’s easy to see why so many readers rave about this series.

I have to admit, I purchased all the books in this trilogy as they were released, but it took the airing of the television adaptation for me to quickly pick up the books and explore the world in written form before allowing myself to watch the show. And the television series is definitely one of my top five adaptations of all time. I hope subsequent seasons continue to live up to the high standard it has set for itself and don’t stray too far from the original source material. (As there has been some departure from the original concept, but it seems to be for the better.)

Admittedly ‘Rage and Ruin’ felt like it took a bit to warm up and get the story moving forward. It also felt a bit busy. There were a lot of elements and arcs, political movements that bogged down the pacing. It wasn’t until the last third of the book before the plot really took its stride.

There is a lot of carnage… but there did not feel like there were a lot of repercussions and dealing with the loss, instead pushing it aside to wrap up the trilogy nicely. I see this quite regularly in YA and fantasy, and I understand why – you don’t want to get side-tracked with heavy emotion and change the tone of the story; but, I think valuable character development and motivation can be overlooked because of this. And endings can be bittersweet, impactful, when you celebrate both victory and loss at the same time.

There was a good twist in the concluding pages, but besides that I didn’t get any surprises from the plot. The previous two novels were so good with swaying predictability in a way ‘Ruin and Rising’ didn’t. I also wanted some more exploration about the theme of power and corruption – it felt like it got built up and then magically went away. It has been such a strong theme throughout the trilogy, and I was left wanting a more resounding conclusion. As a result, the ending felt slightly (teensy-weensy) anticlimactic.

I don’t feel like Alina or love interest Mal had a lot of character development for ‘Ruin and Rising,’ but rather faced bigger challenges to pit against their morals, their connection, and their love for the country Ravka. All of the character development was done in the prequels, in this finale it was about putting all they have learned on the line – for themselves, and the rest of the country.

Leigh Bardugo can paint such a rich tapestry in world building and culture, creating political factions and armies, and builds a diverse cast of characters. Even though the novel is told in first-person narrative from Alina’s point of view, it is not hard to pick the voice of other characters without a label to identify them. I think that is a pretty amazing feat and shows just how honed Bardugo’s writing style and craft is.

I’d definitely recommend this trilogy and have already purchased the rest of the series set in this universe – Six of Crows  duology and the King of Scars series – as I have fallen in love with the mythology, the country, and the way Bardugo can craft a character driven story.

Overall feeling: quiet awe

© Casey Carlisle 2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘The Ask and the Answer’ (#2 Chaos Walking) by Patrick Ness

The Ask and the long-winded Answer….

Genre: YA, Science Fiction

No. of pages: 553

We were in the square, in the square where I’d run, holding her, carrying her, telling her to stay alive, stay alive till we got safe, till we got to Haven so I could save her – But there weren’t no safety, no safety at all, there was just him and his men…

Fleeing before a relentless army, Todd has carried a desperately wounded Viola right into the hands of their worst enemy, Mayor Prentiss. Immediately separated from Viola and imprisoned, Todd is forced to learn the ways of the Mayor’s new order. But what secrets are hiding just outside of town? And where is Viola? Is she even still alive? And who are the mysterious Answer? And then, one day, the bombs begin to explode…

Picking up where ‘The Knife of Never Letting Go’ left off, we jump right into the action with Todd and Viola. Their dual points of view take our intrepid teens in two different directions as they struggle to get back to each other and prevent the planet they are on from imploding political tensions.

There didn’t feel like a lot happened in this instalment… and it definitely suffered that second book syndrome.

The Ask and The Answer’ almost put me into a book slump; it was very boring and long, the story took forever to get anywhere, and all the interesting bits happened in the last few chapters. I think because we delve into political movements and differing factions led by flawed and self-righteous people, there is a lot less science fiction and so much more posturing and maneuvering. The character development did not seem to grow our two main protagonists Todd and Viola too much apart from making them suffer inordinate amounts of pain, treachery, and heartache to shape them into possible leaders. It didn’t feel justified to me – and certainly not over 500 pages of it. We see both Todd and Viola challenge the system, and those in power, but we did not see them learn much from it. They spend their time reacting and surviving. I would have appreciated either of them having frank discussions on how to overcome, strategize, or even some psychological insight into those in power to better equip them in the battles to come. Instead they are tossed about like pawns on a chess board always a few steps behind.

I had pretty much the same opinion of all the characters at the start of the novel as I did at the end. And there is so much senseless death and destruction. The same about the plot too. We see something major happen in the beginning chapters and the book concludes with the groups still in much the same positions, and a few small victories for our protagonists. So ‘The Ask and the Answer’ left me frustrated because there didn’t feel like the characters or the story have changed or evolved much from start to finish – and this is one of the longer novels I’ve read of late. So much time invested for little return.

Patrick Ness has a lovely writing style. The use of dialect to distinguish between the two narratives for our protagonists make it instant and easy to recognise whose voice is whose. You get an instant picture of the setting of each scene, and the use of font and format for the mental projection of thought (Noise) of the males is unique… but all this goes up against unending violence, subjugation, and long monotonous monologues. I honestly felt like the whole novel is one big manexplanation.

I really wanted to love ‘The Ask and the Answer.’ I really did. It has all the trappings of a story that completely takes me over, but it didn’t execute it well enough for me to sing it’s praises. It was a struggle to read and put a stain on my experience for the world of Todd and Viola. Plus I still have a Manchee hangover…

For YA, I don’t think this is something I’m happy to recommend. That target market have less patience than I do, and this really felt more like a social commentary on racism and colonialization than it did on science fiction.

Overall feeling: *jolts awake*

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Clockwork Princess’ (#3 The Infernal Devices) by Cassandra Clare

Steampunk magical zombies and so many men who just want to get married.

Genre: YA, Historical Fiction, Fantasy

No. of pages: 567

A net of shadows begins to tighten around the Shadowhunters of the London Institute. Mortmain plans to use his Infernal Devices, an army of pitiless automatons, to destroy the Shadowhunters. He needs only one last item to complete his plan: he needs Tessa Gray.

Charlotte Branwell, head of the London Institute, is desperate to find Mortmain before he strikes. But when Mortmain abducts Tessa, the boys who lay equal claim to her heart, Jem and Will, will do anything to save her. For though Tessa and Jem are now engaged, Will is as much in love with her as ever.

As those who love Tessa rally to rescue her from Mortmain’s clutches, Tessa realizes that the only person who can save her is herself. But can a single girl, even one who can command the power of angels, face down an entire army?

This concluding novel of the Infernal Devices trilogy brought everything to a dramatic climax and Tessa, Will, and Jem are all tested to the extreme.

We start to see more of the Shadowhunter lore and lifestyle instead of that of the 1800’s London society. It’s full on magic and paranormal. And it was such a fun adventure, though, to be honest, with did feel like a weak ending to the trilogy… maybe because it’s continued on in other series in the Shadowhunter universe in some form or other, or that I was a little over the too-frequently used tropes that Cassandra Clare loves to employ in her writing.

The secondary cast members get to play a greater role in the narrative in ‘Clockwork Princess’ you can get the sense of a strong team forming when facing the treat of the clockwork zombies that are immune to the defences of the Cleve’s magic protecting the hub and home of the London faction of Shadowhunters. I really enjoyed following their individual stories, their character development to have a break from the angsty love triangle of Tessa, Will, and Jem.

The concluding chapters dealt some twists that I did not see coming – but some that I did not altogether appreciate. While these plot reveals can sometimes be masterful, I found a few to be all too convenient and a bit of a cop out. But that’s just my opinion. I think because I was craving a bit more personal tension and drama for our trio at the centre of the series.

I’m not sure if it’s all the propriety of 1700’s society, or the way the relationships were written, but I wasn’t as sold on the Tessa love story; not as much as I was in Clary’s from the Mortal Instruments series – maybe because if felt a little copy and paste tropes of the bad boy with a heart of gold, and an everyday girl with a one-of-a-kind special talent that can save the world. I was craving something a bit different, more original. But the rest of the story, and the Shadowhunter universe I was really enjoying.

Mortmain was a weird antagonist – always in the periphery, out of reach. Not quite in the Shadowhunter, or Downworlder world. And as a consequence not someone as I thought of as all that scary. He came across as more annoying than maleficent. Though I appreciated the whole circumventing magic and wards with the invention of his clockwork army. That was true genius.

Now I’ve tucked this trilogy under my belt, I’m eager to finish off the Mortal Instruments series (the second trilogy) to see what happens with this background now established. I’d still recommend this collection, even though the ending didn’t quite stick for me. The concept and element of The Infernal Devices was truly entrancing. But maybe for those who love the Shadowhunter world – it’s not something that can be enjoyed in isolation… each of these trilogies sets up groundwork for the following trilogy.

Cassandra Clare’s writing style is light and manages to draw out period details expertly, I was never pulled from the narrative apart from moments when I was eye-rolling from the overused tropes. ‘Clockwork Princess’ was mostly predictable, a few surprised, but on the whole a solid read.

Overall feeling: Lukewarm

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Shadow and Bone’ (#1 The Shadow and Bone Trilogy) by Leigh Bardugo

A unique magical system set in historical Russia, this tale of a girl with special powers blasts competitors out of the water.

Genre: YA, Fantasy

No. of pages: 358

Alina Starkov doesn’t expect much from life. Orphaned by the Border Wars, she is sure of only one thing: her best friend, Mal–and her inconvenient crush on him. Until the day their army regiment enters the Fold, a swath of unnatural darkness crawling with monsters. When their convoy is attacked and Mal is brutally injured, Alina reveals a dormant power not even she knew existed.

Ripped from everything she knows, Alina is taken to the royal court to be trained as a member of the Grisha, the magical elite led by the mysterious Darkling. With Alina’s extraordinary power in his arsenal, he believes they can finally destroy the Fold. Now Alina must find a way to master her untamed gift and somehow fit into her new life without Mal by her side. But nothing in this lavish world is what it seems. As the threat to the kingdom mounts and her dangerous attraction to the Darkling grows, Alina will uncover a secret that could tear her heart–and her country–in two.

I did the mad rush to quickly get the book read before the television series was released – and thankfully managed it so that I could indulge in the series. It was a great kick in the pants for some motivation because this book has been sitting on my TBR shelf for years!

Shadow and Bone’ definitely lived up to the hype I’ve heard all of these years. Fantasy had fallen out of favour with me a while back, which is why I let this sit for so long, but it has re-ignited my interest in the genre. Leigh Bardugo has created a fantastical world of powered individuals called the Grisha, a dark cloud cutting their country in half called the Fold created by a powerful Grisha known as the Darkling. With warring countries, and a battle for power between the royals, church, and the Grisha this Russian landscape proves a formidable one for protagonist Alina and her childhood best friend Mal.

There is a bit of an overused trope here – the orphan who has a secret formidable power to save the world – but it is done so well that I didn’t mind it in the least. Alina is intelligent and there is a slow burn of her coming into her confidence and expanding her knowledge about the Grisha. A country at war provides a dynamic backdrop as Alina and Mal travel into the Fold where Alina’s Sun Summoner power first shows itself under attack from the monsters in the shadows.

There is some admirable character development for Alina in ‘Shadow and Bone.’  Though Mal comes in and out of the narrative and seems to be the same reliable and loyal friend Alina has always known, so I didn’t see much growth for his character. We get a sense that Mal could be a love interest, as too do we see the leader of the Grisha, the Darkling. I really loved how Alina investigates the world of the Grisha and tries to hold her made family of her and Mal together. There are some great reveals in ‘Shadow and Bone’ that help set a cracking pace. I devoured this novel in two sittings and it felt effortless. Leigh Bardugo’s writing style is breezy and melodic setting a beautiful tone, and you don’t see the twists and turns coming until they are upon you.

This book comes highly recommended and I can see why – I definitely agree this is in the top of my favourite reads in the fantasy genre to date. The concept of the amplifiers, though interwoven seamlessly into the story was the least plausible for me in this magic system. The idea of groups of powered Grisha, and the variations within those groups is truly fascinating. I’m sure we’ll get to explore much more in the following sequels.

I had a wonderful experience with ‘Shadow and Bone’ and am keen to jump into book two, ‘Siege and Storm’ right away.

Overall feeling: Magical!

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘The Knife of Never Letting Go’ (#1 Chaos Walking) by Patrick Ness

A tale of a boy and his dog… and a girl from outer space.

Genre: YA, Science Fiction

No. of pages: 512

Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him — something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn’t she killed by the germ like all the females on New World? Propelled by Todd’s gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is.

Dogs in novels are always a kicker for me. I love them characterised as one of the main cast, and the bond that pet Manchee has with protagonist Todd is pretty special, and I ate it up like a second helping of icecream.

There are so many exciting elements in “The Knife of Never Letting Go,’ colonisation of an alien planet, warring with the native inhabitants (The Spackle) which verges on genocide and slavery, sexism that is amplified as the male half of the population suddenly find their every thought is displayed for all to see through the ‘Noise,’ the arrival of a new colonist from another ship from Earth – Viola, and her introduction to Todd, a local boy who is starting to find out what he had been told about their village, and the circumstances of haw they now live aren’t entirely true. We even get to hear the thoughts of animals on the planet as well which is another dynamic that adds to the narrative.

Told in first person from Todd’s point of view we see how the safe little existence in his village is slowly dismantled, how most of what he has come to love, is now a threat as he chooses to protect and guide Viola. The discovery of a new colonising ship about to land on the planet stirs ideologies of control and dominance in Mayor Prentiss as he jostles to put himself in a position of power before the ship lands so he can maintain his status once the new colonists arrive. But Todd and Viola pose a threat with their uncovering of some awful truths… and if they tell their story to those on the ship before Mayor Prentiss can cement his position in society, it will all come crumbling down around him. Especially some of those dark, dangerous truths the village has hidden and spread false stories to hide.

This is essentially a road trip/chase as Todd and Viola leave the village that is the only place Todd has known his whole life, and head to the capital to radio the colony ship and warn them of what is awaiting them on the planet below.

There are some hard themes explored. It’s a gruelling journey as the teens are perused by zealots determined to either kill or bend the pair to their will. As Todd is only thirteen years old, I sometimes felt the narrative separated itself from the realities of a boy of that age. Plus there were a lot of illogical decisions make that didn’t make sense to me – both in this story and in how the society came to be. But it was great discovering the world through Todd’s naive eyes.

We get some great character development, both Todd and Viola have to face a much different world than they thought it to be. And they have to do it on their own with very little resources. Trust is tested and forces the teens to rely only in each other.

Aaron as a religious zealot and antagonist in this story is the one character that I had the most issue with – while great for the story, the realism of this did not sit well with me. He is seriously crazy. And in a world where the Noise leaves little to be hidden, that type of thinking should have isolated him from the colony, rendered him powerless. So while a great storytelling device, I held little value in him as a character.

There is also a heart-wrenching scene that just about ended me. I was audibly sobbing. I won’t say much more than that to avoid spoilers… but man, there is some brutality in the novel that is traumatising. And afterward I was trying to figure out what its role was in the grand scheme of the novel and while I understand it to an extent, it didn’t resonate well with me.

Patrick Ness has a great writing style, though I must admit I found the use of dialect a little off putting. To continually read grammatically incorrect sentences because of the education level of the protagonist is jarring. It’s either brilliant of annoying… maybe a little of both. Other than that it was fantastic to explore the alien planet, the Spackle, and the colonists with delicately painted scenes; though on the whole the novel did feel a little too long, and slightly over-dramatic.

I can see how it deserves some of the praise it’s received. However, when I think of the target market, ‘The Knife of Never Letting Go’ needs some serious trigger warnings. Some of the content is traumatic.

This is a soft recommendation from me. A great concept, interesting character development, if a little long.

Overall feeling: what the hell did I just go through?

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.

Book Review – ‘Clockwork Prince’ (#2 The Infernal Devices) by Cassandra Clare

Beautiful Victorian London, steampunk villains and paranormal creatures.

Genre: YA, Historical Fiction, Fantasy

No. of pages: 502

In the magical underworld of Victorian London, Tessa Gray has found safety with the Shadowhunters. But that safety proves fleeting when it becomes clear that the mysterious Magister will stop at nothing to use Tessa’s powers for his own dark ends.

With the help of the handsome, tortured Will and the devoted Jem, Tessa discovers that the Magister’s war on the Shadowhunters is deeply personal and fueled by revenge. To unravel the secrets of the past, the trio journeys from mist-shrouded Yorkshire to a manor house that holds untold horrors. When they encounter a clockwork demon bearing a warning for Will, they realize that the Magister knows their every move—and that one of their own has betrayed them.

Tessa is drawn more and more to Jem, though her longing for Will continues to unsettle her. But something is changing in Will. Could finding the Magister free Will from his secrets and give Tessa answers about who she really is? As their search leads to deadly peril, Tessa learns that secrets and lies can corrupt even the purest heart.

A steampunk Shadowhunter tale with the bad boy, his well-behaved best friend, and a girl who may or may not be a warlock.

While I really enjoyed this story, the pacing suffered at times. There were also many reveals, but none that fully rocked me to the core – so as a consequence, ‘Clockwork Prince’ did not engage and wow me as much as pervious titles in this series. Plus the character trope of male characters being a rude pig for the good of a potential love interest is tiresome and not a trope I particularly enjoy.

Though we see Tessa becoming more ingratiated into her Shadowhunter family, and joining the fray as they police the Downworld and uncover mysteries, there did not feel like her character got much development. Plus all this priority of the 1800’s society and etiquette vs the Shadowhunters culture seem to clash, and the English customs felt to serve only as a plot device to set up a situation between Tessa, Jem, and Will.

As mentioned above, I was beginning to become tired of the bad boy image hiding a genuine gentle soul that Will embodies. I just don’t understand the need to be obnoxious to keep people at an arm’s length. There are other ways to do this without falling into this trope. But I guess it is a favoured character trait in YA. Though where the story ends in ‘Clockwork Prince,’ I am interested to see how Will develops in the final instalment in this trilogy as he has no excuses to be the way he has been anymore.

Jem felt as if he was more in the background and a bit of a plot device for ‘Clockwork Prince.’ Apart from the growing relationship between him and Tessa, there was little else to his story.

This love triangle – and its developing story – felt a little off in this middle novel. It seems like Cassandra Clare quickly moved the chess pieces where she needed them to be for the finale and then treaded water. I think that’s why I felt the pacing suffered in parts. There was no character driving the story forward, it was more about positioning plot points for ‘Clockwork Princess.’

We do get resolution to a major plot point which was very satisfactory, and a few minor ones which all went the way of sensibility and practicality instead of some elaborate backstory.

Overall I really enjoyed ‘Clockwork Prince,’ but it did lack a certain something. But that is the way of many middle books in trilogies… I’m excited for ‘Clockwork Princess’ knowing what is left to be resolved, and how it will ultimately tie back into The Mortal Instruments series; and in true Cassandra Clare style, will no doubt be epic with many twist and turns.

Overall feeling: Pretty great fare!

© Casey Carlisle 2021. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Casey Carlisle with appropriate and specific direction to the original content.